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| Author | : Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies |
| Publisher | : Centre for Reformation and Renaissance Studies |
| Total Pages | : 164 |
| Release | : 2004 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780772720245 |
| Author | : Mark Kaethler |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 236 |
| Release | : 2021-05-10 |
| Genre | : Literary Criticism |
| ISBN | : 1501513761 |
Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.
| Author | : Stuart Sillars |
| Publisher | : Cambridge University Press |
| Total Pages | : 337 |
| Release | : 2015-08-06 |
| Genre | : Art |
| ISBN | : 1107029953 |
A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.
| Author | : Thomas S. Freeman |
| Publisher | : Routledge |
| Total Pages | : 452 |
| Release | : 2016-12-05 |
| Genre | : History |
| ISBN | : 1351930885 |
Henry VIII remains the most iconic and controversial of all English Kings. For over four-hundred years he has been lauded, reviled and mocked, but rarely ignored. In his many guises - model Renaissance prince, Defender of the Faith, rapacious plunderer of the Church, obese Bluebeard-- he has featured in numerous works of fact and faction, in books, magazines, paintings, theatre, film and television. Yet despite this perennial fascination with Henry the man and monarch, there has been little comprehensive exploration of his historiographic legacy. Therefore scholars will welcome this collection, which provides a systematic survey of Henry's reputation from his own age through to the present. Divided into three sections, the volume begins with an examination of Henry's reputation in the period between his death and the outbreak of the English Civil War, a time that was to create many of the tropes that would dominate his historical legacy. The second section deals with the further evolution of his reputation, from the Restoration to Edwardian era, a time when Catholic commentators and women writers began moving into the mainstream of English print culture. The final section covers the twentieth and twenty-first centuries, which witnessed an explosion of representations of Henry, both in print and on screen. Taken together these studies, by a distinguished group of international scholars, offer a lively and engaging overview of how Henry's reputation has been used, abused and manipulated in both academia and popular culture since the sixteenth century. They provide intriguing insights into how he has been reinvented at different times to reflect the cultural, political and religious demands of the moment; sometimes as hero, sometimes as villain, but always as an unmistakable and iconic figure in the historical landscape.
| Author | : Felicity Heal |
| Publisher | : |
| Total Pages | : 273 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 0199542953 |
Gifts are always with us: we use them positively to display affection and show gratitude for favours; we suspect that others give and accept them as douceurs and bribes. The gift also performed these roles in early modern English culture: and assumed a more significant role because networks of informal support and patronage were central to social and political behaviour. Favours, and their proper acknowledgement, were preoccupations of the age of Erasmus, Shakespeare, and Hobbes. As in modern society, giving and receiving was complex and full of the potential for social damage. 'Almost nothing', men of the Renaissance learned from that great classical guide to morality, Lucius Annaeus Seneca, 'is more disgraceful than the fact that we do not know how either to give or receive benefits'. The Power of Gifts is about those gifts and benefits - what they were, and how they were offered and received in the sixteenth and seventeenth centuries. It shows that the mode of giving, as well as what was given, was crucial to social bonding and political success. The volume moves from a general consideration of the nature of the gift to an exploration of the politics of giving. In the latter chapters some of the well-known rituals of English court life - the New Year ceremony, royal progresses, diplomatic missions - are viewed through the prism of gift-exchange. Gifts to monarchs or their ministers could focus attention on the donor, those from the crown could offer some assurance of favour. These fundamentals remained the same throughout the century and a half before the Civil War, but the attitude of individual monarchs altered specific behaviour. Elizabeth expected to be wooed with gifts and dispensed benefits largely for service rendered, James I modelled giving as the largesse of the Renaissance prince, Charles I's gift-exchanges focused on the art collecting of his coterie. And always in both politics and the law courts there was the danger that gifts would be corroded, morphing from acceptable behaviour into bribes and corruption. The Power of Gifts explores prescriptive literature, pamphlets, correspondence, legal cases and financial records, to illuminate social attitudes and behaviour through a rich series of examples and case-studies.
| Author | : Aidan Norrie |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 283 |
| Release | : 2020-07-06 |
| Genre | : Drama |
| ISBN | : 1501513745 |
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
| Author | : A. Gordon |
| Publisher | : Springer |
| Total Pages | : 227 |
| Release | : 2013-05-07 |
| Genre | : Literary Criticism |
| ISBN | : 1137294922 |
Writing Early Modern London explores how urban community in London was experienced, imagined and translated into textual form. Ranging from previously unstudied manuscripts to major works by Middleton, Stow and Whitney, it examines how memory became a key cultural battleground as rites of community were appropriated in creative ways.
| Author | : Steven W. May |
| Publisher | : Cornell University Press |
| Total Pages | : 287 |
| Release | : 2014-12-19 |
| Genre | : History |
| ISBN | : 0801455553 |
In Ink, Stink Bait, Revenge, and Queen Elizabeth, Steven W. May and Arthur F. Marotti present a recently discovered "household book" from sixteenth-century England. Its main scribe, John Hanson, was a yeoman who worked as a legal agent in rural Yorkshire. His book, a miscellaneous collection of documents that he found useful or interesting, is a rare example of a middle-class provincial anthology that contains, in addition to works from the country’s cultural center, items of local interest seldom or never disseminated nationally. Among the literary highlights of the household book are unique copies of two ballads, whose original print versions have been lost, describing Queen Elizabeth’s procession through London after the victory over the Spanish Armada; two poems attributed to Elizabeth herself; and other verse by courtly writers copied from manuscript and print sources. Of local interest is the earliest-known copy of a 126-stanza ballad about a mid-fourteenth-century West Yorkshire feud between the Eland and Beaumont families. The manuscript’s utilitarian items include a verse calendar and poetic Decalogue, model legal documents, real estate records, recipes for inks and fish baits, and instructions for catching rabbits and birds. Hanson combined both professional and recreational interests in his manuscript, including material related to his legal work with wills and real estate transactions. As May and Marotti argue in their cultural and historical interpretation of the text, Hanson’s household book is especially valuable not only for the unusual texts it preserves but also for the ways in which it demonstrates the intersection of the local and national and of popular and elite cultures in early modern England.
| Author | : Jayne Elisabeth Archer |
| Publisher | : OUP Oxford |
| Total Pages | : 325 |
| Release | : 2007-03-29 |
| Genre | : Literary Collections |
| ISBN | : 0191568090 |
More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court, Elizabeth toured southern England, the Midlands, and parts of the West Country, staying with private and civic hosts, and at the universities of Oxford and Cambridge. The progresses provided hosts with unique opportunities to impress and influence the Queen, and became occasions for magnificent and ingenious entertainments and pageants, drawing on the skills of architects, artists, and craftsmen, as well as dramatic performances, formal orations, poetic recitations, parades, masques, dances, and bear baiting. The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England. Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; the afterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumentalThe Progresses of Queen Elizabeth (1788-1823).
| Author | : Torrance Kirby |
| Publisher | : BRILL |
| Total Pages | : 520 |
| Release | : 2013-12-12 |
| Genre | : History |
| ISBN | : 9004262814 |
The open-air pulpit within the precincts of St. Paul’s Cathedral known as ‘Paul’s Cross’ can be reckoned among the most influential of all public venues in early-modern England. Between 1520 and the early 1640s, this pulpit and its auditory constituted a microcosm of the realm and functioned at the epicentre of events which radically transformed England’s political and religious identities. Through cultivation of a sophisticated culture of persuasion, sermons at Paul’s Cross contributed substantially to the emergence of an early-modern public sphere. This collection of 24 essays seeks to situate the institution of this most public of pulpits and to reconstruct a detailed history of some of the more influential sermons preached at Paul’s Cross during this formative period. Contributors include: Thomas Dabbs, Ellie Gebarowski-Shafer, Cecilia Hatt, Roze Hentschell, Anne James, Gerard Kilroy, John N. King, Torrance Kirby, Bradford Littlejohn, Steven May, Natalie Mears, Mary Morrissey, David Neelands, Kathleen O'Leary, Mark Rankin, Angela Ranson, Richard Rex, John Schofield, Jeanne Shami, P.G. Stanwood, Susan Wabuda, John Wall, Ralph Werrell, and Jason Zuidema.
