Touch and Expression in Piano Playing

Touch and Expression in Piano Playing
Author: Clarence G. Hamilton
Publisher: Courier Corporation
Total Pages: 81
Release: 2012-09-19
Genre: Music
ISBN: 0486488284

Reprint; originally published: Boston: Oliver Ditson, 1927.

The Nation

The Nation
Author:
Publisher:
Total Pages: 662
Release: 1886
Genre: Current events
ISBN:

Piano Technique

Piano Technique
Author: Walter Gieseking
Publisher: Courier Corporation
Total Pages: 162
Release: 2013-04-09
Genre: Music
ISBN: 0486317412

Two books, bound together, by one of the greatest pianists of all time and his famed teacher: The Shortest Way to Pianistic Perfection and Rhythmics, Dynamics, Pedal and Other Problems of Piano Playing.

The Art of Piano Playing

The Art of Piano Playing
Author: Genrikh Gustavovich Neĭgauz
Publisher:
Total Pages: 0
Release: 1993
Genre: Piano
ISBN: 9781871082456

Neuhaus taught at the Moscow Conservatory and his pupils included some of the greatest pianists of the twentieth century: Emil Gilels, Sviatoslav Richter, Nina Svetlanova, Alexei Lubimov and Radu Lupu. His legacy continues today and many teachers around the world regard this book as the most authoritative on the subject of piano playing.

The Performing Style of Alexander Scriabin

The Performing Style of Alexander Scriabin
Author: Anatole Leikin
Publisher: Routledge
Total Pages: 316
Release: 2016-02-24
Genre: Music
ISBN: 1317021606

When Alexander Nikolayevich Scriabin's music was performed during his lifetime, it always elicited ecstatic responses from the listeners. Wilhelm Gericke, conductor of the Vienna opera, rushed backstage after one of Scriabin's concerts and fell on his knees crying, 'It's genius, it's genius...'. After the composer’s death in 1915, however, his music steadily lost the captivating appeal it once held. The main reason for this drastic change in the listeners’ attitude is an enormous gap existing between the printed scores of Scriabin’s music and the way the composer himself played his works. Apparently, what Scriabin's audiences heard at the time was significantly different from, and vastly superior to, modern performances that are based primarily on published scores. Scriabin recorded nineteen of his compositions on the Hupfeld and Welte-Mignon reproducing pianos in 1908 and 1910, respectively. Full score transcriptions of the piano rolls, which are included in the book, provide many substantial features of Scriabin's performance: exact pitches and their timing against each other, rhythms, tempo fluctuations, articulation, dynamics and essential pedal application. Using these transcriptions and other historical documents as the groundwork for his research, Anatole Leikin explores Scriabin's performing style within the broader context of Romantic performance practice.

Bernard Shaw's Book Reviews

Bernard Shaw's Book Reviews
Author: Brian Tyson
Publisher: Penn State Press
Total Pages: 526
Release: 2008-01-31
Genre: Literary Collections
ISBN: 0271027819

These hitherto uncollected book reviews of Shaw--his first journalistic efforts--reveal much not only about the writer but also the culture of the time in which he lived. Between 1885 and 1888, Bernard Shaw published 111 book reviews in the Pall Mall Gazette. In spite of their importance as the first regular journalism Shaw wrote and the fact that the books (fiction, nonfiction, plays, and poetry) he read during these years must have formed the nucleus of his permanent library, the reviews have never before been analyzed in connection with Shaw's work. Brian Tyson has assembled the book reviews, complete with the books' titles, authors, and a brief biography of each author, including any comments Shaw made about the review, and has placed them in historical context, elucidating any interesting, difficult, or obscure references. Tyson's critical introduction places the reviews in the context of Shaw's work and Victorian society. The reviews are often characterized by the wit and brilliance that we associate with the later Shaw, shedding light on his development as a writer at his most formative stage. Regardless of the merits of the material Shaw was reviewing, it is amusing and enlightening to follow him down to the wandering tributaries of Late Victorian fiction and poetry, which reveal as much about Shaw as they do about the preoccupations and prejudices of the average reader of the day.