The Sanest Guy In The Room
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| Author | : Don Black |
| Publisher | : Constable |
| Total Pages | : 273 |
| Release | : 2020-07-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 1472132920 |
THE SUNDAY TIMES BESTSELLER '. . . a compelling memoir. Breezy and unpretentious, The Sanest Guy in the Room is a delightful collection of memories, insider information and after-dinner anecdotes' The Times 'Brilliant stories and wonderful behind-the-scenes glimpses of a life and career in show-business . . . It's bloody brilliant . . . Read it!' Michael Ball Don Black is the songwriter's songwriter, a composer's dream collaborator, and the man behind some of the twentieth century's greatest musical numbers. Black made his first foray into the glittering world of showbiz as a stand-up, before realising his error and focusing on his lifelong passion instead - music. Shirley Bassey, Michael Jackson, Quincy Jones, Henry Mancini and Barbra Streisand are just some of the artists Black has worked with over the years - not to mention his frequent collaborator, West End legend Andrew Lloyd Webber - in what can only be described as a remarkable musical career. Yet, never one to court fame, Black has always remained what Mark Steyn coined as 'the sanest guy in the room'. Interwoven with the stories behind songs such as 'Diamonds are Forever' and 'Born Free' are vignettes of Black's life with his beloved wife Shirley, who died in March 2018, after almost sixty years of marriage. Black writes movingly about how the enormity of his grief changed his life, and how the dark days are slowly turning into dark moments. The Sanest Guy in the Room is a rich and delightful paean to a life lived through song. It reveals the essence of Black's craft, looks at those who have inspired him and allows us to understand what made those icons tick. It is also a poignant tribute to Shirley, his biggest inspiration. Told with wit, warmth and great humour, this is Don Black's astonishing musical journey and an insight into a life behind the lyrics.
| Author | : Andrew O'Hagan |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 293 |
| Release | : 2010 |
| Genre | : Fiction |
| ISBN | : 0151013721 |
Given as a Christmas present to Marilyn Monroe, Maf the dog provides keen insight into the world of the Hollywood starlet during the last two years of her life.
| Author | : Simon Fairlie |
| Publisher | : Chelsea Green Publishing |
| Total Pages | : 338 |
| Release | : 2010-12-17 |
| Genre | : Social Science |
| ISBN | : 1603583254 |
Meat: A Benign Extravagance is a groundbreaking exploration of the difficult environmental, ethical and health issues surrounding the human consumption of animals. Garnering huge praise in the UK, this is a book that answers the question: should we be farming animals, or not? Not a simple answer, but one that takes all views on meat eating into account. It lays out in detail the reasons why we must indeed decrease the amount of meat we eat, both for the planet and for ourselves, and yet explores how different forms of agriculture--including livestock--shape our landscape and culture. At the heart of this book, Simon Fairlie argues that society needs to re-orient itself back to the land, both physically and spiritually, and explains why an agriculture that can most readily achieve this is one that includes a measure of livestock farming. It is a well-researched look at agricultural and environmental theory from a fabulous writer and a farmer, and is sure to take off where other books on vegetarianism and veganism have fallen short in their global scope.
| Author | : Roger Daltrey |
| Publisher | : Henry Holt and Company |
| Total Pages | : 272 |
| Release | : 2018-10-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 125029603X |
The frontman of one of the greatest bands of all time tells the story of his rise from nothing to rock 'n' roll megastar, and his wild journey as the voice of The Who. “It’s taken me three years to unpack the events of my life, to remember who did what when and why, to separate the myths from the reality, to unravel what really happened at the Holiday Inn on Keith Moon’s 21st birthday,” says Roger Daltrey, the powerhouse vocalist of The Who. The result of this introspection is a remarkable memoir, instantly captivating, funny and frank, chock-full of well-earned wisdom and one-of-a-kind anecdotes from a raucous life that spans a tumultuous time of change in Britain and America. Born during the air bombing of London in 1944, Daltrey fought his way (literally) through school and poverty and began to assemble the band that would become The Who while working at a sheet metal factory in 1961. In Daltrey’s voice, the familiar stories—how they got into smashing up their kit, the infighting, Keith Moon’s antics—take on a new, intimate life. Also here is the creative journey through the unforgettable hits including My Generation, Substitute, Pinball Wizard, and the great albums, Who’s Next, Tommy, and Quadrophenia. Amidst all the music and mayhem, the drugs, the premature deaths, the ruined hotel rooms, Roger is our perfect narrator, remaining sober (relatively) and observant and determined to make The Who bigger and bigger. Not only his personal story, this is the definitive biography of The Who.
| Author | : Joe Mellen |
| Publisher | : MIT Press |
| Total Pages | : 193 |
| Release | : 2015-10-29 |
| Genre | : Biography & Autobiography |
| ISBN | : 1907222391 |
A heavily expanded edition of Joe Mellen's legendary, long out-of-print auto-trepanation memoir. A heavily expanded edition of Joe Mellen's legendary, long out-of-print auto-trepanation memoir, Bore Hole takes us deep into the dawning of the UK's psychedelic counter culture, and into a mind breaking free from the confines of a traditional English upbringing. Travelling to Morocco and Ibiza, then back to the first spring of swinging London, Joe Mellen discovers the pleasures of hashish, is captivated by the visionary intensity of LSD and, after meeting the Dutch psychedelic guru Bart Huges, attempts the ultimate head trip, the bore hole. As well as a selection of unseen archive photographs, this edition includes a new postscript, essays, appendices and a 1967 interview with Bart Huges.
| Author | : Chris Balish |
| Publisher | : |
| Total Pages | : 228 |
| Release | : 2006 |
| Genre | : Automobile ownership |
| ISBN | : |
| Author | : Michael Ball |
| Publisher | : Kings Road Publishing |
| Total Pages | : 291 |
| Release | : 2023-10-12 |
| Genre | : Biography & Autobiography |
| ISBN | : 1785120093 |
UNLOCK THE MAGIC OF THEATRE THIS CHRISTMAS - GO BEHIND THE CURTAIN WITH WEST END LEGEND, MICHAEL BALL IN HIS FIRST MEMOIR 'Love, laughter and tears abound in this warm, entertaining read' Woman and Home 'Glittering' Daily Mail 'Wonderful' The Sun In 1989, a young Michael Ball landed the lead role in the musical Aspects of Love. It was a moment that changed his life forever. It was the first time he worked with legends of the stage like Andrew Lloyd Webber and Trevor Nunn; the show featured his smash hit song, Love Changes Everything, which rode high in the charts for 15 weeks; it was then, also, that he first met his long-term partner Cathy McGowan and battled back against the stage fright that had threatened his career. Over three decades later, Michael returned to a new production of the same show where he made his name, and with a lifetime's worth of stories to tell. In Different Aspects, Michael takes us backstage inside the making of a West End hit, while also diving back into his memories to share untold anecdotes and explore a glittering career that has made him a household name - from his first stage experiences in Les Misérables and Phantom of the Opera, to delighting and shocking his audiences in equal measure in Hairspray and Sweeney Todd, as well as his chart-topping musical success (and some howlers too!). Exploring Michael's life, career and relationships alongside the pitfalls and pratfalls of modern theatre, Different Aspects is the story of a life lived on the stage. There will be laughter, tears and an abundance of heart. There's even some Roger Moore, though, famously, not quite enough. Take your seats ladies and gentlemen, the lights are dimming, the performance is about to start. Readers are loving Different Aspects... 'A very funny, insightful glimpse of the highs and lows of a musical theatre star' 'If you love Michael Ball, you'll love this' 'His story made me smile' 'Filled with wonderful little stories' 'Interesting, honest and revealing'
| Author | : Jayne Ann Krentz |
| Publisher | : Penguin |
| Total Pages | : 321 |
| Release | : 2022-01-18 |
| Genre | : Fiction |
| ISBN | : 0593337751 |
The final installment in the chilling Fogg Lake trilogy by New York Times bestselling author Jayne Ann Krentz. Olivia LeClair's experiment with speed dating is not going well. First there was the nasty encounter with the date from hell who tried to murder her and now the mysterious Harlan Rancourt—long believed dead—sits down at her table and tells her she's the only one who can help him locate the Bluestone Project’s legendary Vortex lab. This is not what Olivia had in mind when she signed up for the Four Event Success Guaranteed package offered by the dating agency. She doesn't have much choice, though, because her psychic investigation firm works for the mysterious Foundation and Victor Arganbright, the director, is adamant that she assist Harlan. There's just one problem—no one knows Harlan's real agenda. His father once ran the Foundation like a mob organization, and Harlan was destined to be his heir. There's a real possibility Harlan has returned to claim his inheritance. For now, however, it's a case of the enemy of my enemy is my friend because others are after the secrets of the long-lost lab. Unfortunately for Olivia, the one thing friend and foe have in common is that everyone is convinced she is the key. Her unique psychic talent is required to defuse the ticking time bomb that is Vortex. Neither trusts the other but Olivia and Harlan soon realize they must work together to survive and unlock the Bluestone Project's most dangerous secrets before more innocent people die.
| Author | : Karen Hall |
| Publisher | : Simon and Schuster |
| Total Pages | : 416 |
| Release | : 2016-03-15 |
| Genre | : Fiction |
| ISBN | : 150110411X |
"When Randa, a reporter for an alternative newspaper in Los Angeles, receives an urgent phone call from her estranged lover, Cam, she rushes to his apartment. She arrives to discover that he's leapt from the building to his death. Police believe that before committing suicide, Cam also murdered someone in a convenience store, but Randa does not believe Cam is capable of such an act. She seeks out Cam's brother, Jack, who is living off the grid, somewhere near Atlanta, in hope of figuring out what really happened. Meanwhile, a Jesuit priest named Michael Kinney has been exiled from New York City to the boondocks of Georgia after making controversial public statements. He has said things that educated people of faith are not supposed to express. Even more problematically, he has fallen in love with a woman, and the last surviving member of his family has kept a shocking family secret"--
| Author | : Grace Barnes |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 269 |
| Release | : 2022-07-14 |
| Genre | : Performing Arts |
| ISBN | : 1350243558 |
National Identity and the British Musical: From Blood Brothers to Cinderella examines the myths associated with national identity which are reproduced by the British musical and asks why the genre continues to uphold, instead of challenging, outdated ideals. All too often, UK musicals reinforce national identity clichés and caricatures, conflate 'England' with 'Britain' and depict a mono-cultural nation viewed through a nostalgic lens. Through case studies and analysis of British musicals such as Blood Brothers, Six, Half a Sixpence and Billy Elliot, this book examines the place of the British musical within a text-based theatrical heritage and asks what, or whose, Britain is being represented by home grown musicals. The sheer number of people engaging with shows bestows enormous power upon the genre and yet critics display a reluctance to analyse the cultural meanings produced by new work, or to hold work to account for production teams and narratives which continue to shun diversity and inclusive practices. The question this book poses is: what kind of industry do we want to see in Britain in the next ten years? And what kind of show do we want representing the nation in the future?
