The Political Aesthetics Of Global Protest
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Author | : Pnina Werbner |
Publisher | : Edinburgh University Press |
Total Pages | : 448 |
Release | : 2014-07-30 |
Genre | : Art |
ISBN | : 0748693505 |
From Egypt to India, and from Botswana to London, worker, youth and middle class rebellions have taken on the political and bureaucratic status quo. When most people can no longer earn a decent wage, they pit themselves against the privilege of small, wealthy and often corrupt elites. A remarkable feature of the protests from the Arab Spring onwards has been the salience of images, songs, videos, humour, satire and dramatic performances. This collection explores the central role the aesthetic played in energising the massive mobilisations of young people, the disaffected, the middle classes and the apolitical silent majority. Discover how it fuelled solidarities and alliances among democrats, workers, trade unions, civil rights activists and opposition parties.
Author | : Pnina Werbner |
Publisher | : Edinburgh University Press |
Total Pages | : 447 |
Release | : 2014-07-30 |
Genre | : Political Science |
ISBN | : 0748693513 |
Explores the central role the aesthetic played in energising the massive mobilisations of young people, the disaffected, the middle classes and the apolitical silent majority in the North African and Middle Eastern uprisings with protest movements such as
Author | : Aidan McGarry |
Publisher | : Protest and Social Movements |
Total Pages | : 0 |
Release | : 2019-12-09 |
Genre | : Aesthetics |
ISBN | : 9789463724913 |
Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.
Author | : Aidan McGarry |
Publisher | : Amsterdam University Press |
Total Pages | : |
Release | : 2019-12-06 |
Genre | : Art |
ISBN | : 9048544505 |
Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.
Author | : Katarzyna Marciniak |
Publisher | : State University of New York Press |
Total Pages | : 322 |
Release | : 2014-10-20 |
Genre | : Social Science |
ISBN | : 1438453124 |
The last decade has witnessed a global explosion of immigrant protests, political mobilizations by irregular migrants and pro-migrant activists. This volume considers the implications of these struggles for critical understandings of citizenship and borders. Scholars, visual and performance artists, and activists explore the ways in which political activism, art, and popular culture can work to challenge the multiple forms of discrimination and injustice faced by "illegal" and displaced peoples. They focus on a wide range of topics, including desire and neo-colonial violence in film, visibility and representation, pedagogical function of protest, and the role of the arts and artists in the explosion of political protests that challenge the precarious nature of migrant life in the Global North. They also examine shifting practices of boundary making and boundary taking, changing meanings and lived experiences of citizenship, arguing for a noborder politics enacted through a "noborder scholarship." This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7127.
Author | : Terri Gordon-Zolov |
Publisher | : Berghahn Books |
Total Pages | : 0 |
Release | : 2022-05-05 |
Genre | : Art |
ISBN | : 1800732554 |
"Beginning in October 2019, Chile was convulsed by protests and political upheaval, as what began as civil disobedience transformed into a vast resistance movement. Throughout, one of the most striking aspects of the protests was the murals, graffiti, and other political graphics that became ubiquitous in Chilean cities. In this fascinating, beautifully illustrated book, Terri Gordon-Zolov and Eric Zolov-who were in Santiago to witness and document the protests from their very beginnings -offer a vivid catalog of Chilean wall art in all its vitality, subtlety, and inventiveness, along with reflections on its artistic antecedents, the context of global protest movements, and the long shadow cast by Chile's authoritarian past"--
Author | : Kathrin Fahlenbrach |
Publisher | : Berghahn Books |
Total Pages | : 568 |
Release | : 2016-03-01 |
Genre | : Social Science |
ISBN | : 1785331493 |
Protest is a ubiquitous and richly varied social phenomenon, one that finds expression not only in modern social movements and political organizations but also in grassroots initiatives, individual action, and creative works. It constitutes a distinct cultural domain, one whose symbolic content is regularly deployed by media and advertisers, among other actors. Yet within social movement scholarship, such cultural considerations have been comparatively neglected. Protest Cultures: A Companion dramatically expands the analytical perspective on protest beyond its political and sociological aspects. It combines cutting-edge synthetic essays with concise, accessible case studies on a remarkable array of protest cultures, outlining key literature and future lines of inquiry.
Author | : Terri Gordon-Zolov |
Publisher | : Berghahn Books |
Total Pages | : 310 |
Release | : 2022-05-05 |
Genre | : Art |
ISBN | : 1800732562 |
A photo-illustrated record of Chilean protest art, along with reflections on artistic antecedents, global protest movements, and the long shadow cast by Chile’s authoritarian past. From October 2019 until the COVID-19 lockdown in March 2020, Chile was convulsed by protests and political upheaval, as what began as civil disobedience transformed into a vast resistance movement. Throughout, the most striking aspects of the protests were the murals, graffiti, and other political graphics that became ubiquitous in Chilean cities. Authors Terri Gordon-Zolov and Eric Zolov were in Santiago to witness and document the protests from their very beginning. The book is beautifully illustrated with over 150 photographs taken throughout the protests. Additional photos will be available on the publisher’s website. From the introduction: In the conclusion, we take stock of the crisis of the nation-state in the contemporary era. This chapter brings events into the present moment, noting the ways President Piñera took advantage of the COVID-19 pandemic to reclaim the streets of Santiago, a phenomenon echoed in countries across the globe. While most of the global protest movements were forced to go underground (or into the ether), the Black Lives Matter movement surged in the United States and drew massive amounts of support both domestically and abroad, suggesting a continued wave of grassroots protests. We close with reflections on the continued relevance of walls in a virtual world, the testimonial role that protest graphics play, and the future outlook for revolutionary movements in Chile and worldwide.
Author | : Martin Munro |
Publisher | : Rowman & Littlefield |
Total Pages | : 219 |
Release | : 2021-02-22 |
Genre | : Literary Criticism |
ISBN | : 1793625743 |
The year 2018 marked the fiftieth anniversary of May ’68, a startling, by now almost mythic event which combined seriousness, courage, humor and theatrics. The contributions of this volume—based on papers presented the conference Does “la lutte continue”? The Global Afterlife of May ’68 at Florida State University in March 2019—explore the ramifications of that springtime protest in the contemporary world. What has widely become known as the movement of ‘68 consisted, in fact, of many synchronous movements in different nations that promoted a great variety of political, social, and cultural agendas. While it is impossible to write a global history of ’68, this volume presents a kaleidoscope of different perceptions, reflections, and receptions of protest in France, Italy, and other nations that share in common a global utopian imaginary as expressed, for example, in the slogan: “All power to the imagination!” The contributions of this collection show that, while all social struggles are political, many lasting changes in individual mentalities and social structures originated from utopian ideas that were realized first in artistic productions and their aesthetic reception. In this respect the various protests of May ’68 continue.
Author | : Ivan Krastev |
Publisher | : University of Pennsylvania Press |
Total Pages | : 89 |
Release | : 2014-05-15 |
Genre | : Political Science |
ISBN | : 0812290747 |
Since the financial meltdown of 2008, political protests have spread around the world like chain lightning, from the "Occupy" movements of the United States, Great Britain, and Spain to more destabilizing forms of unrest in Tunisia, Egypt, Russia, Thailand, Bulgaria, Turkey, and Ukraine. In Democracy Disrupted: The Politics of Global Protest, commentator and political scientist Ivan Krastev proposes a provocative interpretation of these popular uprisings—one with ominous implications for the future of democratic politics. Challenging theories that trace the protests to the rise of a global middle class, Krastev proposes that the insurrections express a pervasive distrust of democratic institutions. Protesters on the streets of Moscow, Sofia, Istanbul, and São Paulo are openly suspicious of both the market and the state. They reject established political parties, question the motives of the mainstream media, refuse to recognize the legitimacy of any specific leadership, and reject all formal organizations. They have made clear what they don't want—the status quo—but they have no positive vision of an alternative future. Welcome to the worldwide libertarian revolution, in which democracy is endlessly disrupted to no end beyond the disruption itself.