The Renaissance In England
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Author | : Su Fang Ng |
Publisher | : Rutgers University Press |
Total Pages | : 225 |
Release | : 2021-12-17 |
Genre | : Literary Criticism |
ISBN | : 1644532425 |
England's Asian Renaissance explores how Asian knowledges, narratives, and customs inflected early modern English literature. Just as Asian imports changed England's tastes and enriched the English language, Eastern themes, characters, and motifs helped shape the country's culture and contributed to its national identity. Questioning long-standing dichotomies between East and West and embracing a capacious understanding of translatio as geographic movement, linquistic transformation, and cultural grafting, the collection gives pride of place to convergence, approximation, and hybridity, thus underscoring the radical mobility of early modern culture. In so doing, England's Asian Renaissance also moves away from entrenched narratives of Western cultural sovereignty to think anew England's debts to Asia. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author | : Stephen Greenblatt |
Publisher | : Univ of California Press |
Total Pages | : 396 |
Release | : 1988-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520061309 |
"An exciting collection of essays on English Renaissance literature and culture, this book contributes substantially to the contemporary renaissance in historical modes of critical inquiry."--Margaret W. Ferguson, Columbia University "An exciting collection of essays on English Renaissance literature and culture, this book contributes substantially to the contemporary renaissance in historical modes of critical inquiry."--Margaret W. Ferguson, Columbia University
Author | : Alan Bray |
Publisher | : Columbia University Press |
Total Pages | : 184 |
Release | : 1995 |
Genre | : Education |
ISBN | : 9780231102896 |
First published in 1982 by Gay Men's Press. Reissued in 1995 with a new afterword and updated bibliography.
Author | : William H. Sherman |
Publisher | : University of Pennsylvania Press |
Total Pages | : 283 |
Release | : 2010-11-24 |
Genre | : Literary Criticism |
ISBN | : 0812203445 |
In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.
Author | : Roy Strong |
Publisher | : Thames & Hudson |
Total Pages | : 240 |
Release | : 1998 |
Genre | : Gardening |
ISBN | : 9780500272145 |
Revealing the glories of the English formal gardens of the Tudors and Stuarts, which ranked among the masterpieces of Renaissance Europe.
Author | : Kate Aughterson |
Publisher | : Routledge |
Total Pages | : 623 |
Release | : 2002-06 |
Genre | : History |
ISBN | : 1134666160 |
This comprehensive anthology collects together primary texts and documents relevant to the literature, culture, and intellectual life in England between 1550 and 1660.
Author | : William M. Russell |
Publisher | : University of Virginia Press |
Total Pages | : 278 |
Release | : 2020-09-21 |
Genre | : Literary Criticism |
ISBN | : 1644531925 |
The turn of the seventeenth century was an important moment in the history of English criticism. In a series of pioneering works of rhetoric and poetics, writers such as Philip Sidney, George Puttenham, and Ben Jonson laid the foundations of critical discourse in English, and the English word "critic" began, for the first time, to suggest expertise in literary judgment. Yet the conspicuously ambivalent attitude of these critics toward criticism—and the persistent fear that they would be misunderstood, marginalized, scapegoated, or otherwise "branded with the dignity of a critic"—suggests that the position of the critic in this period was uncertain. In Inventing the Critic in Renaissance England, William Russell reveals that the critics of the English Renaissance did not passively absorb their practice from Continental and classical sources but actively invented it in response to a confluence of social and intellectual factors. Distributed for UNIVERSITY OF DELAWARE PRESS
Author | : G. Semenza |
Publisher | : Springer |
Total Pages | : 233 |
Release | : 2010-04-26 |
Genre | : Literary Criticism |
ISBN | : 0230106447 |
This book considers popular culture's confrontations with the history, thought, and major figures of the English Renaissance through an analysis of 'period films,' television productions, popular literature, and punk music.
Author | : C. Levin |
Publisher | : Springer |
Total Pages | : 223 |
Release | : 2008-10-13 |
Genre | : History |
ISBN | : 0230615732 |
Dreaming the English Renaissance examines ideas about dreams, actual dreams people had and recorded, and the many ways dreams were used in the culture and politics of the Tutor/Stuart age in order to provide a window into the mental life and the most profound beliefs of people of the time.
Author | : Jennifer Richards |
Publisher | : Oxford University Press |
Total Pages | : 348 |
Release | : 2019-10-24 |
Genre | : Literary Criticism |
ISBN | : 0192536702 |
Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice—and tones of voice especially—from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.