The Roof Garden Commission: Pierre Huyghe

The Roof Garden Commission: Pierre Huyghe
Author: Ian Alteveer
Publisher: Metropolitan Museum of Art
Total Pages: 67
Release: 2015-05-11
Genre: Art
ISBN: 1588395693

Acclaimed French artist Pierre Huyghe has spent the past twenty-five years experimenting in a great variety of media, from drawing and film to uncommon components such as living animals, plants, and other natural elements. His new project, Rite Passage (2015), conceived and created for The Metropolitan Museum of Art, will explore the transformation of cultural and biological systems through the Museum’s collection, architecture, and surroundings. This fascinating and informative book is the third in a series that documents and contextualizes the Met’s annual rooftop commissions. The introductory essay by Ian Alteveer discusses the nineteenth-century scientific and artistic endeavors that have long inspired Huyghe. The dynamic interview between the artist and Sheena Wagstaff explores the conceptual framework for Huyghe’s latest project as well as the wide-ranging sources that inform this remarkable event.

Dan Graham

Dan Graham
Author: Dan Graham
Publisher: Yale University Press
Total Pages: 67
Release: 2014-07-08
Genre: Art
ISBN: 0300208758

Dan Graham’s commissioned installation for the roof garden of The Metropolitan Museum of Art, as well as his previous related site-specific architectural works, is the focus of this fascinating publication.

Imran Qureshi

Imran Qureshi
Author: Ian Alteveer
Publisher: Metropolitan Museum of Art
Total Pages: 66
Release: 2013
Genre: Art
ISBN: 1588395197

"This catalogue is published in conjunction with "The Roof Garden Commission: Imran Qureshi" on view at The Metropolitan Museum of Art, New York, from May 14 through November 3, 2013."

The Roof Garden Commission: Lauren Halsey

The Roof Garden Commission: Lauren Halsey
Author: Abraham Thomas
Publisher: Metropolitan Museum of Art
Total Pages: 68
Release: 2023-05-01
Genre: Art
ISBN: 1588397491

Lauren Halsey is known for her sculptures, mixed media works, and site-specific installations that remix (or, as Halsey says, “funkify”) history by combining signs, symbols, and architecture from the past, present, and future. In her new installation for The Met’s Roof Garden Commission series, she brings together ancient Egyptian–inspired iconography and sculpture with signage and texts drawn from the artist’s local community in South Central Los Angeles. Accompanied by new photography and unpublished sketches from Halsey’s studio, this compact volume contains an insightful essay by curator Abraham Thomas that examines Halsey’s artistic process and considers this installation in the context of her past work. In a revealing interview with poet Douglas Kearney, the artist discusses her diverse influences—which include ancient Egyptian relief carving, funk music, Afrofuturism, and the architecture of L.A.—and elaborates on the importance of community building and engagement in the spaces she creates.

The Roof Garden Commission: Petrit Halilaj: Abetare

The Roof Garden Commission: Petrit Halilaj: Abetare
Author: David Breslin
Publisher: Metropolitan Museum of Art
Total Pages: 68
Release: 2024-04-29
Genre: Art
ISBN: 1588397769

Petrit Halilaj’s immersive installations express the artist’s wish to alter the course of personal and collective histories, creating complex worlds that claim space for freedom, desire, intimacy, and identity. In his first major outdoor installation, the artist explores the intersection of reality and fantasy through the rich world of children’s drawings. This volume examines Halilaj’s inspiration for the work in found inscriptions, carvings, and scribbles collected from desks at his former primary school and other schools in Eastern Europe—a record of children’s fantasies, fears, and private messages conveyed in many languages. An interview with Halilaj connects his practice with those of artists such as Louise Bourgeois and Julio González, situates this project within his broader career, and considers how memory, identity, and history present in his work. This publication reveals his new installation to be at once a story of children in a time and place marked by social and political conflict and a universal reflection on youthful imagination, hopes, yearnings, anxieties, and dreams.

Art School

Art School
Author: Steven Henry Madoff
Publisher: MIT Press
Total Pages: 387
Release: 2009-09-11
Genre: Art
ISBN: 0262134934

Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle

Artificial Hells

Artificial Hells
Author: Claire Bishop
Publisher: Verso Books
Total Pages: 483
Release: 2012-07-24
Genre: Art
ISBN: 1781683972

Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

Transfixed by Prehistory

Transfixed by Prehistory
Author: Maria Stavrinaki
Publisher: Princeton University Press
Total Pages: 300
Release: 2022-05-24
Genre: Art
ISBN: 194213066X

An examination of how modern art was impacted by the concept of prehistory and the prehistoric Prehistory is an invention of the late nineteenth century. In that moment of technological progress and acceleration of production and circulation, three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to surmise the age of the Earth; second, to find the point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki considers the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if considered through these three interwoven inventions of the longue durée. Transfixed by Prehistory attempts to articulate such a history, which turns out to be more complex than an inevitable march of progress leading up to the Anthropocene. Rather, it is a history of stupor, defamiliarization, regressive acceleration, and incessant invention, since the “new” was also found in the deep sediments of the Earth. Composed of as much speed as slowness, as much change as deep time, as much confidence as skepticism and doubt, modernity is a complex phenomenon that needs to be rethought. Stavrinaki focuses on this intrinsic tension through major artistic practices (Cézanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Jünger), and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology.

Before Yesterday We Could Fly: An Afrofuturist Period Room

Before Yesterday We Could Fly: An Afrofuturist Period Room
Author: Ian Alteveer
Publisher: Metropolitan Museum of Art
Total Pages: 52
Release: 2022-02-04
Genre: Art
ISBN: 1588397459

Seneca Village—a vibrant nineteenth-century community of predominantly Black landowners and tenants—flourished just west of The Met's current location until the city used eminent domain to seize the land in 1857, displacing its residents to make room for the construction of Central Park. The Met's latest Bulletin, Before Yesterday We Could Fly: An Afrofuturist Period Room, imagines a different history in the form of a new type of installation that departs from traditionally Eurocentric period displays to present a fictional but resonant domestic space. Texts by Ian Alteveer, Hannah Beachler, Michelle Commander, and Sarah Lawrence honor the real, lived history of the Seneca Village residents, while also exploring works by Black creators from the eighteenth century to the present day through the empowering lens of Afrofuturism. Including images of new works by Njideka Akunyili Crosby, Roberto Lugo, and Cyrus Kabiru, as well as an original graphic novella by New York Times bestselling author and illustrator John Jennings, this publication foregrounds generations of Black creativity and looks forward to a resilient future.

Spaces of Experience

Spaces of Experience
Author: Charlotte Klonk
Publisher:
Total Pages: 305
Release: 2009-01-01
Genre: Architecture
ISBN: 9780300151961

This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the 18th to the late 20th century. It offers a detailed account of the different displays that have been created—the colors of the background walls, lighting, furnishings, the height and density of the art works on show—and it traces the different scientific, political and commercial influences that lay behind their development. Charlotte Klonk shows that scientists like Hermann von Helmholtz and Wilhelm Wundt advanced theories of perception that played a significant role in justifying new modes of exhibiting. Equally important for the changing modes of exhibition in art galleries was what Michael Baxandall has called “the period eye,” a way of seeing informed by the impact of new fashions in interior decoration and by department store and shop window displays. The history of museum interiors, she argues, should be appreciated as a revealing chapter in the broader history of experience.