The Poems of the Troubadour Peire Rogier
Author | : Derek E. T. Nicholson |
Publisher | : Manchester University Press |
Total Pages | : 194 |
Release | : 1976 |
Genre | : Biography & Autobiography |
ISBN | : 9780719006142 |
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Author | : Derek E. T. Nicholson |
Publisher | : Manchester University Press |
Total Pages | : 194 |
Release | : 1976 |
Genre | : Biography & Autobiography |
ISBN | : 9780719006142 |
Author | : Robert A Taylor |
Publisher | : Medieval Institute Publications |
Total Pages | : 594 |
Release | : 2015-10-02 |
Genre | : Literary Criticism |
ISBN | : 1580442080 |
Although it seemed in the mid-1970s that the study of the troubadours and of Occitan literature had reached a sort of zenith, it has since become apparent that this moment was merely a plateau from which an intensive renewal was being launched. In this new bibliographic guide to Occitan and troubadour literature, Robert Taylor provides a definitive survey of the field of Occitan literary studies - from the earliest enigmatic texts to the fifteenth-century works of Occitano-Catalan poet Jordi de Sant Jordi - and treats over two thousand recent books and articles with full annotations. Taylor includes articles on related topics such as practical approaches to the language of the troubadours and the musicology of select troubadour songs, as well as articles situated within sociology, religious history, critical methodology, and psychoanalytical analysis. Each listing offers descriptive comments on the scholarly contribution of each source to Occitan literature, with remarks on striking or controversial content, and numerous cross-references that identify complementary studies and differing opinions. Taylor's painstaking attention to detail and broad knowledge of the field ensure that this guide will become the essential source for Occitan literary studies worldwide.
Author | : Marcabrun |
Publisher | : Boydell & Brewer |
Total Pages | : 624 |
Release | : 2000 |
Genre | : Literary Collections |
ISBN | : 9780859915748 |
One of the earliest troubadours, Marcabru was a remarkable artist and entertainer, and a figure of crucial importance to the development of the European courtly lyric. His blistering attacks on contemporary court society reveal an intellectual insider's view of the clash between clerical morality and the emerging secular ethics of love and courtesy. His fervent, often acerbic engagement with contemporary events also provides a unique southern perspective on political upheavals and crusading movements in twelfth-century Occitania and northern Spain. This new critical edition, the first for nearly 100 years, makes his complete corpus accessible to a wide readership, supplying translations, full critical apparatus, and copious textual notes, with a substantial glossary of Marcabru's extraordinarily inventive vocabulary. The introduction supplies historical information, discussion of the poet's language, and an analysis of the manuscript transmission. It also raises fresh issues of troubadour versification techniques in this formative period, and engages in a new way with the current debate about editorial methodology and medieval textual criticism. Leaflet blurb - see AN]
Author | : Linda M. Paterson |
Publisher | : Cambridge University Press |
Total Pages | : 388 |
Release | : 1995-10-05 |
Genre | : History |
ISBN | : 9780521558327 |
Occitania, known today as the "south of France," had its own language and culture in the Middle Ages. Its troubadours created "courtly love" and a new poetic language in the vernacular, which were to influence European literature for centuries. There are many books on the troubadours, but this is the first comprehensive study of the society in which they lived. For readers of literature it offers a wide-ranging insight into the realities that lay behind the poetic mystique. For historians it opens up an important and neglected area of medieval Europe.
Author | : Simon Gaunt |
Publisher | : Cambridge University Press |
Total Pages | : 350 |
Release | : 1999-06-28 |
Genre | : History |
ISBN | : 9780521574730 |
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
Author | : Sarah Kay |
Publisher | : Cambridge University Press |
Total Pages | : 277 |
Release | : 1990-09-28 |
Genre | : Literary Criticism |
ISBN | : 0521372380 |
The songs of the troubadour poets of the south of France were a pervasive influence in the development of the European lyric (and indeed other genres) from the twelfth century to the Renaissance and beyond. Much troubadour poetry is on the topic of love, and is composed from a first-person position. This book is a full-length study of this first-person subject position in its relation to language and society. Using theoretical approaches where appropriate, Sarah Kay discusses to what extent this first person is a 'self' or 'character', and how far it is self-determining. Dr Kay draws on a wide range of troubadour texts, and provides close readings of many of them, as well as translating all medieval quotations into English in order to make the discussion accessible to the non-specialist. Her book will be of interest both to scholars of medieval literature, and to anybody investigating subjectivity in lyric poetry.
Author | : Sarah Kay |
Publisher | : Stanford University Press |
Total Pages | : 412 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 9780804730792 |
Where does courtly literature come from? What is the meaning of courtly love? What is the relation between religious and secular culture in the Middle Ages, and why does it matter? This book addresses these questions by way of contradiction, which is central both to medieval logic and to most modern protocols of reading.
Author | : F. R. P. Akehurst |
Publisher | : Univ of California Press |
Total Pages | : 515 |
Release | : 1995-11-17 |
Genre | : History |
ISBN | : 0520079760 |
"The Handbook provides an extensive apprenticeship tour into medieval Occitan studies, illustrating richly their challenges and rewards. A wonderful resource for the novice as well as the specialist, a vast mine of up-to-date information."—Michel-André Bossy, editor of Medieval Debate Poetry "This work will certainly be a must for every scholar working on the troubadours, and perhaps also for non-specialist medievalists. Its attention to the nitty-gritty of scholarship—manuscripts, editing, language, rhetoric, etc.—is what makes it so unique and helpful. It will be on the top of my bibliography when I teach the troubadours."—Stephen G. Nichols, author of Romanesque Signs
Author | : Simon Gaunt |
Publisher | : Cambridge University Press |
Total Pages | : 250 |
Release | : 2008-01-28 |
Genre | : Literary Criticism |
ISBN | : 9780521058483 |
From Petrarch and Dante to Pound and Eliot, the influence of the troubadours on European poetry has been profound. They have rightly stimulated a vast amount of critical writing, but the majority of modern critics see the troubadour tradition as a corpus of earnestly serious and confessional love poetry, with little or no humour. Troubadours and Irony re-examines the work of five early troubadours, namely Marcabru, Bernart Marti, Peire d'Alvernha, Raimbaut d'Aurenga and Giraut de Borneil, to argue that the courtly poetry of southern France in the twelfth century was permeated with irony and that many troubadour songs were playful, laced with humorous sexual innuendo and far from serious; attention is also drawn to the large corpus of texts that are not love poems, but comic or satirical songs.
Author | : Fredric L. Cheyette |
Publisher | : Cornell University Press |
Total Pages | : 495 |
Release | : 2018-08-06 |
Genre | : History |
ISBN | : 1501722557 |
Before France became France its territories included Occitania, roughly the present-day province of Languedoc. The city of Narbonne was a center of Occitanian commerce and culture during the eleventh and twelfth centuries. For most of the second half of the twelfth century, that city and its environs were ruled by a remarkable woman, Ermengard, who negotiated her city's way through a maze of everchanging dynastic alliances.Fredric L. Cheyette's masterful and beautifully illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities. She was born into a world of politics and warfare, but from the Mediterranean to the North Sea her name echoed in songs that treated the arts of love.The land between the Rhone and the Pyrenees was a delicately balanced world in which honor, dispute, and the fragile communities of loyalty and family held a "stateless" society together. In Cheyette's prose there rises before us a world we had not imagined, in which women were powerful lords, moving back and forth across what we now call Spain, France, and Italy to play the harsh political games essential to the preservation of their realms. But the region was also fertile ground for religious practices deemed heretical by the Church. The attempt to eradicate them would spawn the Albigensian Crusade, which destroyed the cosmopolitan world of Ermengard and the troubadours—the world that lives again in this book.