The Scientific Renaissance 1450-1630

The Scientific Renaissance 1450-1630
Author: Marie Boas Hall
Publisher: Courier Corporation
Total Pages: 408
Release: 2013-04-02
Genre: Science
ISBN: 0486144992

A noted historian of science examines the Coperican revolution, the anatomical work of Vesalius, the work of Paracelsus, Harvey's discovery of the circulatory system, the effects of Galileo's telescopic discoveries, more.

Science in the Renaissance

Science in the Renaissance
Author: Lisa Mullins
Publisher: Crabtree Publishing Company
Total Pages: 36
Release: 2009
Genre: Juvenile Nonfiction
ISBN: 9780778745945

Discusses scientific advances during the Renaissance, ranging from the printing press to the discovery of gravity.

The Science of Describing

The Science of Describing
Author: Brian W. Ogilvie
Publisher: University of Chicago Press
Total Pages: 402
Release: 2008-09-15
Genre: Science
ISBN: 0226620867

Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.

Renaissance Art & Science @ Florence

Renaissance Art & Science @ Florence
Author: Susan B. Puett
Publisher: Penn State Press
Total Pages: 274
Release: 2016-08-25
Genre: Art
ISBN: 0271091320

The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.

Islamic Science and the Making of the European Renaissance

Islamic Science and the Making of the European Renaissance
Author: George Saliba
Publisher: MIT Press
Total Pages: 329
Release: 2011-01-21
Genre: Science
ISBN: 0262516152

The rise and fall of the Islamic scientific tradition, and the relationship of Islamic science to European science during the Renaissance. The Islamic scientific tradition has been described many times in accounts of Islamic civilization and general histories of science, with most authors tracing its beginnings to the appropriation of ideas from other ancient civilizations—the Greeks in particular. In this thought-provoking and original book, George Saliba argues that, contrary to the generally accepted view, the foundations of Islamic scientific thought were laid well before Greek sources were formally translated into Arabic in the ninth century. Drawing on an account by the tenth-century intellectual historian Ibn al-Naidm that is ignored by most modern scholars, Saliba suggests that early translations from mainly Persian and Greek sources outlining elementary scientific ideas for the use of government departments were the impetus for the development of the Islamic scientific tradition. He argues further that there was an organic relationship between the Islamic scientific thought that developed in the later centuries and the science that came into being in Europe during the Renaissance. Saliba outlines the conventional accounts of Islamic science, then discusses their shortcomings and proposes an alternate narrative. Using astronomy as a template for tracing the progress of science in Islamic civilization, Saliba demonstrates the originality of Islamic scientific thought. He details the innovations (including new mathematical tools) made by the Islamic astronomers from the thirteenth to sixteenth centuries, and offers evidence that Copernicus could have known of and drawn on their work. Rather than viewing the rise and fall of Islamic science from the often-narrated perspectives of politics and religion, Saliba focuses on the scientific production itself and the complex social, economic, and intellectual conditions that made it possible.

Giordano Bruno and Renaissance Science

Giordano Bruno and Renaissance Science
Author: Hilary Gatti
Publisher: Cornell University Press
Total Pages: 276
Release: 2002
Genre: History
ISBN: 9780801487859

The Renaissance philosopher Giordano Bruno was a notable supporter of the new science that arose during his lifetime; his role in its development has been debated ever since the early seventeenth century. Hilary Gatti here reevaluates Bruno's contribution to the scientific revolution, in the process challenging the view that now dominates Bruno criticism among English-language scholars. This argument, associated with the work of Frances Yates, holds that early modern science was impregnated with and shaped by Hermetic and occult traditions, and has led scholars to view Bruno primarily as a magus. Gatti reinstates Bruno as a scientific thinker and occasional investigator of considerable significance and power whose work participates in the excitement aroused by the new science and its methods at the end of the sixteenth century. Her original research emphasizes the importance of Bruno's links to the magnetic philosophers, from Ficino to Gilbert; Bruno's reading and extension of Copernicus's work on the motions of the earth; the importance of Bruno's mathematics; and his work on the art of memory seen as a picture logic, which she examines in the light of the crises of visualization in present-day science. She concludes by emphasizing Bruno's ethics of scientific discovery.

Groundbreaking Scientific Experiments, Inventions, and Discoveries of the Middle Ages and the Renaissance

Groundbreaking Scientific Experiments, Inventions, and Discoveries of the Middle Ages and the Renaissance
Author: Robert E. Krebs
Publisher: Bloomsbury Publishing USA
Total Pages: 503
Release: 2004-03-30
Genre: Science
ISBN:

The Middle Ages and the Renaissance were a period of scientific and literary reawakening. Scientific development and a renewed interest in classical science led to new discoveries, inventions, and technologies. Between 500 and 1600 A.D., scientific explorers rediscovered ancient Greek and Eastern knowledge, which led to an eruption of fresh ideas. This reference work describes more than 75 experiments, inventions, and discoveries of the period, as well as the scientists, physicians, and scholars responsible for them. Individuals such as Leonardo da Vinci, Marco Polo, and Galileo are included, along with entries on reconstructive surgery, Stonehenge, eyeglasses, the microscope, and the discovery of smallpox. Part of a unique series that ranges from ancient times to the 20th century, this exploration of scientific advancements during the Middle Ages and the Renaissance will be useful to high school and college students, teachers, and general readers seeking information about significant advances in scientific history.

Man and Nature in the Renaissance

Man and Nature in the Renaissance
Author: Allen G. Debus
Publisher: Cambridge University Press
Total Pages: 180
Release: 1978-10-31
Genre: History
ISBN: 9780521293280

An introduction to science and medicine during the earlier phrases of the scientific revolution.

Science and the Arts in the Renaissance

Science and the Arts in the Renaissance
Author: John W. Shirley
Publisher: Associated University Presses
Total Pages: 242
Release: 1985
Genre: Art
ISBN:

Oriented around the fundamental question of the nature of the Renaissance search for truth and certainty, the essays examine the development of scientific illustration, Paracelsian views of science and art, the role of the artist in Renaissance science, the impact of acoustical theory on music, and other topics. Illustrated.

Art and Anatomy in Renaissance Italy

Art and Anatomy in Renaissance Italy
Author: Domenico Laurenza
Publisher: Metropolitan Museum of Art
Total Pages: 52
Release: 2012
Genre: Anatomy, Artistic
ISBN: 1588394565

Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.