The Poetics of Impersonality

The Poetics of Impersonality
Author: Maud Ellmann
Publisher:
Total Pages: 232
Release: 1987
Genre: Literary Criticism
ISBN:

T. S. Eliot and Ezra Pound dominated English poetry and criticism in the first half of the twentieth century. At the center of their practice is what Maud Ellmann calls the poetics of impersonality. Her examination yields a set of superb readings of the major poems of the modernist canon.

Literary Theory and Criticism

Literary Theory and Criticism
Author: Patricia Waugh
Publisher:
Total Pages: 632
Release: 2006
Genre: Literary Criticism
ISBN: 9780199291335

This volume offers a comprehensive account of modern literary criticism, presenting the field as part of an ongoing historical and intellectual tradition. Featuring thirty-nine specially commissioned chapters from an international team of esteemed contributors, it fills a large gap in the market by combining the accessibility of single-authored selections with a wide range of critical perspectives. The volume is divided into four parts. Part One covers the key philosophical and aesthetic origins of literary theory, while Part Two discusses the foundational movements and thinkers in the first half of the twentieth century. Part Three offers introductory overviews of the most important movements and thinkers in modern literary theory, and Part Four looks at emergent trends and future directions.

The Uses of Error

The Uses of Error
Author: Frank Kermode
Publisher: Harvard University Press
Total Pages: 460
Release: 1991
Genre: Biography & Autobiography
ISBN: 9780674931527

This book is a record of Kermode's "error," his wandering through literature past and present. He notes that "in thirty-odd years I have written several hundred reviews, an example I would strongly urge the young not to follow." From these Kermode has selected the pieces he treasures most; they provide an example that will be difficult to follow.

Optical Impersonality

Optical Impersonality
Author: Christina Walter
Publisher: JHU Press
Total Pages: 352
Release: 2014-07-08
Genre: Literary Criticism
ISBN: 1421413639

"Christina Walter brings the next offering to the Hopkins Studies in Modernism series. Her work looks at the influence of the modern science of visual perception a variety of modernist writers. Walter focuses in particular on the way in which writers like H.D., Virgina Woolf, Walter Pater, and T.S. Eliot developed an alternative conception of the self in light of the developing neuro-scientific account of our inner workings. Critics have long seen modernist writers as being concerned with an 'impersonal' form of writing that rejects the earlier Romantic notion that literature was a direct expression of an author's subjective personality. Walter argues that the charge of impersonality has been overblown and that the modernists did not want to entirely evacuate the self from writing. Rather, she argues, modernist writers embraced the kind of material and embodied notion of the self that resulted from the then-emerging physiological sciences. This work will appeal to scholars and advanced students of modernist literature, as well as scholars interested in the influence of science on literature."--Provided by publisher.

American Impersonal: Essays with Sharon Cameron

American Impersonal: Essays with Sharon Cameron
Author: Branka Arsic
Publisher: Bloomsbury Publishing USA
Total Pages: 302
Release: 2014-02-27
Genre: Literary Criticism
ISBN: 1623567718

American Impersonal brings together some of the most influential scholars now working in American literature to explore the impact of one of America's leading literary critics: Sharon Cameron. It engages directly with certain arguments that Cameron has articulated throughout her career, most notably her late work on the question of impersonality. In doing so, it provides responses to questions fundamental to literary criticism, such as: the nature of personhood; the logic of subjectivity in depersonalized communities; the question of the human within the problematic of the impersonal; how impersonality relates to the “posthuman.” Additionally, some essays respond to the current “aesthetic turn” in literary scholarship and engage with the lyric, currently much debated, as well as the larger questions of poetics and the logic of genre. These crucial issues are addressed from the perspective of an American literary and philosophical tradition, and progress chronologically, starting from Melville and Emerson and moving via Dickinson, Thoreau and Hawthorne to Henry James and Wallace Stevens. This historical perspective adds the appeal of revisiting the American nineteenth-century literary and philosophical tradition, and even rewriting it.

The Poetics of Fascism

The Poetics of Fascism
Author: Paul A. Morrison
Publisher: Oxford University Press, USA
Total Pages: 188
Release: 1996
Genre: Literary Criticism
ISBN: 0195080858

Morrison concludes with a provocative analysis of deconstruction and the work of Paul de Man. Without reducing the political implications of poetry to mere caricature and without slighting the force and fact of literary mediation, The Poetics of Fascism will reshape the discussion of the social dimension of modernism.

T. S. Eliot's Impersonal Theory of Poetry

T. S. Eliot's Impersonal Theory of Poetry
Author: Mowbray Allan
Publisher: Lewisburg [Pa.] : Bucknell University Press
Total Pages: 200
Release: 1974
Genre: Literary Criticism
ISBN:

From beginning to end the great central theme of Eliot's criticism is that poet and critic must aim to see the object as in itself it really is. In his practical criticism Eliot's purpose was to act upon these words of Arnold.

The Third Person

The Third Person
Author: Roberto Esposito
Publisher: Polity
Total Pages: 184
Release: 2012-07-16
Genre: Philosophy
ISBN: 0745643973

Roberto Esposito is one of leading figures in a new generation of Italian philosophers. This book criticizes the notion of the person and develops an original account of the concept of the impersonal - what he calls the third person

Modernist Impersonalities

Modernist Impersonalities
Author: R. Rives
Publisher: Springer
Total Pages: 203
Release: 2012-08-16
Genre: Literary Criticism
ISBN: 1137021888

Rives uncovers a context of aesthetic and social debate that modernist studies has yet to fully articulate, examining what it meant, for various intellectuals working in early twentieth-century Britain and America, to escape from personality.