The Rasta Girl Who Escapes From Babylon
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| Author | : Elaine Maskel |
| Publisher | : Page Publishing Inc |
| Total Pages | : 304 |
| Release | : 2022-11-03 |
| Genre | : Fiction |
| ISBN | : 1662414498 |
It took several hundred pages of manuscript and over thirteen years of labor for Rasta Girl to become this very unique book that weaves fiction into reality from a Rasta perspective. You will go on the ride of your life as the heroine stretches you across international borders while at the same time confronting various trials in her quest to escape Babylon--on a spiritual journey to get to her true earthly home: Ethiopia! The main character, Princess Natasha, was born on the island of Jamaica and was taught the Rasta way through the eyes of her father. When her father suddenly passes away, she moves to Philadelphia with her younger brother, where they encounter extreme prejudice and the shock of being forced to live in a foreign culture: Babylon! After meeting Jamal, her journey takes her into a Catholic boarding home, but after staying there for a while, Jamal convinces her to move to Washington with him. Once there, Natasha begins to experience mysterious revelations about Jamal as his true character is revealed, and Natasha quickly finds herself in the unfortunate position of having to confront and defeat secret enemies. Rasta Girl is not for the faint of heart, as there is sex, lies, murder, violence, and war in Natasha's quest to reach Mt. Zion, and all the tribulations and confrontations that a Rasta must experience are explored in this exciting book. There are many twists and turns that will keep you turning the pages. Enjoy the ride!
| Author | : John Walliss |
| Publisher | : Routledge |
| Total Pages | : 215 |
| Release | : 2014-12-05 |
| Genre | : Religion |
| ISBN | : 1317491025 |
The Apocalypse or end times are a recurrent theme within contemporary popular culture. 'The End All Around Us' presents a wide-ranging exploration of the influence of the apocalypse within art, literature, music and film. The essays draw on representations of the apocalypse in heavy metal music, science fiction, disaster movies and anime. The book examines key apocalyptic texts, focusing on their relevance to today. It will be invaluable to all those interested in the religious and cultural impact of apocalyptic thought.
| Author | : Christopher Partridge |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 561 |
| Release | : 2023-06-15 |
| Genre | : Social Science |
| ISBN | : 1350286990 |
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.
| Author | : Nathaniel Samuel Murrell |
| Publisher | : Temple University Press |
| Total Pages | : 488 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9781566395847 |
This anthology explores Rastafari religion, culture, and politics in Jamaica and other parts of the African diaspora. An Afro-Caribbean religious and cultural movement that sprang from the streets of Kingston, Jamaica, in the 1930s, today Rastafari has close to one million adherents. The basic message of Rastafari—the dismantling of all oppressive institutions and the liberation of humankind—even has strong appeal to non-believers who are captivated by reggae music, the lyrics, and the "immortal spirit" of its enormously popular practitioner, Bob Marley. Probing into Rastafari's still evolving belief system, political goals, and cultural expression, the contributors to this volume emphasize the importance of Africana history and the Caribbean context. Author note:Nathaniel Samuel Murrellis Assistant Professor of Philosophy and Religion at the University of North Carolina, Wilmington, and Visiting Professor at the Caribbean Graduate School of Theology in Kingston, Jamaica.William David Spencerserves as Pastor of Encouragement at Pilgrim Church in Beverly, MA, and was an Adjunct Professor of Theology at Gordon-Conwell Theological Seminary's Center for Urban Ministerial Education in Boston. He has authored, co-authored, or editedThe Prayer of Life of Jesus, Mysterium and Mystery: The Clerical Crime Novel, God through the Looking Glass, Joy through the Night, 2 Corinthians: Bible Study CommentaryandThe Global God.Adrian Anthony McFarlaneis Associate Professor of Philosophy and Chair of the Department of Philosophy and Religious Studies at Hartwick College in Oneonta, NY. He is author ofA Grammar of FearandEvil–A Husserlian-Wittgensteinian Hermeneutic.
| Author | : Dave Thompson |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 548 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9780879306557 |
Provides a complete historic overview of the sounds of the entire English-speaking Caribbean region, bringing together informative essays on the development of a range of music styles and the industry's top performers. Original.
| Author | : Héctor Tobar |
| Publisher | : MCD |
| Total Pages | : 416 |
| Release | : 2020-08-25 |
| Genre | : Fiction |
| ISBN | : 0374720401 |
One of the Los Angeles Times Top 10 California Books of 2020. One of Publishers Weekly’s Top 10 Fiction Books from 2020. Longlisted for the Carnegie Medal for Excellence and the Joyce Carol Oates prize. One of Exile in Bookville’s Favorite Books of 2020. In The Last Great Road Bum, Héctor Tobar turns the peripatetic true story of a naive son of Urbana, Illinois, who died fighting with guerrillas in El Salvador into the great American novel for our times. Joe Sanderson died in pursuit of a life worth writing about. He was, in his words, a “road bum,” an adventurer and a storyteller, belonging to no place, people, or set of ideas. He was born into a childhood of middle-class contentment in Urbana, Illinois and died fighting with guerillas in Central America. With these facts, acclaimed novelist and journalist Héctor Tobar set out to write what would become The Last Great Road Bum. A decade ago, Tobar came into possession of the personal writings of the late Joe Sanderson, which chart Sanderson’s freewheeling course across the known world, from Illinois to Jamaica, to Vietnam, to Nigeria, to El Salvador—a life determinedly an adventure, ending in unlikely, anonymous heroism. The Last Great Road Bum is the great American novel Joe Sanderson never could have written, but did truly live—a fascinating, timely hybrid of fiction and nonfiction that only a master of both like Héctor Tobar could pull off.
| Author | : Steven Blush |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 281 |
| Release | : 2024-09-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 1493074482 |
In When Rock Met Reggae, Steven Blush takes a spirited, cross-genre perspective in this "illuminating chronicle" (Booklist) of the crossover of Jamaican, British, and American sounds that changed the face of popular music. Library Journal notes that "Blush’s nimble outline of the interplay between reggae and British punk will appeal to music fans.” Bringing the same incisive, cross-genre perspective he offered in When Rock Met Disco, Steven Blush gives a spirited survey of the crossover of Jamaican, British, and American sounds that changed the face of popular music in When Rock Met Reggae. The inspiration of ska, rock-steady, dub, and reggae—heard on independent recordings played on “soundsystems” from Kingston and Brixton—created a new rock tonality and attitude, spanning from Eric Clapton to The Clash. Meanwhile, the “Two Tone” sounds—traversing The Specials, Madness, and UB40—fueled the ‘90s ska revival of Sublime, No Doubt, The Mighty Mighty Bosstones, and beyond. Attentive to the racial, political, and artistic aspects of this intricate story, Blush gives a memorable account of one of the most fertile cross-pollinations in pop music history.
| Author | : Erin C. MacLeod |
| Publisher | : NYU Press |
| Total Pages | : 396 |
| Release | : 2014-07-04 |
| Genre | : Religion |
| ISBN | : 1479880752 |
In reggae song after reggae song Bob Marley and other reggae singers speak of the Promised Land of Ethiopia. “Repatriation is a must!” they cry. The Rastafari have been travelling to Ethiopia since the movement originated in Jamaica in 1930s. They consider it the Promised Land, and repatriation is a cornerstone of their faith. Though Ethiopians see Rastafari as immigrants, the Rastafari see themselves as returning members of the Ethiopian diaspora. In Visions of Zion, Erin C. MacLeod offers the first in-depth investigation into how Ethiopians perceive Rastafari and Rastafarians within Ethiopia and the role this unique immigrant community plays within Ethiopian society. Rastafari are unusual among migrants, basing their movements on spiritual rather than economic choices. This volume offers those who study the movement a broader understanding of the implications of repatriation. Taking the Ethiopian perspective into account, it argues that migrant and diaspora identities are the products of negotiation, and it illuminates the implications of this negotiation for concepts of citizenship, as well as for our understandings of pan-Africanism and south-south migration. Providing a rare look at migration to a non-Western country, this volume also fills a gap in the broader immigration studies literature.
| Author | : Susanna Scarparo |
| Publisher | : Springer |
| Total Pages | : 249 |
| Release | : 2018-10-10 |
| Genre | : Music |
| ISBN | : 3319965050 |
This book explores the significance of reggae and hip hop in Southern Italy from the beginning of the 1980s to the present. Focusing on groups and solo artists located predominantly in the Southern Italian regions of Apulia and Sardinia, it examines the production and distribution of their music, lyrics and video clips. To this end, Reggae and Hip Hop in Southern Italy emphasizes the linguistic aspects of cultural marginalization as well as marginalities linked to geographical location, gender, and to social and political identification. The authors put forward three key arguments, namely: that the Southern Italian transcultural and multilingual musical productions defy the cultural stereotype of the South; that the musicians discussed are creating new alliances and transcultural exchanges that engage critically with the challenges and opportunities offered by globalization; and that these musical productions represent one of Italy’s most significant forms of creative political expression since the 1970s. Reggae and Hip Hop in Southern Italy brings to light the distinctive characteristics of Italy’s independent and marginal musical contexts of reggae and reggae-inflected hip hop. It will serve as an invaluable resource for academics and students of Italian cultural studies, global studies, and the politics of non-hegemonic cultural production. It also provides an engaging reference for those with an interest in southern Italy, Apulia, Sardinia, the southern question and independent and popular music more generally.
| Author | : Darren J. N. Middleton |
| Publisher | : Routledge |
| Total Pages | : 339 |
| Release | : 2015-02-11 |
| Genre | : Religion |
| ISBN | : 1134625030 |
Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.
