The Rulers of the Mediterranean
Author | : Richard Harding Davis |
Publisher | : |
Total Pages | : 248 |
Release | : 1893 |
Genre | : Mediterranean Sea |
ISBN | : |
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Author | : Richard Harding Davis |
Publisher | : |
Total Pages | : 248 |
Release | : 1893 |
Genre | : Mediterranean Sea |
ISBN | : |
Author | : Richard Harding Davis |
Publisher | : New York Harper 1894. |
Total Pages | : 248 |
Release | : 1893 |
Genre | : Mediterranean Region |
ISBN | : |
Author | : |
Publisher | : BRILL |
Total Pages | : 574 |
Release | : 2022-01-31 |
Genre | : History |
ISBN | : 900451158X |
(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.
Author | : Philip Michael Forness |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 474 |
Release | : 2021-07-19 |
Genre | : Religion |
ISBN | : 3110725614 |
The late antique and early medieval Mediterranean was characterized by wide-ranging cultural and linguistic diversity. Yet, under the influence of Christianity, communities in the Mediterranean world were bound together by common concepts of good rulership, which were also shaped by Greco-Roman, Persian, Caucasian, and other traditions. This collection of essays examines ideas of good Christian rulership and the debates surrounding them in diverse cultures and linguistic communities. It grants special attention to communities on the periphery, such as the Caucasus and Nubia, and some essays examine non-Christian concepts of good rulership to offer a comparative perspective. As a whole, the studies in this volume reveal not only the entanglement and affinity of communities around the Mediterranean but also areas of conflict among Christians and between Christians and other cultural traditions. By gathering various specialized studies on the overarching question of good rulership, this volume highlights the possibilities of placing research on classical antiquity and early medieval Europe into conversation with the study of eastern Christianity.
Author | : Christophe Picard |
Publisher | : Harvard University Press |
Total Pages | : 411 |
Release | : 2018-01-21 |
Genre | : History |
ISBN | : 0674660463 |
Christophe Picard recounts the adventures of Muslim sailors who competed with Greek and Latin seamen for control of the 7th-century Mediterranean. By the time Christian powers took over trade routes in the 13th century, a Muslim identity that operated within, and in opposition to, Europe had been shaped by encounters across the sea of the caliphs.
Author | : David Abulafia |
Publisher | : Getty Publications |
Total Pages | : 328 |
Release | : 2003 |
Genre | : History |
ISBN | : 9781606060575 |
What is the Mediterranean? - Physical setting - Trading empires - Sea routes - Mare Nostrum - Christian Mediterranean - Resurgent Islam - Battleground of the European powers - Globalized Mediterranean.
Author | : |
Publisher | : BRILL |
Total Pages | : 577 |
Release | : 2017-09-25 |
Genre | : History |
ISBN | : 9004349618 |
The Crown of Aragon. A Singular Mediterranean Empire recovers the history of an empire which was of great importance in the late medieval Mediterranean, but which has since been relegated almost to oblivion by the course of history. The Crown of Aragon was a Mediterranean crossroads: between west and east for the economy, and between north and south for culture and religion, drawing in many different peoples, covering Iberia to Greece. A new vision of the Crown of Aragon as a framework of overlapping identities facilitates its historiographical recovery, showcased in the chapters of this volume which analyse the economy, institutions, social evolution, political strategy and cultural expression in literature and art of the Crown of Aragon. Contributors are David Abulafia, Lola Badia, Xavier Barral-i-Altet, Pere Benito, Maria Bonet, Jesús Brufal, Alessandra Cioppi, Damien Coulon, Luciano Gallinari, Isabel Grifoll, Adam J. Kosto, Esther Martí-Setañés, Sebastiana Nocco, Antoni Riera, Flocel Sabaté and Antoni Simon.
Author | : Guy D. Middleton |
Publisher | : Cambridge University Press |
Total Pages | : 463 |
Release | : 2017-06-26 |
Genre | : History |
ISBN | : 110715149X |
In this lively survey, Guy D. Middleton critically examines our ideas about collapse - how we explain it and how we have constructed potentially misleading myths around collapses - showing how and why collapse of societies was a much more complex phenomenon than is often admitted.
Author | : Phillip Williams |
Publisher | : Bloomsbury Publishing |
Total Pages | : 384 |
Release | : 2014-05-12 |
Genre | : History |
ISBN | : 0857725750 |
In the century after 1530 the Habsburgs of Spain and the Ottoman Turks fought a maritime war that seemed destined to lead nowhere. Lasting peace was as unlikely as final triumph, in part because the principal beneficiaries of the fighting were pirates or 'corsairs' based in ports such as Malta and Algiers. It was also a war of unequal means, since the Habsburgs had too few good warships and the Ottomans too many bad ones. Phillip Williams here provides a detailed examination of the oared warships used in the fighting, the structures of political and military organization, the role of geography and the environment and the respective claims to be defending 'Christendom' and 'Islam' advanced by Habsburg rulers such as Charles V and Philip II and the Ottoman Sultan Suleyman the Magnificent. Providing a unique perspective on early modern maritime conflict, this book will be essential reading for all students and researchers of Mediterranean History and the early modern world.
Author | : Joan Aruz |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 452 |
Release | : 2014-09-15 |
Genre | : Art |
ISBN | : 0300208081 |
Bringing together the research of internationally renowned scholars, Assyria to Iberia at the Dawn of the Classical Age contributes significantly to our understanding of the epoch-making artistic and cultural exchanges that took place across the Near East and Mediterranean in the early first millennium B.C. This was the world of Odysseus, in which seafaring Phoenician merchants charted new nautical trade routes and established prosperous trading posts and colonies on the shores of three continents; of kings Midas and Croesus, legendary for their wealth; and of the Hebrew Bible, whose stories are brought vividly to life by archaeological discoveries. Objects drawn from collections in the Middle East, Europe, North Africa, and the United States, reproduced here in sumptuous detail, reflect the cultural encounters of diverse populations interacting through trade, travel, and migration as well as war and displacement. Together, they tell a compelling story of the origins and development of Western artistic traditions that trace their roots to the ancient Near East and across the Mediterranean world. Among the masterpieces brought together in this volume are stone reliefs that adorned the majestic palaces of ancient Assyria; expertly crafted Phonecian and Syrian bronzes and worked ivories that were stored in the treasuries of Assyria and deposited in tombs and sanctuaries in regions far to the west; and lavish personal adornments and other luxury goods, some imported and others inspired by Near Eastern craftsmanship. Accompanying texts by leading scholars position each object in cultural and historical context, weaving a narrative of crisis and conquest, worship and warfare, and epic and empire that spans both continents and millennia. Writing another chapter in the story begun in Art of the First Cities (2003) and Beyond Babylon (2008), Assyria to Iberia offers a comprehensive overview of art, diplomacy, and cultural exchange in an age of imperial and mercantile expansion in the ancient Near East and across the Mediterranean in the first millennium B.C.—the dawn of the Classical age.