The Robert Lehman Collection American Drawings And Watercolors
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Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 410 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.
Author | : Richard R. Brettell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2002 |
Genre | : Drawing |
ISBN | : 1588390004 |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 115 |
Release | : 1965 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art New York |
Total Pages | : 280 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.
Author | : Carol Clark |
Publisher | : Princeton University Press |
Total Pages | : 259 |
Release | : 1992 |
Genre | : Art |
ISBN | : 9780691032085 |
Maurice Prendergast's Large Boston Public Garden Sketchbook, a book of 140 sketches he made in Paris in the 1890s, and four of his drawings from the early 1900s are the highlights of Robert Lehman's collection of American drawings and watercolors. Mr. Lehman also acquired a book of sketches that record Robert Henri's trip to Spain in 1906 and one of drawings by Henri's wife, Marjorie Organ; a sketchbook that David Levine filled with his impressions of Europe in 1960; and several other twentieth-century drawings and watercolors, by James McNeill Whistler, Charles Prendergast, George Luks, William Glackens, James Preston, and other American artists. This is the fifth to be published in a series of volumes that will be the first complete scholarly catalogue of the Robert Lehman Collection at the Metropolitan Museum of Art.
Author | : Fabrice Moireau |
Publisher | : Macmillan |
Total Pages | : 108 |
Release | : 2001-11-15 |
Genre | : Art |
ISBN | : 0312284160 |
Paris is seen through the eyes of artist Fabrice Moireau, with sketches in watercolor and pencil perfectly matched by an introduction by Mary A. Kelly. These residents of the world's most romantic capital city are the perfect guides to its streets, monuments, gardens and delightfully hidden corners.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art New York |
Total Pages | : 280 |
Release | : 1992 |
Genre | : Art |
ISBN | : |
Robert Lehman, one of the foremost art collectors of his generation, embraced traditional and modern masters. This work catalogues 130 nineteenth- and 20th-century paintings that are part of the Robert Lehman Collection at the Metropolitan Museum. It includes paintings by Ingres, Theodore Rousseau, and Corot among other early 19th-century artists. In addition to a group of early German drawings, this collection includes a Saint Paul from a series associated with Jan van Eyck and the famous Scupstoel from the circle of Rogier van der Weyden. It discusses all drawings, placing each in its art historical setting and complementing it with comparative illustrations of related works.
Author | : Carol Clark |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 273 |
Release | : 1992 |
Genre | : Drawing |
ISBN | : 0870996398 |
This volume in a series of sixteen that features the more than two thousand works of art in the Robert Lehman Collection at The Metropolitan Museum of Art focuses on American drawings and watercolors. -- Metropolitan Museum of Art website.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 350 |
Release | : 1980 |
Genre | : Art |
ISBN | : |
Author | : Richard R. Brettell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2009 |
Genre | : Painting, Modern |
ISBN | : 1588393496 |
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.