The Reception And Performance Of Euripides Herakles
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Author | : Kathleen Riley |
Publisher | : OUP Oxford |
Total Pages | : 412 |
Release | : 2008-04-24 |
Genre | : Literary Criticism |
ISBN | : 0191560014 |
Euripides' Herakles, which tells the story of the hero's sudden descent into filicidal madness, is one of the least familiar and least performed plays in the Greek tragic canon. Kathleen Riley explores its reception and performance history from the fifth century BC to AD 2006. Her focus is upon changing ideas of Heraklean madness, its causes, its consequences, and its therapy. Writers subsequent to Euripides have tried to 'reason' or make sense of the madness, often in accordance with contemporary thinking on mental illness. She concurrently explores how these attempts have, in the process, necessarily entailed redefining Herakles' heroism. Riley demonstrates that, in spite of its relatively infrequent staging, the Herakles has always surfaced in historically charged circumstances - Nero's Rome, Shakespeare's England, Freud's Vienna, Cold-War and post-9/11 America - and has had an undeniable impact on the history of ideas. As an analysis of heroism in crisis, a tragedy about the greatest of heroes facing an abyss of despair but ultimately finding redemption through human love and friendship, the play resonates powerfully with individuals and communities at historical and ethical crossroads.
Author | : Kathleen Riley |
Publisher | : |
Total Pages | : 398 |
Release | : 2008 |
Genre | : Mental illness in literature |
ISBN | : 9780191715945 |
A study of the reception of Euripides' tragedy 'The Madness of Herakles' from late antiquity to the present day. Kathleen Riley examines changing ideas of Heraklean madness and, consequently, of the Heraklean hero.
Author | : Edith Hall |
Publisher | : |
Total Pages | : 428 |
Release | : 2010-01-21 |
Genre | : Drama |
ISBN | : 0199232512 |
An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.
Author | : Owen Rees |
Publisher | : Bloomsbury Publishing |
Total Pages | : 264 |
Release | : 2022-01-13 |
Genre | : History |
ISBN | : 1350188654 |
This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.
Author | : Isabelle Torrance |
Publisher | : Bloomsbury Publishing |
Total Pages | : 194 |
Release | : 2019-01-30 |
Genre | : Drama |
ISBN | : 1786735385 |
Sophocles, Aeschylus and Euripides are often described as the greatest tragedians of the ancient world. Of these three pivotal founders of modern drama, Euripides is characterized as the interloper and the innovator: the man who put tragic verse into the mouths of slaves, women and the socially inferior in order to address vital social issues such as sex, class and gender relations. It is perhaps little wonder that his work should find such resonance in the modern day. In this concise introduction, Isabelle Torrance engages with the thematic, cultural and scholarly difficulties that surround his plays to demonstrate why Euripides remains a figure of perennial relevance. Addressing here issues of social context, performance theory, fifth-century philosophy and religion, textual criticism and reception, the author presents an astute and attractively-written guide to the Euripidean corpus – from the widely read and celebrated Medea to the lesser-known and deeply ambiguous Alcestis.
Author | : Daniel Ogden |
Publisher | : Oxford University Press |
Total Pages | : 609 |
Release | : 2021-07-13 |
Genre | : Literary Collections |
ISBN | : 0190651008 |
Heracles is the quintessential ancient Greek hero. The rich and massive tradition associated with him encompasses myths of all kinds: quest myths, monster-fights, world-foundational myths, aetiological myths, philosophical myths, allegorical myths, and more. It informs and is informed by every genre and variety of Classical literature. The figure of Heracles opens windows onto numerous aspects of ancient religion, including those of cult, syncretism, Christian reception, the relationship between gods and heroes, and the intersection of religion with politics. The Oxford Handbook of Heracles is the first large-scale guide to Heracles, his myth-cycle the Twelve Labors, and, to the pervasive impact of the hero upon Greek and Roman culture. The first half of the volume is devoted to the lucid exposition and analysis of the ancient evidence, literary and iconographic, for Heracles' life and deeds. In the second half, the Heracles tradition is analyzed from a range of thematic perspectives, including the contrasting projections of the figure across the major literary genres and in art; the ways in which Greek communities and even Roman emperors exploited the figure in the fashioning of their own identities and for political advantage; his cult in Greece and Rome and its syncretism with that of the Phoenician Melqart; and Heracles' reception in later Western tradition. Presenting, in 39 chapters, the authoritative work of international experts in a clear and well-structured format, this volume provides a convenient reference tool for scholars and offers an accessible starting-point for students.
Author | : Laura K. McClure |
Publisher | : John Wiley & Sons |
Total Pages | : 642 |
Release | : 2017-01-17 |
Genre | : Literary Criticism |
ISBN | : 1119257506 |
A COMPANION TO EURIPIDES A COMPANION TO EURIPIDES Euripides has enjoyed a resurgence of interest as a result of many recent important publications, attesting to the poet’s enduring relevance to the modern world. A Companion to Euripides is the product of this contemporary work, with many essays drawing on the latest texts, commentaries, and scholarship on the man and his oeuvre. Divided into seven sections, the companion begins with a general discussion of Euripidean drama. The following sections contain essays on Euripidean biography and the manuscript tradition, and individual essays on each play, organized in chronological order. Chapters offer summaries of important scholarship and methodologies, synopses of individual plays and the myths from which they borrow their plots, and conclude with suggestions for additional reading. The final two sections deal with topics central to Euripidean scholarship, such as religion, myth, and gender, and the reception of Euripides from the 4th century BCE to the modern world. A Companion to Euripides brings together a variety of leading Euripides scholars from a wide range of perspectives. As a result, specific issues and themes emerge across the chapters as central to our understanding of the poet and his meaning for our time. Contributions are original and provocative interpretations of Euripides’ plays, which forge important paths of inquiry for future scholarship.
Author | : |
Publisher | : BRILL |
Total Pages | : 418 |
Release | : 2024-08-29 |
Genre | : History |
ISBN | : 9004696938 |
Hercules Performed explores the reception of the ancient Greek hero Herakles – the Roman Hercules – on the western stage from the sixteenth century to the present day, focusing on live theatre, including tragedy, comedy and musical drama. Each chapter considers a particular work or theme in detail, exploring the interplay between classical models and a wide variety of modern performance contexts. The volume is one of four to be published in the Metaforms series examining the extraordinarily persistent figuring of Herakles-Hercules in western culture, drawing together scholars from a range of disciplines to offer a unique insight into the hero’s perennial appeal.
Author | : Karl A.E. Enenkel |
Publisher | : BRILL |
Total Pages | : 529 |
Release | : 2024-11-20 |
Genre | : Art |
ISBN | : 900469465X |
The book examines the myth of Hercules and Omphale/Iole which became an important topic in the visual arts, 1500–1800. It offers an analysis of the iconography from the perspective of the history of emotions, classical and Neo-Latin philology, reception and gender studies. The early modern inventions of the myth excel in a skilful display of mixed and compound emotions, such as the male character's psychopathology, and of the theatrical performance of emotions by the female character.
Author | : David Hopkins |
Publisher | : |
Total Pages | : 761 |
Release | : 2012 |
Genre | : History |
ISBN | : 0199594600 |
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This fourth volume, and second to appear in the series, covers the years 1790-1880 and explores romantic and Victorian receptions of the classics. Noting the changing fortunes of particular classical authors and the influence of developments in archaeology, aesthetics and education, it traces the interplay between classical and nineteenth-century perceptions of gender, class, religion, and the politics of republic and empire in chapters engaging with many of the major writers of this period.