The Sahmat Collective
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| Author | : Jessica Moss |
| Publisher | : Smart Museum of Art, the University of C |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : ART |
| ISBN | : 9780935573534 |
"Founded in 1989, the influential Delhi-based artists' organization Sahmat has offered a platform for artists, writers, poets, musicians, and actors to create and present works that promote artistic freedom and secular, egalitarian values. A companion to an exhibit of the same name at the Smart Museum of Art, The Sahmat Collective explores the contemporary art scene in Delhi while meditating on the power of art as a tool for social change.The Sahmat Collective documents the history of the organization through a series of case studies, each presenting new scholarship, vivid images, reprints of original articles and essays, as well as interviews with artists and organizers of each project. Situating the collective within not only the political sphere in India, but also the contemporary art trends from around the world, this beautifully illustrated volume offers both critical essays on the art produced by Sahmat and texts on the political, social, and artistic climate in India by Smart Museum staff members, philosophers, musicians, members of Sahmat, art historians, anthropologists, and artists. "--
| Author | : Sudhanva Deshpande |
| Publisher | : Leftword Books |
| Total Pages | : 266 |
| Release | : 2019-10-24 |
| Genre | : Fiction |
| ISBN | : 9788194357919 |
This is not a story of death. It is a story of life. The luminous life of Safdar Hashmi, extraordinary in all its ordinariness.
| Author | : Gayatri Sinha |
| Publisher | : Damaris Publishing |
| Total Pages | : 350 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
The demand for Modern, Post-Modern and Contemporary Indian art among collectors all over the world has spiralled in the past few years. This book covers major trends in Indian art over the last 150 years, taking in a broad sweep the shift from traditional forms of painting through the mechanical reproduction to 21st century Contemporary art.
| Author | : Natasha Ginwala |
| Publisher | : Columbia Books on Architecture and the City |
| Total Pages | : 256 |
| Release | : 2020-10 |
| Genre | : |
| ISBN | : 9781941332634 |
Nights of the Dispossessed brings together artistic works, political texts, and research projects from across the world in an endeavor to sense, chronicle, and think through recent riots and uprisings.
| Author | : Papiya Ghosh |
| Publisher | : Routledge |
| Total Pages | : 285 |
| Release | : 2014-03-21 |
| Genre | : History |
| ISBN | : 1317809653 |
Preface Acknowledgements Introduction 1. Negotiating nations 2. Claiming Pakistan 3. Resisting Hindutva 4. Redoing South Asia 5. Conclusion Bibliography Index
| Author | : Amélie Blom |
| Publisher | : Taylor & Francis |
| Total Pages | : 401 |
| Release | : 2019-07-09 |
| Genre | : Social Science |
| ISBN | : 100002024X |
This book highlights the role of emotions in the contentious politics of modern South Asia. It brings new methodological, theoretical and empirical insights to the mutual constitution of emotions and mobilisations in India, Pakistan and Bangladesh. As such, it addresses three distinct but related questions: what do emotions do to mobilisations? What do mobilisations do to emotions? Further, what does studying emotions in mobilisations reveal about the political culture of protest in South Asia? The chapters in this volume emphasise that emotions are significant in politics because they have the power to mobilise. They explore a variety of emotions including anger, resentment, humiliation, hurt, despair, and nostalgia, and also enchantment, humour, pleasure, hope and enthusiasm. The interdisciplinary research presented here shows that integrating emotions improves our understanding of South Asian politics while, conversely, focusing on South Asia helps retool current thinking on the emotional dynamics of political mobilisations. The book offers contextual analyses of how emotions are publicly represented, expressed and felt, thus shedding light on the complex nature of protests, power relations, identity politics, and the political culture of South Asia. This cutting-edge research volume intersects South Asian studies, emotion studies and social movement studies, and will greatly interest scholars and students of political science, anthropology, sociology, history and cultural studies, and the informed general reader interested in South Asian politics.
| Author | : Elisabeth Armstrong |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2013-11-07 |
| Genre | : Social Science |
| ISBN | : 1317911415 |
This book describes the changing landscape of women’s politics for equality and liberation during the rise of neoliberalism in India. Between 1991 and 2006, the doctrine of liberalization guided Indian politics and economic policy. These neoliberal measures vastly reduced poverty alleviation schemes, price supports for poor farmers, and opened India’s economy to the unpredictability of global financial fluctuations. During this same period, the All India Democratic Women’s Association, which directly opposed the ascendance of neoliberal economics and policies, as well as the simultaneous rise of violent casteism and anti-Muslim communalism, grew from roughly three million members to over ten million. Beginning in the late 1980s, AIDWA turned its attention to women’s lives in rural India. Using a method that began with activist research, the organization developed a sectoral analysis of groups of women who were hardest hit in the new neoliberal order, including Muslim women, and Dalit (oppressed caste) women. AIDWA developed what leaders called inter-sectoral organizing, that centered the demands of the most vulnerable women into the heart of its campaigns and its ideology for social change. Through long-term ethnographic research, predominantly in the northern state of Haryana and the southern state of Tamil Nadu, this book shows how a socialist women’s organization built its oppositional strength by organizing the women most marginalized by neoliberal policies and economics.
| Author | : Saloni Mathur |
| Publisher | : Duke University Press |
| Total Pages | : 156 |
| Release | : 2019-10-22 |
| Genre | : Art |
| ISBN | : 1478003383 |
In A Fragile Inheritance Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram. Examining their written and visual works over the past fifty years, Mathur illuminates how her protagonists’ political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction. This book presents new understandings of the culture and politics of decolonization and the role of non-Western aesthetic avant-gardes within the discourses of contemporary art. Through skillful interpretation of Sundaram's and Kapur’s practices, Mathur demonstrates how received notions of mainstream art history may be investigated and subjected to creative redefinition. Her scholarly methodology offers an impassioned model of critical aesthetics and advances a radical understanding of art and politics in our time.
| Author | : Jitish Kallat |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art and history |
| ISBN | : 9780300171587 |
The basis for Kallat’s installation is a landmark speech delivered by Swami Vivekananda at the Parliament, which was held in conjunction with the World’s Columbian Exposition in Chicago in what is now the museum’s Fullerton Hall. The Parliament was the earliest attempt to create a global dialogue of religious faiths, and Vivekananda, eloquently addressing its 7,000 attendees, argued for an end of fanaticism and a respectful recognition of all traditions of belief through universal tolerance.
| Author | : Sumathi Ramaswamy |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 2021-02-24 |
| Genre | : |
| ISBN | : 9788194425786 |
- Mohandas K. Gandhi has been described as an artist of non-violence, crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, the great soul. Mohandas K. Gandhi has been described as 'an artist of non-violence, ' crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, 'the great soul.' His philosophy and praxis of satyagraha, non-violent civil disobedience, has been analyzed extensively. But is satyagraha also an aesthetic regime, with practices akin to a work of art? Is Gandhi, then, an artist of disobedience? Sumathi Ramaswamy explores these questions with the help of India's modern and contemporary artists who have over the past century sought out the Mahatma as their muse and invested in him across a wide range of media from painting and sculpture to video installation and digital production. At a time when Gandhi is a hallowed but hollow presence, why have they lavished so much attention on him? A hundred and fifty years after his birth, Gandhi is hyper visible across the Indian landscape from tea stalls and government offices to museums and galleries. This is ironical given that the Mahatma appeared to have had little time for the visual arts or for artists for that matter. Yet fascinatingly, the visual artist has emerged as Gandhi's conscience-keeper, reminding others of the meaning of the Mahatma in his own time and today. In so doing, these artists also reveal why this most disobedient of 'modern' icons has grabbed their attention, resulting in a veritable art of disobedience as an homage to one of the twentieth century's great prophets of disobedience.
