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| Author | : Randy Duncan |
| Publisher | : A&C Black |
| Total Pages | : 714 |
| Release | : 2009-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 082642936X |
Offers undergraduate students with an understanding of the comics medium and its communication potential. This book deals with comic books and graphic novels. It focuses on comic books because in their longer form they have the potential for complexity of expression.
| Author | : James Banks |
| Publisher | : |
| Total Pages | : 150 |
| Release | : 2017 |
| Genre | : Comic books, strips, etc |
| ISBN | : 9780692983348 |
Doctor Leviathan volume one is a superhero graphic novel that takes place in the far future. In this future, mankind has been overrun by a million super-powered murderers, madmen and assassins. Their only goal is to terrorize and try to enslave mankind. In this future there is only one man that is powerful enough to stand against these criminals and survive. Some call him a saint while others say he is a monster. This man's name is Doctor Leviathan. This graphic novel consist of three fantastic stories of how Doctor Leviathan battles against these monsters for mankind's freedom. The first story is about a group of powerful criminals, that have kidnapped the daughter of a judge. They intend to televise her torture and execution to her father. The second story is about a priest, who use to be a powerful super-villain, but is now trying to atone for his past crimes. He quickly finds out that he can't easily escape his past. His demise brings a city to the brink of destruction with Doctor Leviathan trying to prevent the loss of thousands of innocent lives. The third and final story is about the mysterious deaths of fifty-seven super-powered criminals in the city of Detroit. Doctor Leviathan is hot on the trail of their mysterious killer as he follows each grisly murder. He is trying to catch the mysterious killer, before it turns its murderous intentions from the super-villains and towards the innocent people of Detroit city. The first story of this graphic novel was first published as a comic book in 2005.
| Author | : Sean Eedy |
| Publisher | : Berghahn Books |
| Total Pages | : 230 |
| Release | : 2021-02-03 |
| Genre | : History |
| ISBN | : 1800730012 |
As with all other forms of popular culture, comics in East Germany were tightly controlled by the state. Comics were employed as extensions of the regime’s educational system, delivering official ideology so as to develop the “socialist personality” of young people and generate enthusiasm for state socialism. The East German children who avidly read these comics, however, found their own meanings in and projected their own desires upon them. Four-Color Communism gives a lively account of East German comics from both perspectives, showing how the perceived freedoms they embodied created expectations that ultimately limited the regime’s efforts to bring readers into the fold.
| Author | : Paul S. Hirsch |
| Publisher | : University of Chicago Press |
| Total Pages | : 346 |
| Release | : 2024-06-05 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 0226829464 |
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
| Author | : Bradford W. Wright |
| Publisher | : JHU Press |
| Total Pages | : 364 |
| Release | : 2003-10-17 |
| Genre | : Art |
| ISBN | : 9780801874505 |
A history of comic books from the 1930s to 9/11.
| Author | : Juan Gimenez |
| Publisher | : Humanoids Inc |
| Total Pages | : 68 |
| Release | : 2017-01-24 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1594656118 |
A powerful cocktail of science fiction, humor, and social criticism written and drawn by the artist of The Metabarons: Juan Gimenez!
| Author | : Natsu Onoda Power |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 220 |
| Release | : 2009-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1604734787 |
Cartoonist Osamu Tezuka (1928?1989) is the single most important figure in Japanese post-World War II comics. During his four-decade career, Tezuka published more than 150,000 pages of comics, produced animation films, wrote essays and short fiction, and earned a Ph.D. in medicine. Along with creating the character Astro Boy (Mighty Atom in Japan), he is best known for establishing story comics as the mainstream genre in the Japanese comic book industry, creating narratives with cinematic flow and complex characters. This style influenced all subsequent Japanese output. God of Comics chronicles Tezuka's life and works, placing his creations both in the cultural climate and in the history of Japanese comics. The book emphasizes Tezuka's use of intertextuality. His works are filled with quotations from other texts and cultural products, such as film, theater, opera, and literature. Often, these quoted texts and images bring with them a world of meanings, enriching the narrative. Tezuka also used stock characters and recurrent visual jokes as a way of creating a coherent world that encompasses all of his works. God of Comics includes close analysis of Tezuka's lesser-known works, many of which have never been translated into English. It offers one of the first in-depth studies of Tezuka's oeuvre to be published in English.
| Author | : Diane Noomin |
| Publisher | : ABRAMS |
| Total Pages | : 286 |
| Release | : 2019-09-17 |
| Genre | : Social Science |
| ISBN | : 168335673X |
Inspired by the global #MeToo Movement, Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival is a collection of original, nonfiction comics drawn by more than 60 female cartoonists from around the world. Featuring such noted creators as Emil Ferris, Aline Kominsky-Crumb, MariNaomi, Liana Finck, and Ebony Flowers the anthology’s contributors comprise a diverse group of many ages, sexual orientations, and races—and their personal stories convey the wide spectrum of sexual harassment and abuse that is still all too commonplace. With a percentage of profits going to RAINN, Drawing Power is an anthology that stokes the fires of progressive social upheaval, in the fight for a better, safer world. Full list of contributors: Rachel Ang, Zoe Belsinger, Jennifer Camper, Caitlin Cass, Tyler Cohen, Marguerite Dabaie, Soumya Dhulekar, Wallis Eates, Trinidad Escobar, Kat Fajardo, Joyce Farmer, Emil Ferris, Liana Finck, Sarah Firth, Mary Fleener, Ebony Flowers, Claire Folkman, Noel Franklin Katie Fricas, Siobhán Gallagher, Joamette Gil, J. Gonzalez-Blitz, Georgiana Goodwin, Roberta Gregory, Marian Henley, Soizick Jaffre Avy Jetter, Sabba Khan, Kendra Josie Kirkpatrick, Aline Kominsky-Crumb, Nina Laden, Miss Lasko-Gross, Carol Lay, Miriam Libicki Sarah Lightman, LubaDalu, Ajuan Mance, MariNaomi, Lee Marrs, Liz Mayorga, Lena Merhej, Bridget Meyne, Carta Monir, Hila Noam Diane Noomin, Breena Nuñez, Meg O’Shea, Corinne Pearlman, Cathrin Peterslund, Minnie Phan, Kelly Phillips, Powerpaola, Sarah Allen Reed, Kaylee Rowena, Ariel Schrag, M. Louise Stanley, Maria Stoian, Nicola Streeten, Marcela Trujillo, Carol Tyler, Una, Lenora Yerkes, Ilana Zeffren
| Author | : Brian Michael Bendis |
| Publisher | : Jinxworld |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : COMICS & GRAPHIC NOVELS |
| ISBN | : 9781401287450 |
"Originally published in single magazine form in Powers 1-11, Powers coloring/activity book"--Copyright page.
| Author | : Hillary Chute |
| Publisher | : HarperCollins |
| Total Pages | : 472 |
| Release | : 2017-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 0062476815 |
A New York Times Notable Book Filled with beautiful color art, dynamic storytelling, and insightful analysis, Hillary Chute reveals what makes one of the most critically acclaimed and popular art forms so unique and appealing, and how it got that way. “In her wonderful book, Hillary Chute suggests that we’re in a blooming, expanding era of the art… Chute’s often lovely, sensitive discussions of individual expression in independent comics seem so right and true.” — New York Times Book Review Over the past century, fans have elevated comics from the back pages of newspapers into one of our most celebrated forms of culture, from Fun Home, the Tony Award–winning musical based on Alison Bechdel’s groundbreaking graphic memoir, to the dozens of superhero films that are annual blockbusters worldwide. What is the essence of comics’ appeal? What does this art form do that others can’t? Whether you’ve read every comic you can get your hands on or you’re just starting your journey, Why Comics? has something for you. Author Hillary Chute chronicles comics culture, explaining underground comics (also known as “comix”) and graphic novels, analyzing their evolution, and offering fascinating portraits of the creative men and women behind them. Chute reveals why these works—a blend of concise words and striking visuals—are an extraordinarily powerful form of expression that stimulates us intellectually and emotionally. Focusing on ten major themes—disaster, superheroes, sex, the suburbs, cities, punk, illness and disability, girls, war, and queerness—Chute explains how comics get their messages across more effectively than any other form. “Why Disaster?” explores how comics are uniquely suited to convey the scale and disorientation of calamity, from Art Spiegelman’s representation of the Holocaust and 9/11 to Keiji Nakazawa’s focus on Hiroshima. “Why the Suburbs?” examines how the work of Chris Ware and Charles Burns illustrates the quiet joys and struggles of suburban existence; and “Why Punk?” delves into how comics inspire and reflect the punk movement’s DIY aesthetics—giving birth to a democratic medium increasingly embraced by some of today’s most significant artists. Featuring full-color reproductions of more than one hundred essential pages and panels, including some famous but never-before-reprinted images from comics legends, Why Comics? is an indispensable guide that offers a deep understanding of this influential art form and its masters.
