The Rhetoric Of The Conscience In Donne Herbert And Vaughan
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| Author | : Ceri Sullivan |
| Publisher | : OUP Oxford |
| Total Pages | : 291 |
| Release | : 2008-09-11 |
| Genre | : Literary Criticism |
| ISBN | : 0191563285 |
There is a kind of conscience some men keepe, Is like a Member that's benumb'd with sleepe; Which, as it gathers Blood, and wakes agen, It shoots, and pricks, and feeles as bigg as ten Donne, Herbert, and Vaughan see the conscience as only partly theirs, only partly under their control. Of course, as theologians said, it ought to be a simple syllogism, comparing actions to God's law, and giving judgement, in a joint procedure of the soul and its maker. Inevitably, though, there are problems. Hearts refuse to confess, or forget the rules, or jumble them up, or refuse to come to the point when delivering a verdict. The three poets are beady-eyed experts on failure. After all, where subjects can only discover their authentic nature in relation to the divine it matters whether the conversation works. Remarkably, each poet - despite their very different devotional backgrounds - uses similar sets of tropes to investigate problems: enigma, aposiopesis (breaking off), chiasmus, subjectio (asking then answering a question), and antanaclasis (repetition with a difference). Structured like a language, the conscience is tortured, rewritten, read, and broken up to engineer a proper response. Considering the faculty as an uncomfortable extrusion of the divine into the everyday, the rhetoric of the conscience transforms Protestant into prosthetic poetics. It moves between early modern theology, rhetoric, and aesthetic theory to give original, scholarly, and committed readings of the great metaphysical poets. Topics covered include boredom, torture, graffiti, tattoos, anthologizing, resentment, tears, dust, casuistry, and opportunism.
| Author | : Russell M. Hillier |
| Publisher | : Rutgers University Press |
| Total Pages | : 245 |
| Release | : 2021-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 164453228X |
This book brings together ten essays on John Donne and George Herbert composed by an international group of scholars. The volume represents the first collection of its kind to draw close connections between these two distinguished early modern thinkers and poets who are justly coupled because of their personal and artistic association. The contributors' distinctive new approaches and insights illuminate a variety of topics and fields while suggesting new directions that future study of Donne and Herbert might take. Some chapters explore concrete instances of collaboration or communication between Donne and Herbert, and others find fresh ways to contextualize the Donnean and Herbertian lyric, carefully setting the poetry alongside discourses of apophatic theology or early modern political theory, while still others link Herbert's verse to Donne's devotional prose. Several chapters establish specific theological and aesthetic grounds for comparison, considering Donne and Herbert's respective positions on religious assurance, comic sensibility, and virtuosity with poetic endings.
| Author | : Daniel Derrin |
| Publisher | : Fairleigh Dickinson |
| Total Pages | : 211 |
| Release | : 2013-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 1611476046 |
Rhetoric and the Familiar examines the writing and oratory of Francis Bacon and John Donne from the perspective of the faculty psychology they both inherited. Both writers inherited the resources of the classical rhetorical tradition through their university education. The book traces, from within that tradition, the sources of Bacon and Donne’s ideas about the processes of mental image making, reasoning, and passionate feeling. It analyzes how knowledge about those mental processes underlies the rhetorical planning of texts by Bacon, such as New Atlantis, Essayes or Counsels, Novum Organum, and the parliamentary speeches, and of texts by Donne such as the Verse Letters, Essayes in Divinity, Holy Sonnets, and the sermons. The book argues that their rhetorical practices reflect a common appropriation of ideas about mental process from faculty psychology, and that they deploy it in divergent ways depending on their rhetorical contexts. It demonstrates the vital importance, in early modern thinking about rhetoric, of considering what familiar remembered material will occur to a given audience, how that differs according to context, as well as the problems the familiar entails.
| Author | : Abraham Stoll |
| Publisher | : Cambridge University Press |
| Total Pages | : 231 |
| Release | : 2017-10-05 |
| Genre | : Literary Criticism |
| ISBN | : 1108418732 |
This is an examination of how early modern poets attempt to capture the experience of being in the grip of conscience.
| Author | : Giuseppina Iacono Lobo |
| Publisher | : University of Toronto Press |
| Total Pages | : 264 |
| Release | : 2017-01-01 |
| Genre | : History |
| ISBN | : 148750120X |
Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Revolutions of Conscience -- 1 Charles I, Eikon Basilike, and the Pulpit-Work of the King's Conscience -- 2 Oliver Cromwell and the Duties of Conscience -- 3 Early Quaker Writing and the Unifying Light of Conscience -- 4 Thomas Hobbes's Leviathan and the Civilizing Force of Conscience -- 5 Lucy Hutchinson's Revisions of Conscience -- 6 Milton's Nation of Conscience -- Afterword -- Notes -- Bibliography -- Index
| Author | : Frances Cruickshank |
| Publisher | : Routledge |
| Total Pages | : 146 |
| Release | : 2016-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1317002431 |
Innovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.
| Author | : Joshua R. Held |
| Publisher | : University of Alabama Press |
| Total Pages | : 249 |
| Release | : 2023-06-13 |
| Genre | : Literary Criticism |
| ISBN | : 0817361111 |
"'Bold Conscience' chronicles the shifting conception of conscience in early modern England, as it evolved from a faculty of restraint--what the author labels "cowardly conscience"--to one of bold and forthright self-assertion. Caught at the vortex of public and private concerns, the concept of the conscience played an important role in post-Reformation England, from clerical leaders on down to laymen, not least because of its central place in determining loyalties during the English Civil War and the consequent regicide of King Charles I. Yet within this mix of perspectives, the most sinuous, complex, and ultimately lasting perspectives on bold conscience emerge from deliberately literary, rhetorically artistic voices--Shakespeare, Donne, and Milton. Joshua Held argues that literary texts by these authors, in re-casting the idea of conscience as a private, interior, shameful state to one of boldness fit for the public realm, parallel a historical development in which the conscience becomes a platform both for royal power and for common dissent in post-Reformation England. With the 1649 regicide of King Charles I as a fulcrum that unites both literary and historical timelines, Held tracks the increasing power of the conscience from William Shakespeare's Hamlet and Henry VIII to John Donne's court sermons, and finally to Milton's Areopagitica and Charles's defense of his kingship, Eikon Basilike. In a direct attack on Eikon Basilike, Milton destroys the prerogative of the royal conscience in Eikonoklastes, and later in Paradise Lost proposes an alternative basis for inner confidence, rooting it not in divine right but in the 'paradise within,' a metonym for conscience. Applying a fine-grain literary analysis to literary England from about 1601 to 1667, this study looks backward as well to the theological foundations of the concept in Luther of the 1520s and forward to its transformation by Locke into the term 'consciousness' in 1689. Ultimately, Held's study shows how the idea of a conscience in early modern England, long central to the private self and linked to the will, memory, and mind-emerges as a nexus between the private self and the realm of public action, a bulwark against absolute sovereignty, and its attenuation as a means of more limited, personal certainty. Whether in Milton's struggle against King Charles or Hamlet's against King Claudius, the conscience born of the Reformation becomes less a state of inner critique and more a form of outward expression fit for the communal life and commitments demanded by the early modern era"--
| Author | : Achsah Guibbory |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 279 |
| Release | : 2015-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1409468801 |
Collected in this volume are Achsah Guibbory’s most important and frequently cited essays on Donne, which, taken together, present her distinctive and evolving vision of the poet. The book includes an original, substantive introduction as well as new essays on the Devotions upon Emergent Occasions, the Songs and Sonnets, and the subject of Donne and toleration. Over the course of her career, Guibbory has asked different questions about Donne but has always been concerned with recovering multiple historical and cultural contexts and locating Donne’s writing in relation to them. In the essays here, she reads Donne within various contexts: the early modern thinking about time and history; religious attitudes towards sexuality; the politics of early modern England; religious conflicts within the church. While her approach has always been historicist, she has also foregrounded Donne’s distinctiveness, showing how (and why) he continues to speak powerfully to us now. Presented together here, with reflections on the trajectory of her engagement with Donne, Achsah Guibbory illuminates Donne’s understanding that erotic, spiritual, and political issues are often intertwined, and reveals how this understanding resonates in our own times.
| Author | : Ceri Sullivan |
| Publisher | : Oxford University Press |
| Total Pages | : 225 |
| Release | : 2024-04-25 |
| Genre | : Literary Criticism |
| ISBN | : 0198906838 |
Contemporary nudge theory points out that people make good choices over issues where they have had past experience of similar circumstances, where there is reliable, substantial, and relevant information about the situation, and where they will get prompt feedback about the effect of their decision. Yet none of these conditions apply to the most vital choice of action facing early modern Protestants: how can they be saved? In George Herbert and the Business of Practical Piety, Ceri Sullivan uses nudge theory to show how practical divinity disregards the doleful conclusions of predestination--that salvation cannot be earned--to supply readers with suggestions on how to prepare to act, regardless of their final destiny. Such texts create cognitive niches to support cheerful, godly thought and action, in a way which is far from being despairing or compulsive. Their nudges were repeatedly put into practice by Herbert's friends, the Ferrars, who tried to form an ideal religious community at Little Gidding. These prescriptions and examples illustrate how George Herbert's The Temple (1633) is a compendium of the techniques of choice architecture. Herbert's poems are full of the humour emerging from a life of faith which is willing to guard high ideals by low cunning, stooping to use the least little things to change a self. George Herbert and the Business of Practical Piety initially calls on theories of the extended mind to ask what sort of minor physical and social structures scaffold decisions, then examines a selection of nudges used by Herbert: contracts with the self, building a mind, cleaning a heart, conversing with God, making to-do lists, and working on working well.
| Author | : John Donne |
| Publisher | : Indiana University Press |
| Total Pages | : 1012 |
| Release | : 2021-01-05 |
| Genre | : Literary Collections |
| ISBN | : 0253050391 |
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
