The Poetical Album
Author | : Alaric Alexander Watts |
Publisher | : |
Total Pages | : 424 |
Release | : 1829 |
Genre | : English poetry |
ISBN | : |
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Author | : Alaric Alexander Watts |
Publisher | : |
Total Pages | : 424 |
Release | : 1829 |
Genre | : English poetry |
ISBN | : |
Author | : Kevin Young |
Publisher | : Graywolf Press |
Total Pages | : 0 |
Release | : 2012-03-13 |
Genre | : Literary Collections |
ISBN | : 9781555976071 |
*Finalist for the 2012 National Book Critics Circle Award for Criticism* *A Publishers Weekly Top 10 Literary Criticism and Essays Pick for Spring 2012* The Grey Album, the first work of prose by the brilliant poet Kevin Young, winner of the Graywolf Press Nonfiction Prize Taking its title from Danger Mouse's pioneering mashup of Jay-Z's The Black Album and the Beatles' The White Album, Kevin Young's encyclopedic book combines essay, cultural criticism, and lyrical choruses to illustrate the African American tradition of lying—storytelling, telling tales, fibbing, improvising, "jazzing." What emerges is a persuasive argument for the many ways that African American culture is American culture, and for the centrality of art—and artfulness—to our daily life. Moving from gospel to soul, funk to freestyle, Young sifts through the shadows, the bootleg, the remix, the grey areas of our history, literature, and music.
Author | : Peg Boyers |
Publisher | : DOS Madres Press |
Total Pages | : 80 |
Release | : 2021-08-15 |
Genre | : |
ISBN | : 9781953252289 |
Each of the poems in this book relates to a painting or sculpture, but is by no means an "illustration." In writing the poems I have allowed myself to move well beyond the visible parameters of the images, exploring what seem to me leads and implications, traveling out as far as seemed plausible and compelling while at the same time never quite abandoning the constraint embodied in each image. The poems are unified only in the sense that each relates to what seems to me a worthy "original." Taken together the poems offer something of a representative, if miscellaneous, account of the interests, passions and fears of their author. Nothing more, nothing less.--Peg Boyers
Author | : Lana Del Rey |
Publisher | : Simon and Schuster |
Total Pages | : 128 |
Release | : 2020-09-29 |
Genre | : Poetry |
ISBN | : 1982167300 |
The New York Times bestselling debut book of poetry from Lana Del Rey, Violet Bent Backwards Over the Grass. “Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” —Lana Del Rey Lana’s breathtaking first book solidifies her further as “the essential writer of her times” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award–winning musician Jack Antonoff.
Author | : Mike Mattison |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 176 |
Release | : 2021-11-01 |
Genre | : Literary Criticism |
ISBN | : 1496837290 |
Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.
Author | : Joy Harjo |
Publisher | : Wesleyan University Press |
Total Pages | : 129 |
Release | : 2019-03-14 |
Genre | : Performing Arts |
ISBN | : 0819578673 |
Joy Harjo's play Wings of Night Sky, Wings of Morning Light is the centerpiece of this collection that includes essays and interviews concerning the roots and the reaches of contemporary Native Theater. Harjo blends storytelling, music, movement, and poetic language in Wings of Night Sky, Wings of Morning Light—a healing ceremony that chronicles the challenges young protagonist Redbird faces on her path to healing and self-determination. This text is accompanied by interviews with Native theater artists Rolland Meinholtz and Randy Reinholz, as well as an interview with Harjo, conducted by Page. The interviews highlight the lives and contributions of Meinholtz, a theater artist and educator who served as the drama instructor at the Institute of American Indian Arts from 1964–70 and a close mentor and friend to Harjo; and Reinholz, producing artistic director of Native Voices at the Autry, the nation's only Equity theater company dedicated exclusively to the development and production of new plays by Native American, First Nations, and Alaska Native playwrights. The new interview with Harjo focuses on her experiences working in theater. Essays on Harjo's work are provided by Mary Kathryn Nagle—an enrolled citizen of the Cherokee nation, playwright, and attorney who shares her insights on the legal and historical frameworks through which we can better understand the significance of Harjo's play; and Priscilla Page—writer, performer, and educator (of Wiyot heritage), who looks at indigenous feminism, jazz, and performance as influences on Harjo's theatrical work.
Author | : Samantha Matthews |
Publisher | : |
Total Pages | : 304 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 0198857942 |
This is the first book to tell the story of the Romantic album and its original poetry. It rediscovers a huge number of overlooked Romantic poems, and reconstructs how albums and their owners were represented in print