The Private Presses
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The Private Presses
Author | : Colin Franklin |
Publisher | : |
Total Pages | : 408 |
Release | : 1991 |
Genre | : Business & Economics |
ISBN | : |
The renaissance of printing is generally accepted as starting in 1891, the date of the first publication from William Morris's Kelmscott Press. In that year, Morris printed his own Story of the Glittering Plain, so beginning a movement that was to continue until 1939. The author begins his survey with the Daniel Press, started by the Provost of Worcester College, Oxford, and traces the development of the private movement in printing which flourished between 1891 and 1914: these presses include Kelmscott, Ashendene, Essex House, Vale and Doves. Between the wars in Britain three presses stand out: the Gregynog Press, Shakespeare Head, and Golden Cockerel. This book is the only one of its kind to trace the history and development of these presses, publishers of some of the finest examples of printing of English books that has ever been known.
Private Press Books
Author | : Private Libraries Association |
Publisher | : |
Total Pages | : 125 |
Release | : 1971 |
Genre | : Limited editions |
ISBN | : 9780900002816 |
The Professor Is In
Author | : Karen Kelsky |
Publisher | : Crown |
Total Pages | : 450 |
Release | : 2015-08-04 |
Genre | : Education |
ISBN | : 0553419420 |
The definitive career guide for grad students, adjuncts, post-docs and anyone else eager to get tenure or turn their Ph.D. into their ideal job Each year tens of thousands of students will, after years of hard work and enormous amounts of money, earn their Ph.D. And each year only a small percentage of them will land a job that justifies and rewards their investment. For every comfortably tenured professor or well-paid former academic, there are countless underpaid and overworked adjuncts, and many more who simply give up in frustration. Those who do make it share an important asset that separates them from the pack: they have a plan. They understand exactly what they need to do to set themselves up for success. They know what really moves the needle in academic job searches, how to avoid the all-too-common mistakes that sink so many of their peers, and how to decide when to point their Ph.D. toward other, non-academic options. Karen Kelsky has made it her mission to help readers join the select few who get the most out of their Ph.D. As a former tenured professor and department head who oversaw numerous academic job searches, she knows from experience exactly what gets an academic applicant a job. And as the creator of the popular and widely respected advice site The Professor is In, she has helped countless Ph.D.’s turn themselves into stronger applicants and land their dream careers. Now, for the first time ever, Karen has poured all her best advice into a single handy guide that addresses the most important issues facing any Ph.D., including: -When, where, and what to publish -Writing a foolproof grant application -Cultivating references and crafting the perfect CV -Acing the job talk and campus interview -Avoiding the adjunct trap -Making the leap to nonacademic work, when the time is right The Professor Is In addresses all of these issues, and many more.
The Kelmscott Chaucer
Author | : Geoffrey Chaucer |
Publisher | : Collector's Library |
Total Pages | : 576 |
Release | : 2011-09 |
Genre | : Book ornamentation |
ISBN | : 9781907360510 |
The Kelmscott Chaucer is the most memorable and beautiful edition of the complete works of the first great English poet. Next to The Gutenberg Bible, it is considered the outstanding typographic achievement of all time. There are 87 full-page illustrations by Sir Edward Burne-Jones, and the borders, decorations and initials are drawn byWilliam Morris himself. Only 425 copies of this magnificent work were produced in 1896, and this beautiful monochrome facsimile, slightly smaller than the original, makes this glorious book available to all. A fascinating Introduction by Nicholas Barker places the book and its importance in context. The main text is followed by a black and white facsimile of ANoteby William Morris on his Aims in Founding the Kelmscott Press, together with a Short History of the Press by S C Cockerell.
Color in American Fine and Private Press Books, 1890-2015
Author | : Jean-Franc̜ois Vilain |
Publisher | : |
Total Pages | : 132 |
Release | : 2016 |
Genre | : CHR 2016 |
ISBN | : 9780990448785 |
A catalogue issued in conjunction with "Across the Spectrum: Color in American Fine & Private Press Books 1890-2015," at the University of Pennsylvania Library. Table of contents, acknowledgments, essays by the authors and by Russell Maret, listing of fine and private presses in the Vilain-Wieck Collection at the Penn Library. Color illustrations throughout.
Private Government
Author | : Elizabeth Anderson |
Publisher | : Princeton University Press |
Total Pages | : 222 |
Release | : 2019-04-30 |
Genre | : Philosophy |
ISBN | : 0691192243 |
Why our workplaces are authoritarian private governments—and why we can’t see it One in four American workers says their workplace is a “dictatorship.” Yet that number almost certainly would be higher if we recognized employers for what they are—private governments with sweeping authoritarian power over our lives. Many employers minutely regulate workers’ speech, clothing, and manners on the job, and employers often extend their authority to the off-duty lives of workers, who can be fired for their political speech, recreational activities, diet, and almost anything else employers care to govern. In this compelling book, Elizabeth Anderson examines why, despite all this, we continue to talk as if free markets make workers free, and she proposes a better way to think about the workplace, opening up space for discovering how workers can enjoy real freedom.
Parallel Public
Author | : Sara Blaylock |
Publisher | : MIT Press |
Total Pages | : 329 |
Release | : 2022-03-01 |
Genre | : Art |
ISBN | : 0262368803 |
How East German artists made their country’s experimental art scene a form of (counter) public life. Experimental artists in the final years of the German Democratic Republic did not practice their art in the shadows, on the margins, hiding away from the Stasi’s prying eyes. In fact, as Sara Blaylock shows, many cultivated a critical influence over the very bureaucracies meant to keep them in line, undermining state authority through forthright rather than covert projects. In Parallel Public, Blaylock describes how some East German artists made their country’s experimental art scene a form of (counter) public life, creating an alternative to the crumbling collective underpinnings of the state. Blaylock examines the work of artists who used body-based practices—including performance, film, and photography—to create new vocabularies of representation, sharing their projects through independent networks of dissemination and display. From the collective films and fashion shows of Erfurt's Women Artists Group, which fused art with feminist political action, to Gino Hahnemann, the queer filmmaker and poet who set nudes alight in city parks, these creators were as bold in their ventures as they were indifferent to state power. Parallel Public is the first work of its kind on experimental art in East Germany to be written in English. Blaylock draws on extensive interviews with artists, art historians, and organizers; artist-made publications; official reports from the Union of Fine Artists; and Stasi surveillance records. As she recounts the role culture played in the GDR’s rapid decline, she reveals East German artists as dissenters and witnesses, citizens and agents, their work both antidote to and diagnosis of a weakening state.