The Renaissance Drama Of Knowledge Giordano Bruno In England By Hilary Gatti London And New York 1989
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| Author | : Hilary Gatti |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2013-02-15 |
| Genre | : History |
| ISBN | : 1136182993 |
Giordano Bruno’s visit to Elizabethan England in the 1580s left its imprint on many fields of contemporary culture, ranging from the newly-developing science, the philosophy of knowledge and language, to the extraordinary flowering of Elizabethan poetry and drama. This book explores Bruno's influence on English figures as different as the ninth Earl of Northumberland, Thomas Harriot, Christopher Marlowe and William Shakespeare. Originally published in 1989, it is of interest to students and teachers of history of ideas, cultural history, European drama and renaissance England. Bruno's work had particular power and emphasis in the modern world due to his response to the cultural crisis which had developed - his impulse towards a new ‘faculty of knowing’ had a disruptive effect on existing orthodoxies – religious, scientific, philosophical, and political.
| Author | : John Leeds Barroll |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 300 |
| Release | : 1996-03 |
| Genre | : Drama |
| ISBN | : 9780838636411 |
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
| Author | : Şeyda Sivrioğlu |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 135 |
| Release | : 2017-06-23 |
| Genre | : History |
| ISBN | : 1443862622 |
The Faustus myth, before being identified as a myth, was the folktale of a man named Faustus who lived in Germany. Underneath the popularity of this myth lies the basic human instinct to trespass the limits of traditional knowledge in pursuit of self-definition, authentic knowledge and power. This search and transgression also involve the desire to exercise the right of making free authentic choices. Faustus represents universal issues that are relevant for all human beings, which explains the reason why he has acquired mythic stature. Indeed, a most persistent myth has evolved, the appeal of which has led one writer after the other to reshape it. After his story became popular, he reappeared, even in contemporary culture, in different art forms such as literature, both high-brow and popular, including comics, the ballet and the opera. The real historical Faustus came onto the scene as a scholar and persistently reappeared in literature assuming different identities which, however, shared basically the same qualities. This book demonstrates and offers different perspectives to versions of the Faustus myth in literature: Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus, Goethe’s Faust and John Fowles’ The Magus. The Faustus Myth is a cycle which starts and ends in tragic circumstances in Christopher Marlowe’s Renaissance Faustus, in salvation in Johann Wolfgang von Goethe’s Faust, and in meaninglessness, ambiguous collapses in John Fowles’ existentialist Nicholas Urfe.
| Author | : William Empson |
| Publisher | : Cambridge University Press |
| Total Pages | : 320 |
| Release | : 1993-03-18 |
| Genre | : Literary Criticism |
| ISBN | : 9780521483605 |
Following the success in paperback of William Empson's Essays on Shakespeare (1986), this first volume of his Essays on Renaissance Literature (1993) now appears in an accessible format. The volume gathers Empson's passionate and controversial essays on John Donne in the context of contemporary science, and includes previously unpublished pieces on some of the most influential Renaissance writers and scientists. Edited and introduced by leading Empson scholar John Haffenden, this is a book for anyone interested in the Renaissance, the history of science, and the history of literary criticism. 'Some of these passages have a sweep as grand as Empson found in Donne.' Eric Griffiths, The Times Literary Supplement 'Empson's achievement here as elsewhere comes from the generosity of spirit which made him consistently a great critic.' The New York Review of Books
| Author | : Frederick Kiefer |
| Publisher | : University of Delaware Press |
| Total Pages | : 394 |
| Release | : 1996 |
| Genre | : Drama |
| ISBN | : 9780874135954 |
Playwrights also made extraordinary use of metaphors involving the written and printed word to describe the workings of the mind and the interaction of people.
| Author | : Christa Knellwolf King |
| Publisher | : Routledge |
| Total Pages | : 340 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351936913 |
Having identified the literary origins of the Faustus legend in the German Faust Book (1587) and its English translation (1592), this book argues that these works transformed a simple rogue's tale into an incisive study of morality and beliefs. The chapbooks' contrastive portrayal of an imaginary experience of hell and a pseudo-scientific journey through the cosmos is interpreted as an unconventional approach to the questions of an inquiring mind. This study offers the first analysis of the chapbooks as literary works in their own right, as opposed to simply being sources for Christopher Marlowe's play. It is also the first study to describe the Faustus typology as a vehicle by which uncompromising thinkers of early modernity and the Enlightenment questioned contemporary views about religion, morality and the possibility of experiencing transcendence. While arguing that Marlowe's Doctor Faustus primarily examines the imaginary foundations of religious rules and standards, the author suggests that the 1616 version of the play revived the chapbooks' accounts of spiritual ravishment and intellectual ecstasy. Imaginary explorations of cosmic space became popular in the seventeenth century and gave rise to strongly diverging works of literature, embracing the arcane spirituality of Milton's Paradise Lost as well as Fontenelle's sociable but essentially secular fantasy of cosmic travel. This book shows that contemporary responses to early modern science also tended to address the most urgent concerns of the Faustus legend, explaining the re-emergence of the typology in Mountfort's late seventeenth-century farcical Faustus play and early eighteenth-century harlequinades about Doctor Faustus
| Author | : Valentin Gerlier |
| Publisher | : Routledge |
| Total Pages | : 230 |
| Release | : 2022-05-29 |
| Genre | : Drama |
| ISBN | : 1000582558 |
Crossing the boundaries between literature, philosophy and theology, Shakespeare and the Grace of Words pioneers a reading strategy that approaches language as grounded in praise; that is, as affirmation and articulation of the goodness of Being. Offering a metaphysically astute theology of language grounded in the thought of Renaissance theologian Nicholas of Cusa, as well as readings of Shakespeare that instantiate and complement its approach, this book shows that language in which the divine gift of Being is received, apprehended and expressed, even amidst darkness and despair, is language that can renew our relationship with one another and with the things and beings of the world. Shakespeare and the Grace of Words aims to engage the reader in detailed, performative close readings while exploring the metaphysical and theological contours of Shakespeare’s art—as a venture into a poetic illumination of the deep grammar of the real.
| Author | : Michele Marrapodi |
| Publisher | : Routledge |
| Total Pages | : 388 |
| Release | : 2016-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 1317056442 |
Shakespeare and the Italian Renaissance investigates the works of Shakespeare and his fellow dramatists from within the context of the European Renaissance and, more specifically, from within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of classical, coeval, and contemporary culture. In contrast to previous studies, the critical perspectives pursued in this volume’s tripartite organization take into account a wider European intertextual dimension and, above all, an ideological interpretation of the 'aesthetics' or 'politics' of intertextuality. Contributors perceive the presence of the Italian world in early modern England not as a traditional treasure trove of influence and imitation, but as a potential cultural force, consonant with complex processes of appropriation, transformation, and ideological opposition through a continuous dialectical interchange of compliance and subversion.
| Author | : Ryan Curtis Friesen |
| Publisher | : Liverpool University Press |
| Total Pages | : 261 |
| Release | : 2019-07-01 |
| Genre | : Drama |
| ISBN | : 1837641587 |
Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.
| Author | : Coudert |
| Publisher | : BRILL |
| Total Pages | : 449 |
| Release | : 2023-08-14 |
| Genre | : History |
| ISBN | : 9004679146 |
"If he had lived among the Greeks, he would now be numbered among the stars." So wrote Gottfried Wilhelm Leibniz in his epitaph for Francis Mercury van Helmont. Leibniz was not the only contemporary to admire and respect van Helmont, but although famous in his own day, he has been virtually ignored by modern historians. Yet his views influenced Leibniz, contributed to the development of modern science, and fostered the kind of ecumenicalism that made the concept of toleration conceivable. The progressive nature of van Helmont's thought was based on his deep commitment to the esoteric doctrines of the Lurianic Kabbalah. With his friend Christian Knorr von Rosenroth, van Helmont edited the Kabbala Denudata (1677-1684), the largest collection of Lurianic Kabbalistic texts available to Christians up to that time. Because the subject matter of this work appears so difficult and arcane, it has never been appreciated as a significant text for understanding the emergence of modern thought. However, one can find in it the basis for the faith in science, the belief in progress, and the pluralism characteristic of later western thought. The Lurianic Kabbalah thus deserves a place it has never received in histories of western scientific and cultural developments. Although van Helmont's efforts contributed to the development of religious toleration, his experience as a prisoner of the Inquisition accused of "Judaising" reveals the problematic relations between Christians and Jews during the early-modern period. New Inquisitional documents relating to van Helmont's imprisonment will be discussed to illustrate the difficulties faced by anyone advocating philo-semitism and toleration at the time.
