The Romanticism Of 17th Century Japanese Poetry
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Author | : Douglas Kenning |
Publisher | : Edwin Mellen Press |
Total Pages | : 312 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : |
Examines the historical situation and developments in Japan and points out the parallels between English Romanticism and the poetics of the Kambun and Genroku periods, and especially shomon poets of the Japanese 17th century.
Author | : Masako Nakagawa Graham |
Publisher | : |
Total Pages | : 320 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : |
This study addresses the evolution of the Yang Kuei-fei legend, which has been told and retold in works of Japanese verse and prose.
Author | : Gladys E. Nakahara |
Publisher | : |
Total Pages | : 376 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : |
What CHOICE says: The Ryoojinhishoo provides rare insight into the lives and culture of common people in the Heian period. Songs of prostitutes, cormorant fishermen, children, gamblers, and mothers voice timeless emotions. The other scholarly monograph in English on the Ryoojinhishoo, Yung-Hee Kim's outstanding Songs to Make the Dust Dance (CH, Jul'94), provides a translation of 222 of the extant songs and gives a full account of Emperor Go-Shirakawa's relationship to the collection. Nakahara includes translations of all 571 extant songs, and her introduction sets the songs in the context of a masterfully reconstructed history of the folk-song genre. The previously untranslated songs include many on Buddhist themes. These songs are a priceless record of how ordinary people in the Heian period understood Buddhism; indeed, their existence refutes the notion that popular Buddhism began in the Kamakura period. Nakahara's translations, accompanied by romanized versions of the original, are fluid and well annotated. This fine work is both scholarly and imminently accessible in style and content. When the print-run of this hard-cover edition is exhausted, some press should consider it for a paperback edition. Summing Up: Highly recommended. All collections supporting the study of Japanese literature and culture.
Author | : Aleksandr Arkadʹevich Dolin |
Publisher | : |
Total Pages | : 408 |
Release | : 2010 |
Genre | : Japanese poetry |
ISBN | : |
Author | : Rakesh Rathod (MA English |
Publisher | : Nitya Publications |
Total Pages | : 120 |
Release | : 2019-01-01 |
Genre | : Religion |
ISBN | : 8194343232 |
“In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” Pride and Prejudice by Jane Austen Changes in society, beginning in the 18th century and continuing into our own time, underlie the Romantic Movement. It starts as a reaction against the intellectualism of the Enlightenment, against the rigidity of social structures protecting privilege, and against the materialism of an age which, in the first stirring of the Industrial Revolution, already shows signs of making workers the slaves of machinery and of creating squalid urban environments.
Author | : Noriko T. Reider |
Publisher | : |
Total Pages | : 212 |
Release | : 2002 |
Genre | : Literary Criticism |
ISBN | : |
This book is intended to assess the significance of kaidan, specifically its multi-dimensional reflection of an impact on Japanese culture in the Edo period. The legacy of Japan's cultural efflorescence in the late eighteenth century was far-reaching, its fruits often seen as epitomizing the entire Tokugawa period. In the years between the Kan'en era (1748-1751) and the chilling effects of the Kansei Reforms (1790), there was no dearth of innovative belletristic expression, but in the area of fiction, the yomihon of Ueda Akinari (1734-1809) eclipse all else. Professor Reider's outstanding study treats this unusual scion of a remarkable age, contextualizing his work from a unique perspective. Under various noms de plume, Akinari authored significant works in several genres of both poetry and prose, but his greatest opus is incontrovertibly his Ugetsu monogatari (Tales of Moonlight and Rain), a collection of nine stories that revolutionized tales of the supernatural, elevating the genre to unprecedented levels of style and sophistication. Such a work deserves - and has duly received - ample critical attention from scholars on both sides of the Pacific, resulting in a plethora of seco
Author | : |
Publisher | : Tuttle Publishing |
Total Pages | : 368 |
Release | : 1998-04-15 |
Genre | : Poetry |
ISBN | : 146291649X |
"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.
Author | : Elizabeth Lillehoj |
Publisher | : University of Hawaii Press |
Total Pages | : 298 |
Release | : 2003-11-30 |
Genre | : Art |
ISBN | : 082486204X |
In the West, classical art—inextricably linked to concerns of a ruling or dominant class—commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600–1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a "classical revival," "era of classicism," or a "renaissance." How did seventeenth-century artists and patrons imagine the past? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan—just as in the West. The authors of the essays collected here are by no means unanimous in their assessment of the use of the label "classicism." Although they may not agree on a definition of the term and its applicability to seventeenth-century Japanese art, all recognize the relevance of recent scholarly currents that call into question methods that privilege Western culture. Their various approaches—from stylistic analysis and theoretical conceptualization to assessment of related political and literary trends—greatly increase our understanding of the art of the period and its function in society. Contributors: Laura Allen, Karen Gerhart, Elizabeth Lillehoj, Sam Morse, Joshua Mostow, Keiko Nakamachi, Quittman Eugene Phillips, Satoko Tamamushi, Melanie Trede.
Author | : Haruo Shirane |
Publisher | : Columbia University Press |
Total Pages | : 1054 |
Release | : 2002-07-10 |
Genre | : Literary Criticism |
ISBN | : 0231507437 |
This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyôshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gôkan (bound books), and ninjôbon (books of romance and sentiment). The anthology also offers a rich array of poetry—waka, haiku, senryû, kyôka, kyôshi—and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyôshi and gôkan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama.
Author | : Kōjin Karatani |
Publisher | : Duke University Press |
Total Pages | : 244 |
Release | : 1993 |
Genre | : Literary Criticism |
ISBN | : 9780822313236 |
Karatani Kojin is one of Japan's leading critics. In his work as a theoretician, he has described Modernity as have few others; he has re-evaluated the literature of the entire Meiji period and beyond. As one critic has said, Karatani's thought "has had a profound effect on the way we formulate the questions we ask about modern literature and culture ... [his] argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself." Among the many authors discussed are Soseki Natsume, Doppo Kunikida, Katai Tayama, and Shoyo Tsubouchi.