True Grit

True Grit
Author: Charles Portis
Publisher: Abrams
Total Pages: 127
Release: 2010-11-05
Genre: Fiction
ISBN: 1590206509

#1 New York Times bestseller “An epic and a legend” —Washington Post “Quite simply, an American masterpiece.” —Boston Globe “The dialogue in True Grit is exquisite.” —David Mamet “Charles Portis had a wonderful talent—original, quirky, exciting.” —Larry McMurtry Charles Portis has long been acclaimed as one of America’s most enduring and incomparable literary voices, and his novels have left an indelible mark on the American canon. True Grit, his most famous novel, was first published in 1968, and has garnered critical acclaim as well as enthusiastic praise from countless passionate fans for more than fifty years. This story of danger and adventure in the old west became the basis for two award-winning films, the first starring John Wayne, in his only Oscar-winning role, as Marshall Rooster Cogburn, and the widely praised remake by the Coen brothers, starring Jeff Bridges. True Grit tells the story of Mattie Ross, who is just fourteen when the coward Tom Chaney shoots her father in Fort Smith, Arkansas, and robs him of his life, his horse, and $150 cash. Filled with an unwavering urge to avenge her father’s blood, Mattie finds and, after some tenacious finagling, enlists one-eyed Rooster Cogburn, the meanest available US Marshal, as her partner in pursuit, and they head off into Indian Territory after the killer. True Grit is essential reading. Not just a classic Western, but an undeniable classic of American literature as eccentric, cool, funny, and unflinching as Mattie Ross herself. For fans of either the John Wayne classic or the more recent Coen brothers’ movie, it’s a chance to relive the story of Mattie and Rooster and experience their story as it was originally told. For fans of taut, funny storytelling, it will be a joy to experience in its original form. This edition includes an afterword by bestselling author Donna Tartt (The Secret History and The Goldfinch) and a reading group guide.

The Citadel of Fear

The Citadel of Fear
Author: Francis Stevens
Publisher: Simon and Schuster
Total Pages: 207
Release: 2024-10-22
Genre: Fiction
ISBN: 1804171719

Two adventurers, prospecting for gold in the jungles of Mexico, stumble across a lost Aztec city and cause an ancient evil to be unleashed. An early science fiction masterpiece written by Gertrude Barrows Bennett, writing as Francis Stevens. Discovering a lost city in the Mexican jungle, two adventurers embark on a terrifying journey. Disturbing ancient gods and nightmare creatures, they find a hidden civilization of Aztecs and bring dark magic into the modern world. With a potent cocktail of romance, revenge and swampish evil this book is one of the earliest examples of fantasy and remains an enthralling read. Gertrude Barrows Bennett, writing as Francis Stevens, is often regarded as the founder of dark fantasy and was admired by H.P. Lovecraft amongst many, with some ranking her alongside Mary Shelley in impact and imaginative power. Foundations of Feminist Fiction. The early 1900s saw a quiet revolution in literature dominated by male adventure heroes. Both men and women moved beyond the norms of the male gaze to write from a different gender perspective, sometimes with female protagonists, but also expressing the universal freedom to write on any subject whatsoever.

Catalogue

Catalogue
Author: Dulau & Co., ltd., Booksellers, London
Publisher:
Total Pages: 622
Release: 1927
Genre:
ISBN:

American Film Personnel and Company Credits, 1908-1920

American Film Personnel and Company Credits, 1908-1920
Author: Paul C. Spehr
Publisher: McFarland
Total Pages: 728
Release: 1996
Genre: Performing Arts
ISBN:

Einar Lauritzen and Gunar Lundquist published the definitive American Film Index, 1908-1915, and its companion volume for the years 1916 through 1920. The current work indexes Lauritzen and Lundquists works and stands in its own right as a definitive reference work on early American filmmaking, with or without access to the ground-breaking predecessor volume. This work lists 33,664 films, 23,159 names, 1,025 companies and 785 works that were adapted into movies. The work includes extensive cross-referencing and "see" references for alternate titles and names.

In Search of the Dark Ages

In Search of the Dark Ages
Author: Michael Wood
Publisher: Random House
Total Pages: 286
Release: 2015-05-14
Genre: History
ISBN: 1448141516

Updated with the latest archaeological research new chapters on the most influential yet widely unrecognised people of the British isles, In Search of the Dark Ages illuminates the fascinating and mysterious centuries between the Romans and the Norman Conquest of 1066. In this new edition, Michael Wood vividly conjures some of the most important people in British history such as Hadrian, a Libyan refugee from the Arab conquests and arguably the most important person of African origin in British history, to Queen Boadicea, the leader of a terrible war of resistance against the Romans. Here too, warts and all, are the Saxon, Viking and Norman kings who laid the political foundations of England: Offa of Mercia, Alfred the Great, Athelstan, and William the Conqueror, whose victory at Hastings in 1066 marked the end of Anglo-Saxon England. Reflecting the latest historical, textual and archaeological research, this revised and updated edition of Michael Wood's classic book overturns preconceptions of the Dark Ages as a shadowy and brutal era, showing them to be a richly exciting and formative period in the history of Britain.

The Popol Vuh

The Popol Vuh
Author: Lewis Spence
Publisher: New York : AMS Press
Total Pages: 80
Release: 1908
Genre: Social Science
ISBN:

American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929

American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
Author: John T. Soister
Publisher: McFarland
Total Pages: 831
Release: 2014-01-10
Genre: Performing Arts
ISBN: 0786487909

During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.

Singing Like Germans

Singing Like Germans
Author: Kira Thurman
Publisher: Cornell University Press
Total Pages: 434
Release: 2021-10-15
Genre: Social Science
ISBN: 150175985X

In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.