The Relativistic Empire
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| Author | : Samuel Andreyev |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2015-10-14 |
| Genre | : Poetry |
| ISBN | : 9781771661720 |
Samuel Andreyev inhabits several worlds: he is bilingual and lives in France; he is an internationally-known composer; and he is a writer whose material is the bric-à-brac of everyday speech and rhetoric, forged into a poetry of obsessive perfectionism. Part mental autobiography, part ode to a new, radically mobile consciousness--The Relativistic Empire combines the diagrammatic elegance of the comic strip with the complexity and elusiveness of symbolism. Praise for The Relativistic Empire: "The Relativistic Empire is a carnival of specific instructions. Andreyev's declensions describe absurd reality. Humour takes the poems on all the rides, from 'real' to 'false' in all their mirrors." --Alice Burdick, author of Holler "The Relativistic Empire shows the exquisite in the everyday; the slips of the tongue which sharpen the pencil's point until it bleeds. Our things--and the names we give them--slide from strange to stranger, from contained to container. Whistling the orchestration of a beautiful 'teflon ballet,' Andreyev makes the poem march to clockwork and despair." --derek beaulieu, author of Please, No More Poetry and How to Write
| Author | : Emmanuelle Saada |
| Publisher | : University of Chicago Press |
| Total Pages | : 357 |
| Release | : 2012-03-02 |
| Genre | : History |
| ISBN | : 0226733076 |
Operating at the intersection of history, anthropology, and law, this book reveals the unacknowledged but central role of race in the definition of French nationality. The author weaves together the perspectives of jurists, colonial officials, and more, and demonstrates why the French Empire cannot be analyzed in black-and-white terms.
| Author | : Jean Eisenstaedt |
| Publisher | : Princeton University Press |
| Total Pages | : 374 |
| Release | : 2018-06-05 |
| Genre | : Science |
| ISBN | : 0691186758 |
Black holes may obliterate most things that come near them, but they saved the theory of general relativity. Einstein's theory was quickly accepted as the true theory of gravity after its publication in 1915, but soon took a back seat in physics to quantum mechanics and languished for decades on the blackboards of mathematicians. Not until the existence of black holes by Stephen Hawking and Roger Penrose in the 1960s, after Einstein's death, was the theory revived. Almost one hundred years after general relativity replaced Newton's theory of gravitation, The Curious History of Relativity tells the story of both events surrounding general relativity and the techniques employed by Einstein and the relativists to construct, develop, and understand his almost impenetrable theory. Jean Eisenstaedt, one of the world's leading experts on the subject, also discusses the theory's place in the evolution of twentieth-century physics. He describes the main stages in the development of general relativity: its beginnings, its strange crossing of the desert during Einstein's lifetime while under heated criticism, and its new life from the 1960s on, when it became vital to the understanding of black holes and the observation of exotic objects, and, eventually, to the discovery of the accelerating universe. We witness Einstein's construction of his theory, as well as the work of his fascinated, discouraged, and enthusiastic colleagues--physicists, mathematicians, and astronomers. Written with flair, The Curious History of Relativity poses--and answers--the difficult questions raised by Einstein's magnificent intellectual feat.
| Author | : Catherine Asaro |
| Publisher | : Open Road Media |
| Total Pages | : 324 |
| Release | : 2022-09-27 |
| Genre | : Fiction |
| ISBN | : 1504079566 |
The first book in the Skolian Empire saga by the Nebula Award–winning author. “Fast, smart, speculative . . . another stellar debut.” —Los Angeles Daily News Soz Valdoria, a bioengineered fighter pilot—and first in line for the military command of her people—has found refuge with her squad on the sanctuary planet of Delos. It offers a respite from the war that rages between her Skolian people and their enemies, the Traders. Looking for rest and relaxation, they must still be on their guard for the Trader soldiers who also visit the sanctuary. In a bar, they confront the worst of the worst: an Aristo from the Trader ruling caste, seemingly on the prowl for a “provider” he can use for his barbaric impulses. His presence takes Soz back to her days as a prisoner of war, when she became the plaything of a sadistic and soulless Aristo. And yet something is off about this Aristo. Unable to ignore her instincts, Soz searches the city until she finds him in a secured mansion. Breaching its fortifications and eluding its guards, she discovers a devastating truth: this man is no true Aristo. He is a genetic anomaly like Soz, one of the few people who can handle the massive neurological demands of the psibernet, the technological marvel that gives the Skolians their only advantage over the Traders. This false Aristo, this sheep in a wolf’s clothing, is heir to the Trader throne. The emperor created him for one reason—to take control of the Skolian network and conquer Soz’s people. But Soz has never felt such a connection as she does to this Trader heir. It may prove her—and the universe’s—undoing . . . “This is one of the best SF first novels in years.” —Booklist
| Author | : Benjamin Steiner |
| Publisher | : Manchester University Press |
| Total Pages | : 276 |
| Release | : 2020-08-04 |
| Genre | : Technology & Engineering |
| ISBN | : 1526143259 |
This study explores the shared history of the French empire from the perspective of material culture in order to re-evaluate the participation of colonial, Creole, and indigenous agency in the construction of imperial spaces. The decentred approach to a global history of the French colonial realm allows a new understanding of power relations in different locales. Providing case studies from four parts of the French empire, the book draws on illustrative evidence from the French archives in Aix-en-Provence and Paris as well as local archives in each colonial location. The case studies, in the Caribbean, Canada, Africa, and India, each examine building projects to show the mixed group of planners, experts, and workers, the composite nature of building materials, and elements of different ‘glocal’ styles that give the empire its concrete manifestation. Building the French empire gives a view of the French overseas empire in the early modern period not as a consequence or an outgrowth of Eurocentric state-building, but rather as the result of a globally interconnected process of empire-building.
| Author | : Shannon Maguire |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 2015-10-28 |
| Genre | : Poetry |
| ISBN | : 9781771661607 |
Myrmurs is an innovative variant of the sestina form (a medieval mechanism of desire that spirals around six end words). Connecting medieval textuality to contemporary politics and poetics, this poem explores living systems: cities and languages as self-organizing entities; ants; interspecies entanglements; strange attachments; neocolonialism and how to break free of it. Following on her critically acclaimed debut collection fur(l) parachute (published by BookThug in 2013), this is the second volume in Shannon Maguire's planned medievalist trilogy. "What a relief to find ant traffic arriving at our picnic. Maguire's poems are acrawl with chaser light shuttles and swaps and deep-kissing industry. Lie back on the cat lick pen nib and let the interswarm of city and green, dream and wake, queer and norm work through your ears, yielding nothing but gorgeous trouble." --Susan Holbrook, author of Joy is So Exhausting Imagine a sestina taken apart by ants and reconfigured as segmented fruit. Imagine empty anglophone calories exposed as petroleum rainbows. Imagine a poetics propelled not by sensitivity to comparison or likeness, but instead by pheromones and their incommensurate, contrapuntal perceptual worlds. Shannon Maguire's Myrmurs experiments on a culture of experimentation. The result is a diffractive study of bodies of noise--in all their queer, incorrigible biological and linguistic volumes. This extraordinary book will crawl all over you. --Adam Dickinson, author of The Polymers
| Author | : Roger Penrose |
| Publisher | : Oxford Paperbacks |
| Total Pages | : 634 |
| Release | : 1999-03-04 |
| Genre | : Computers |
| ISBN | : 0192861980 |
Winner of the Wolf Prize for his contribution to our understanding of the universe, Penrose takes on the question of whether artificial intelligence will ever approach the intricacy of the human mind. 144 illustrations.
| Author | : Daphne Patai |
| Publisher | : Columbia University Press |
| Total Pages | : 739 |
| Release | : 2005-04-20 |
| Genre | : Literary Criticism |
| ISBN | : 0231508697 |
Not too long ago, literary theorists were writing about the death of the novel and the death of the author; today many are talking about the death of Theory. Theory, as the many theoretical ism's (among them postcolonialism, postmodernism, and New Historicism) are now known, once seemed so exciting but has become ossified and insular. This iconoclastic collection is an excellent companion to current anthologies of literary theory, which have embraced an uncritical stance toward Theory and its practitioners. Written by nearly fifty prominent scholars, the essays in Theory's Empire question the ideas, catchphrases, and excesses that have let Theory congeal into a predictable orthodoxy. More than just a critique, however, this collection provides readers with effective tools to redeem the study of literature, restore reason to our intellectual life, and redefine the role and place of Theory in the academy.
| Author | : Peter Galison |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 393 |
| Release | : 2004-09-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393326047 |
"In Galison's telling of science, the meters and wires and epoxy and solder come alive as characters, along with physicists, engineers, technicians and others . . . Galison has unearthed fascinating material." ("New York Times").
| Author | : Nir Evron |
| Publisher | : State University of New York Press |
| Total Pages | : 284 |
| Release | : 2020-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438480695 |
The Blossom Which We Are traces the emergence of a distinctly modern form of human vulnerability—our intimate dependence on the fragile and time-bound cultural frameworks that we inhabit—as it manifests in the realm of the novel. Nir Evron juxtaposes seminal works from diverse national literatures to demonstrate that the trope of cultural extinction offers key insights into the emotional and ideological work performed by the realist novel. With an analysis that ranges from the works of Maria Edgeworth and Walter Scott, Edith Wharton's Age of Innocence and Joseph Roth's Radetzky March and Yaakov Shabtai's Past Continuous, and finally to the current state of the humanities, this book seeks to recover literary criticism's humanistic mission, bringing the best that has been thought and said to bear on urgent contemporary concerns.
