The Religious Design Of Hemingways Early Fiction
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Author | : Timothy Christian |
Publisher | : Simon and Schuster |
Total Pages | : 512 |
Release | : 2022-03-01 |
Genre | : Biography & Autobiography |
ISBN | : 1643138804 |
A stunning portrait of the complicated woman who becomes Ernest Hemingway's fourth wife, tracing her adventures before she meets Ernest, exploring the tumultuous years of their marriage, and evoking her merry widowhood as she shapes Hemingway's literary legacy. Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet—although they are married to other people. Eventually, she succumbs to Ernest's campaign, and in the last days of the war joined him at his estate in Cuba. Through Mary's eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing. She reads and types his work each day—and makes plot suggestions. She becomes crucial to his work and he depends upon her critical reading of his work to know if he has it right. We watch the Hemingways as they travel to the ski country of the Dolomites, commute to Harry's Bar in Venice; attend bullfights in Pamplona and Madrid; go on safari in Kenya in the thick of the Mau Mau Rebellion; and fish the blue waters of the gulf stream off Cuba in Ernest's beloved boat Pilar. We see Ernest fall in love with a teenaged Italian countess and wonder at Mary's tolerance of the affair. We witness Ernest's sad decline and Mary's efforts to avoid the stigma of suicide by claiming his death was an accident. In the years following Ernest's death, Mary devotes herself to his literary legacy, negotiating with Castro to reclaim Ernest's manuscripts from Cuba, publishing one-third of his work posthumously. She supervises Carlos Baker's biography of Ernest, sues A. E. Hotchner to try and prevent him from telling the story of Ernest's mental decline, and spends years writing her memoir in her penthouse overlooking the New York skyline. Her story is one of an opinionated woman who smokes Camels, drinks gin, swears like a man, sings like Edith Piaf, loves passionately, and experiments with gender fluidity in her extraordinary life with Ernest. This true story reads like a novel—and the reader will be hard pressed not to fall for Mary.
Author | : N.G. Meshram |
Publisher | : Atlantic Publishers & Dist |
Total Pages | : 168 |
Release | : 2002 |
Genre | : |
ISBN | : 9788126900770 |
The Book Projects Ernest Hemingway As An Artist With A Broader Vision Than He Is Generally Understood. This Vision Highlights The Profound Sympathy For Women And For Those Who Suffer In Indifferent Rather Hostile Society. The Author Has Tried To Attribute That Divine Love To Hemingway S Artistic Vision Often Denoted By The Greek Word Agape. This Make Hemingway Not Only A Great Modernist Artist, But Also A Sage Speaking For The Entire Humanity.That Hemingway Has Obsessively Dealt With Such Violent Themes, As War, Is True. It Is Nonetheless True That By Doing So He Has Exposed The Futility And Destructiveness Associated With It. The Hemingway S Hero Is A Defeated Man But Never Crestfallen. He Is Able To Retain His Dignity Even In The Face Of Crisis. His Tragedy Is The Result Of Love, Which For Him Is An Alternate God, And Ultimately Of Labor, Which He Puts In As A Matter Of Profound Faith. The Book Demonstrates This Effectively, And Should Be A Unique Contribution To The Hemingway Scholarship In India And Abroad.
Author | : Linda Wagner-Martin |
Publisher | : Historical Guides to American Authors |
Total Pages | : 260 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : 9780195121520 |
The 1999 centennial of Ernest Hemingway's birth marks a time for the re-evaluation of his position as America's premier modernist writer. The previously unpublished essays discuss biographical details of his personal and professional life.
Author | : Susan F. Beegel |
Publisher | : University of Alabama Press |
Total Pages | : 392 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : 0817305866 |
Some 25 Hemingway scholars critique Hemingway's works from the early apprentice fiction of 1919, stories Hemingway wrote, dog."
Author | : Ernest Hemingway |
Publisher | : DigiCat |
Total Pages | : 65 |
Release | : 2022-08-01 |
Genre | : Fiction |
ISBN | : |
DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author | : Scott Donaldson |
Publisher | : Cambridge University Press |
Total Pages | : 340 |
Release | : 1996-01-26 |
Genre | : Literary Criticism |
ISBN | : 9780521455749 |
A comprehensive introduction to Hemingway and his works.
Author | : Peter L. Hays |
Publisher | : Camden House |
Total Pages | : 360 |
Release | : 2011 |
Genre | : History |
ISBN | : 1571133666 |
This History of the criticism of The Sun Also Rises shows not only how Hemingway's first major novel was received over the decades, but also how different critical modes have dominated different decades, and what, besides tenure, critics of different eras looked for in it. As such, it shows what has interested critics, how they have reinterpreted the novel, and how they have seen the characters playing different roles. Thus the novel becomes a mirror, reflecting not only Paris and Spain in 1925, but us.
Author | : James Nagel |
Publisher | : University of Alabama Press |
Total Pages | : 246 |
Release | : 1996-07-30 |
Genre | : Literary Criticism |
ISBN | : 0817308423 |
The first extensive study of Hemingway's relationship to his hometown, Oak Park, Illinois, and the influence its people, places, and underlying values had on his early work."Fresh and insightful essays provide extended and focused discussion of issues central to Hemingway's literary identity". -- Susan Beegel, The Hemingway Review
Author | : Lisa Tyler |
Publisher | : LSU Press |
Total Pages | : 289 |
Release | : 2019-04-17 |
Genre | : Literary Criticism |
ISBN | : 0807171301 |
Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers’ overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author’s works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors’ passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection’s final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner’s Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.
Author | : Debra A. Moddelmog |
Publisher | : Cambridge University Press |
Total Pages | : 511 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 1107010551 |
"This book: Provides the fullest introduction to Hemingway and his world found in a single volume ; Offers contextual essays written on a range of topics by experts in Hemingway studies ; Provides a highly useful reference work for scholarship as well as teaching, excellent for classes on Hemingway, modernism and American literature."--Publisher's website.