The Restoration And Eighteenth Century 1660 1789
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Author | : Richard W. Bevis |
Publisher | : Routledge |
Total Pages | : 356 |
Release | : 2014-06-06 |
Genre | : Literary Criticism |
ISBN | : 1317870921 |
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
Author | : George Sherburn |
Publisher | : |
Total Pages | : 410 |
Release | : 1967 |
Genre | : English literature |
ISBN | : 9780710061300 |
Author | : Paul Baines |
Publisher | : John Wiley & Sons |
Total Pages | : 689 |
Release | : 2010-12-28 |
Genre | : Literary Criticism |
ISBN | : 1444390082 |
The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing1660-1789 features coverage of the lives and works of almost 500 notable writers based in the British Isles from the return of the British monarchy in 1660 until the French Revolution of 1789. Broad coverage of writers and texts presents a new picture of 18th-century British authorship Takes advantage of newly expanded eighteenth-century canon to include significantly more women writers and labouring-class writers than have traditionally been studied Draws on the latest scholarship to more accurately reflect the literary achievements of the long eighteenth century
Author | : Susan Staves |
Publisher | : Cambridge University Press |
Total Pages | : 414 |
Release | : 2006-09-07 |
Genre | : Literary Criticism |
ISBN | : 1139458582 |
Drawing on three decades of feminist scholarship bent on rediscovering lost and abandoned women writers, Susan Staves provides a comprehensive history of women's writing in Britain from the Restoration to the French Revolution. This major work of criticism also offers fresh insights about women's writing in all literary forms, not only fiction, but also poetry, drama, memoir, autobiography, biography, history, essay, translation and the familiar letter. Authors celebrated in their own time and who have been neglected, and those who have been revalued and studied, are given equal attention. The book's organisation by chronology and its attention to history challenge the way we periodise literary history. Each chapter includes a list of key works written in the period covered, as well as a narrative and critical assessment of the works. This magisterial work includes a comprehensive bibliography and list of prevalent editions of the authors discussed.
Author | : Brian Corman |
Publisher | : Broadview Press |
Total Pages | : 615 |
Release | : 2013-01-21 |
Genre | : Drama |
ISBN | : 1460402715 |
The ten plays in this new collection show both the continuity and the changes in comedy over the course of the Restoration and eighteenth century. Each play includes its original prologue and epilogue, as well as an historical introduction and full annotation. The editor’s Introduction provides a rich historical and literary context for the plays’ composition and production. A glossary of frequently used words likely to be unfamiliar to general readers is also included.
Author | : Anne Dunan-Page |
Publisher | : Cambridge University Press |
Total Pages | : 213 |
Release | : 2010-06-10 |
Genre | : Literary Criticism |
ISBN | : 0521733081 |
A comprehensive introduction to Bunyan's life and works, examining their place in the broader context of seventeenth-century history and literature.
Author | : John Richetti |
Publisher | : Cambridge University Press |
Total Pages | : 974 |
Release | : 2005-01-06 |
Genre | : Literary Criticism |
ISBN | : 9780521781442 |
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
Author | : Paddy Bullard |
Publisher | : |
Total Pages | : 744 |
Release | : 2019 |
Genre | : Literary Criticism |
ISBN | : 0198727836 |
This handbook is a guide to the kinds of satire written in English during the 'long' eighteenth century and it focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789.
Author | : David Fairer |
Publisher | : Routledge |
Total Pages | : 390 |
Release | : 2014-10-13 |
Genre | : Literary Criticism |
ISBN | : 1317892879 |
In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.
Author | : Deborah Payne Fisk |
Publisher | : University of Georgia Press |
Total Pages | : 332 |
Release | : 2010-12-01 |
Genre | : Literary Criticism |
ISBN | : 0820337897 |
Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.