The Representation of Women in English Literature

The Representation of Women in English Literature
Author: Sutanu Kumar Mahapatra
Publisher: Gyan Books
Total Pages: 173
Release: 2015
Genre: History
ISBN: 9789351280781

Papers presented at a UGC-sponsored National Seminar on the topic "The Representation of Women in English Literature" held at Ramnagar College during 13-14 May 2013.

Women and Literature in Britain 1800-1900

Women and Literature in Britain 1800-1900
Author: Joanne Shattock
Publisher: Cambridge University Press
Total Pages: 338
Release: 2001-08-30
Genre: Literary Criticism
ISBN: 9780521659574

These new essays by leading scholars explore nineteenth-century women's writing across a spectrum of genres. The book's focus is on women's role in and access to literary culture in the broadest sense, as consumers and interpreters as well as practitioners of that culture. Individual chapters consider women as journalists, editors, translators, scholars, actresses, playwrights, autobiographers, biographers, writers for children and religious writers as well as novelists and poets. A unique chronology offers a woman-centered perspective on literary and historical events and there is a guide to further reading.

Women's Lives

Women's Lives
Author: Nahir I. Otaño Gracia
Publisher: University of Wales Press
Total Pages: 393
Release: 2022-02-01
Genre: History
ISBN: 1786838354

Essays on a variety of medieval women, which will grant readers a more complete view of medieval women’s lives broadly speaking. These essays largely take a new perspective on their subjects, pushing readers to reconsider preconceived notions about medieval women, authority, and geography. This book will expand the knowledge base of our readers by introducing them to non-canonical and non-European subjects.

Evil Women: Representations within Literature, Culture and Film

Evil Women: Representations within Literature, Culture and Film
Author: Robyn Muir
Publisher: BRILL
Total Pages: 163
Release: 2022-04-25
Genre: Philosophy
ISBN: 9004499504

Evil women, who are they really? What are their motives, and how are they remembered and constructed within our culture? Evil Women: Representations within Literature, Culture and Film seeks to interrogate the nature and construction of evil women in the above fields. Through literature, poetry, history, ballads, film and real-life culture, scholars explore how the evil woman has been constructed and, in some cases, erased; the punishment and treatment of evil women; and the way evil women have been portrayed on and off screen through character, narrative and behind the camera development.

The Representation of Women in Fiction

The Representation of Women in Fiction
Author: Carolyn G. Heilbrun
Publisher: Baltimore : Johns Hopkins University Press
Total Pages: 224
Release: 1983
Genre: Literary Criticism
ISBN:

Essays in feminist criticism look at the fiction of Katherine Mansfield, Virginia Woolf, Jane Austen, George Sand, George Meredith, Thomas Hardy, and others.

Women, Work, and Representation

Women, Work, and Representation
Author: Lynn Mae Alexander
Publisher: Ohio University Press
Total Pages: 266
Release: 2003
Genre: Art and literature
ISBN: 0821414933

In Victorian England, virtually all women were taught to sew, but this essentially domestic virtue took on a different aspect for the professional seamstress of the day. This study considers the way this powerful image of working-class suffering was used by social reformers in art and literature.

Sense and Sensibility

Sense and Sensibility
Author: Jane Austen
Publisher: Createspace Independent Publishing Platform
Total Pages: 534
Release: 2018-05-14
Genre:
ISBN: 9781719117364

Sense and Sensibility is a novel by Jane Austen, published in 1811. It was published anonymously; By A Lady appears on the title page where the author's name might have been. It tells the story of the Dashwood sisters, Elinor (age 19) and Marianne (age 16 1/2) as they come of age. They have an older, stingy half-brother, John, and a younger sister, Margaret, 13.

Why Literary Periods Mattered

Why Literary Periods Mattered
Author: Ted Underwood
Publisher: Stanford University Press
Total Pages: 210
Release: 2013-07-24
Genre: Literary Criticism
ISBN: 0804788448

In the mid-nineteenth century, the study of English literature began to be divided into courses that surveyed discrete "periods." Since that time, scholars' definitions of literature and their rationales for teaching it have changed radically. But the periodized structure of the curriculum has remained oddly unshaken, as if the exercise of contrasting one literary period with another has an importance that transcends the content of any individual course. Why Literary Periods Mattered explains how historical contrast became central to literary study, and why it remained institutionally central in spite of critical controversy about literature itself. Organizing literary history around contrast rather than causal continuity helped literature departments separate themselves from departments of history. But critics' long reliance on a rhetoric of contrasted movements and fateful turns has produced important blind spots in the discipline. In the twenty-first century, Underwood argues, literary study may need digital technology in particular to develop new methods of reasoning about gradual, continuous change.

Distant Horizons

Distant Horizons
Author: Ted Underwood
Publisher: University of Chicago Press
Total Pages: 229
Release: 2019-02-14
Genre: Literary Criticism
ISBN: 022661283X

Just as a traveler crossing a continent won’t sense the curvature of the earth, one lifetime of reading can’t grasp the largest patterns organizing literary history. This is the guiding premise behind Distant Horizons, which uses the scope of data newly available to us through digital libraries to tackle previously elusive questions about literature. Ted Underwood shows how digital archives and statistical tools, rather than reducing words to numbers (as is often feared), can deepen our understanding of issues that have always been central to humanistic inquiry. Without denying the usefulness of time-honored approaches like close reading, narratology, or genre studies, Underwood argues that we also need to read the larger arcs of literary change that have remained hidden from us by their sheer scale. Using both close and distant reading to trace the differentiation of genres, transformation of gender roles, and surprising persistence of aesthetic judgment, Underwood shows how digital methods can bring into focus the larger landscape of literary history and add to the beauty and complexity we value in literature.

Cinematic Women, From Objecthood to Heroism: Essays on Female Gender Representation on Western Screens and in TV Productions

Cinematic Women, From Objecthood to Heroism: Essays on Female Gender Representation on Western Screens and in TV Productions
Author: Lisa V. Mazey
Publisher: Vernon Press
Total Pages: 161
Release: 2020-05-05
Genre: Language Arts & Disciplines
ISBN: 1622739213

Women have fulfilled film roles that exhibit their historically subservient or sexualised positions in society, among others. Over the decades, the gender identity of women has fluctuated to include powerful women, emotionally strong women, lesbian women, and even neurologically atypical women. These identities reflect the change in societal norms and what is now acknowledged as more likely and more mainstream. The evolution of society’s views of women can be mapped through these roles; from 1950’s America where women were depicted as the counterpart to male characters and their masculinity either as a threat or support to the patriarchal norms; to more recent times, where these norms have been questioned, challenged, deconstructed and reconstructed to include women in a more equitable balance. The fight for equal access, equal pay and equal standing still exists in all walks of life and different cultures requiring continued scrutiny of the norms that made that fight necessary. The essays offer a unique vantage of the changing culture and conversations that allowed, encouraged, and praised an evolution of women’s roles. They strive to represent the issues faced by women, from the early heyday of Hollywood through to films as recent as 2007; examining depictions of the masculine gaze, mental and physical oppression, the mother figure, as well as how these roles may develop in the future. The book contains valuable material for film students at an undergraduate or post-graduate level, as well as scholars from a range of disciplines including cultural studies, media studies, film studies and women’s and gender studies.