The Protean Text
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| Author | : Kimberlee Anne Campbell |
| Publisher | : Routledge |
| Total Pages | : 164 |
| Release | : 2019-06-26 |
| Genre | : Literary Criticism |
| ISBN | : 0429590083 |
Originally published in 1988, The Protean Text looks at the shifting evolution of medieval texts and how changing social and aesthetic values were depicted in the literature of the period. The book examines how this was reflected in the reworking and rewriting of texts - a common practice in medieval literature - as various groups adapted existing legends to their own socio-aesthetic needs. Such textual fluidity often resulted in a proliferation of versions. This tendency to experience the text in protean terms is intrinsic to medieval literary expression. This book uses the legend of "Doon and Olive", to discuss the protean text, and uses the diverse series of extant versions available, to enhance our understanding of the possibilities of literary shift and modulation through this period.
| Author | : Robert Jay Lifton |
| Publisher | : University of Chicago Press |
| Total Pages | : 278 |
| Release | : 1999-11 |
| Genre | : Psychology |
| ISBN | : 9780226480985 |
"We are becoming fluid and many-sided. Without quite realizing it, we have been evolving a sense of self appropriate to the restlessness and flux of our time. This mode of being differs radically from that of the past, and enables us to engage in continuous exploration and personal experiment. I have named it the 'protean self,' after Proteus, the Greek sea god of many forms."—from The Protean Self "A fascinating and appealing book. . . . As he revises the psychology of the self, Dr. Lifton is subtle, even profound, in drawing a line between multiplicity and fragmentation. To those who are nostalgic for the age of the unitary ego, his message is that it is better to be fluid, resilient and on the move than to be firm, fixed, self-assured and settled. To those who worry that the post-modern age is an age of shattered selves, dissociative states, multiple personality disorders and identity diffusion, Dr. Lifton brings the good news that discontinuity can be a mirror of reality, and the standard for a reasonable life."—Richard A. Shweder, New York Times "Lifton has challenged the conventional social-scientific wisdom of the last half century. . . .He has called attention to the emergence of a new form of self and considered it in a bold and imaginative light."—Howard Gardner, Boston Book Review
| Author | : Craig Kallendorf |
| Publisher | : |
| Total Pages | : 220 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0198727801 |
The Protean Virgil argues that when we try to understand how and why different readers have responded differently to the same text over time, we should take into account the physical form in which they read the text as well as the text itself. Using Virgil's poetry as a case study in book history, the volume shows that a succession of material forms - manuscript, printed book, illustrated edition, and computer file - undermines the drive toward textual and interpretive stability. This stability is the traditional goal of classical scholarship, which seeks to recover what Virgil wrote and how he intended it to be understood. The manuscript form served to embed Virgil's poetry into Christian culture, which attempted to anchor the content into a compatible theological truth. Readers of early printed material proceeded differently, breaking Virgil's text into memorable moral and stylistic fragments, and collecting those fragments into commonplace books. Furthermore, early illustrated editions present a progression of re-envisionings in which Virgil's poetry was situated within a succession of receiving cultures. In each case, however, the material form helped to generate a method of reading Virgil which worked with this form but which failed to survive the transition to a new union of the textual and the physical. This form-induced instability reaches its climax with computerization, which allows the reader new power to edit the text and to challenge the traditional association of Virgil's poetry with elite culture.
| Author | : Peter J. Katzenstein |
| Publisher | : Cambridge University Press |
| Total Pages | : 383 |
| Release | : 2018-01-18 |
| Genre | : Political Science |
| ISBN | : 1108425178 |
Mainstream international relations continues to assume that the world is governed by calculable risk based on estimates of power, despite repeatedly being surprised by unexpected change. This ground breaking work departs from existing definitions of power that focus on the actors' evolving ability to exercise control in situations of calculable risk. It introduces the concept of 'protean power', which focuses on the actors' agility as they adapt to situations of uncertainty. Protean Power uses twelve real world case studies to examine how the dynamics of protean and control power can be tracked in the relations among different state and non-state actors, operating in diverse sites, stretching from local to global, in both times of relative normalcy and moments of crisis. Katzenstein and Seybert argue for a new approach to international relations, where the inclusion of protean power in our analytical models helps in accounting for unforeseen changes in world politics.
| Author | : Shannon Wells-Lassagne |
| Publisher | : McFarland |
| Total Pages | : 255 |
| Release | : 2013-02-07 |
| Genre | : Performing Arts |
| ISBN | : 1476601658 |
Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
| Author | : Luke O'Neil |
| Publisher | : OR Books |
| Total Pages | : 244 |
| Release | : 2019-10-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1682192156 |
When Luke O’Neil isn’t angry, he’s asleep. When he’s awake, he gives vent to some of the most heartfelt, political and anger-fueled prose to power its way to the public sphere since Hunter S. Thompson smashed a typewriter’s keys. Welcome to Hell World is an unexpurgated selection of Luke O’Neil’s finest rants, near-poetic rhapsodies, and investigatory journalism. Racism, sexism, immigration, unemployment, Marcus Aurelius, opioid addiction, Iraq: all are processed through the O’Neil grinder. He details failings in his own life and in those he observes around him: and the result is a book that is at once intensely confessional and an energetic, unforgettable condemnation of American mores. Welcome to Hell World is, in the author’s words, a “fever dream nightmare of reporting and personal essays from one of the lowest periods in our country in recent memory.” It is also a burning example of some of the best writing you’re likely to read anywhere.
| Author | : R. John Brockmann |
| Publisher | : |
| Total Pages | : 622 |
| Release | : 2009 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781604976304 |
Stockton first made his reputation as "Fighting Bob" in the defense of Baltimore in the War of 1812, and, on his first naval command, he founded Liberia for freed slaves. Yet he also owned slaves on his sugar plantation in Georgia, and later probably used "rented" slave labor his in Virginia gold mines. As a naval officer, he chased pirates with the West Indies Squadron and may have been responsible for the death of Jean Lafitte; yet he acted like a pirate himself in ruthlessly protecting his Joint Companies' monopoly of railroad and canal traffic across New Jersey. Stockton achieved nautical design prominence by bringing John Ericsson to America to create the first steam-powered, propeller-driven warship and the most powerful cannon in the world. (Ericsson later designed USS Monitor in the Civil War.) However, in demonstrating his cannon to high government officials, the cannon backfired killing nearly half of President Tyler's cabinet. From Congress and the President, Stockton brought the invitation of annexation to Texas, but then he tried to initiate a war between Texas and Mexico that he would clandestinely underwrite with profits from his transportation monopoly. He sailed to California arriving at the start of the Mexican-American war so that he was the commander-in-chief of all US forces, and joined with John C. Fremont and his filibusters to take California for the United States-yet he never had specific orders to take California. Upon his return, he became the first naval officer to become a U. S. Senator, and then he sought the nomination for president twice: once on the 1852 Democratic Party ticket almost nosing out Franklin Pierce and once on the American Party or Know-Nothing ticket. His nomination from the nativist American Party is particularly ironic because he has been instrumental twelve years earlier in suppressing nativist riots in Philadelphia. In 1861, on the eve of the Civil War, New Jersey sent him as a member of a delegation to the Peace Conference in Washington that attempted to avert the Civil War. However at the peace conference, Stockton threatened to beat up a member who opposed his policies. Stockton eventually retired from public life to the New Jersey seashore where he founded the community of Sea Girt, and sat idle during the Civil War. He died in 1867 just after witnessing the expulsion of his son who had attempted to succeed him in the U. S. Senate. Historians of the Early Republic and antebellum naval operations will discover hitherto unknown or unappreciated materials and texts in the protean odyssey of this unsung American hero.
| Author | : Richard Hunter |
| Publisher | : Cambridge University Press |
| Total Pages | : 361 |
| Release | : 2005-07-14 |
| Genre | : History |
| ISBN | : 1139444042 |
The Catalogue of Women, ascribed to Hesiod, one of the greatest figures of early hexameter poetry, maps the Greek world, its evolution and its heroic myths through the mortal women who bore children to the gods. In this collection a team of international scholars offers an attempt to explore the poem's meaning, significance and reception. Individual chapters examine the organization and structure of the poem, its social and political context, its relation to other early epic and Hesiodic poetry, its place in the development of a pan-Hellenic consciousness, and attitudes to women. The wider influence of the Catalogue is considered in chapters on Pindar and the lyric tradition, on Hellenistic poetry, and on the poem's reception at Rome. This collection provides a significant approach to the study of the Catalogue.
| Author | : Patrick Hayes |
| Publisher | : OUP Oxford |
| Total Pages | : 288 |
| Release | : 2010-08-12 |
| Genre | : Literary Criticism |
| ISBN | : 0191591580 |
'Anti-illusionism is, I suspect, only a marking of time, a phase of recuperation, in the history of the novel. The question is, what next?' (J.M. Coetzee) Patrick Hayes argues that the significance of Coetzees fiction lies in the acuity with which it both explores and develops the tradition of the novelranging from Cervantes, Defoe, and Richardson to Dostoevsky, Kafka, and Beckettas part of a sustained attempt to rethink the relationship between writing and politics. For Coetzee, questions about the future of the novel are closely related to what it means to write after Beckett, and J. M. Coetzee and the Novel examines the ways in which his fiction discerningly assimilates the techniques of literary modernism to engage with some of the most troubling aspects of late twentieth-century cultural and political life. While Coetzee is rightly known as an intensely serious writer, Hayes shows that the true seriousness of his writing is intimately bound up with comedyor, to use the word Coetzee borrows from Joyce, the jocoserious. Opening up a range of new approaches to this major contemporary author, J. M. Coetzee and the Novel argues that it is only by paying especially close attention to the experience of reading Coetzees finely-nuanced prose that his distinctive impact on longstanding questions about identity, community, and the nature of political modernity can be appreciated.
| Author | : James L. Smith |
| Publisher | : punctum books |
| Total Pages | : 138 |
| Release | : 2017-12-08 |
| Genre | : Literary Criticism |
| ISBN | : 194744736X |
What strange transactions take place in the mobile spaces between loci? How does the flow of forces between fixed points enliven texts, suggest new connections, and map out the dizzying motion of myriad interactions? The essays in this volume were first presented at the 2014 New Chaucer Society Congress in Reykjavik, Iceland where a meeting of minds in a shared intermediate space initiated dialogue from diverse perspectives and wended its way through the invisible spaces between concrete categories, objects, and entities. The resulting volume asks a core question: what can we learn by tarrying at the nexus points and hubs through which things move in and out of texts, attempting to trace not the things themselves or their supposedly stable significations, but rather their forms of emergence and retreat, of disorder and disequilibrium? The answer is complex and intermediate, for we ourselves are emerging and retreating within our own systems of transit and experiencing our own disequilibrium. Scholarship, like transit, is never complete and yet never congeals into inertia. Through the manifold explorations of the dynamic transit, transports, scapes, and flows found within literary-and Chaucerian-thought-worlds, new vistas of motion and motivation emerge. Following John Urry's mobile sociology, the volume advances the notion that we can no longer view either social worlds or textual worlds as uniform surfaces upon which one can trace or write a history of the horizontal movements of humans and human mentalities; rather, everything is in constant motion: objects, images, information/ideas, and mobility is thus also vertical, involving human and non-human actants. The essays in this volume consider, then, how medieval literary texts in Chaucer's period rewarp time and space by the means of sophisticated transit and transport structures, which might be traced within specific works but also across works, such as in text networks. Motive entities within literature twist and turn, interact and collide, and destabilise predictable trajectories with unpredictable vigor. TABLE OF CONTENTS // James L. Smith, "Introduction: Transport, Scape, Flow: Medieval Transit Systems" - Christopher Roman, "Bios in The Prik of Conscience: The Apophatic Body and the Sensuous Soul" - Jennie Friedrich, "Concordia discors: The Traveling Heart as Foreign Object in Chaucer's Troilus and Criseyde" - Robert Stanton, "Whan I schal passyn hens: Moving With/In The Book of Margery Kempe" - Carolynn Van Dyke, "Animal Vehicles: Mobility beyond Metaphor" - Sarah Breckenridge Wright, "Building Bridges to Canterbury" - Thomas R. Schneider, "Chaucer's Physics: Motion in The House of Fame"
