The Plum In The Golden Vase Or Chin Ping Mei Volume Three
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Author | : Lintao Qi |
Publisher | : Routledge |
Total Pages | : 229 |
Release | : 2018-05-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1351060813 |
This book investigates the English translations and adaptations of the sixteenth century classic Chinese novel Jin Ping Mei. Acclaimed the ‘No.1 Marvellous Book’ of the Ming dynasty, Jin Ping Mei was banned soon after its appearance, due to the inclusion of graphically explicit sexual descriptions. So far there have been more than a dozen English adaptations and translations of the novel. Working within the framework of descriptive translation studies, this book provides a translational history of the English versions of Jin Ping Mei, supported by various paratexts, including book covers, reviews, and archival materials. It also conducts textual comparisons to uncover the translation norms at work in the only two complete renditions, namely The Golden Lotus by Clement Egerton and The Plum in the Golden Vase by David Roy, respectively. The notions of agency, habitus and capital are introduced for the examination of the transference of linguistic, literary and cultural aspects of the two translations. The book represents the first systematic research effort on the English Translations of Jin Ping Mei. Given its pioneering status and interdisciplinary nature, the data, structure and findings of this book will potentially enrich the fields of Translation Studies, Comparative Literature, Chinese Studies, Cultural Studies and Book History.
Author | : Ming Dong Gu |
Publisher | : SUNY Press |
Total Pages | : 304 |
Release | : 2007-06-01 |
Genre | : Literary Criticism |
ISBN | : 0791481484 |
In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.
Author | : Lanling Xiaoxiaosheng |
Publisher | : Tuttle Publishing |
Total Pages | : 976 |
Release | : 2012-04-17 |
Genre | : Literary Collections |
ISBN | : 1462906311 |
"The greatest novel of physical love which China has produced." --Pearl S. Buck A saga of ruthless ambition, murder, and, famously, Chinese erotica, The Golden Lotus (also known as The Plum in the Golden Vase) has been called the fifth Great Classical Novel in Chinese Literature and one of the Four Masterworks of the Ming Novel. Admired in its own time for its literary qualities and biting indictment of the immorality and cruelty of its age, this Chinese classic has also been denigrated for its sexual frankness. It centers on Ximen Qing, a young, dissolute, and politically connected merchant, and his marriage to a fifth wife, Pan Jinlian, literally "Golden Lotus." In her desire to influence her husband and, through him, control the other wives, concubines, and entire household, she uses sex as her primary weapon. The Golden Lotus lays bare the rivalries within this wealthy family while chronicling its rise and fall. This great work of classic Chinese literature, from an author whose pseudonym means "Scoffing Scholar of Lanling," is a virtuoso collection of voices and vices, mixing in poetry and song. It samples different social registers from popular ballads to the language of bureaucrats to recreate and comment mordantly on the society of the time. Little-known in the west but utterly iconic amongst the Chinese classics in worldly circles, reading The Golden Lotus promises both an astute reflection on human tendencies and a sumptuous, intoxicating take on Chinese erotica. This new edition: Features a superb new introduction by Robert Hegel of Washington University, who explains its importance as the first single-authored novel in the Chinese tradition Contains the complete, unexpurgated text as translated by Clement Egerton with the assistance of Shu Qingchun (later known as Lao She, one of the most prominent Chinese writers of the twentieth century) Ensures translation has been pinyinized and corrected for this new edition
Author | : Naifei Ding |
Publisher | : Duke University Press |
Total Pages | : 367 |
Release | : 2002-07-18 |
Genre | : Literary Criticism |
ISBN | : 0822383446 |
In Obscene Things Naifei Ding intervenes in conventional readings of Jin Ping Mei, an early scandalous Chinese novel of sexuality and sexual culture. After first appearing around 1590, Jin Ping Mei was circulated among some of China’s best known writers of the time and subsequently was published in three major recensions. A 1695 version by Zhang Zhupo became the most widely read and it is this text in particular on which Ding focuses. Challenging the preconceptions of earlier scholarship, she highlights the fundamental misogyny inherent in Jin Ping Mei and demonstrates how traditional biases—particularly masculine biases—continue to inform the concerns of modern criticism and sexual politics. The story of a seductive bondmaid-concubine, sexual opportunism, domestic intrigue, adultery and death, Jin Ping Mei has often been critiqued based on the coherence of the text itself. Concentrating instead on the processes of reading and on the social meaning of this novel, Ding looks at the various ways the tale has been received since its first dissemination, particularly by critiquing the interpretations offered by seventeenth-century Ming literati and by twentieth-century scholars. Confronting the gender politics of this “pornographic” text, she troubles the boundaries between premodern and modern readings by engaging residual and emergent Chinese gender and hierarchic ideologies.
Author | : Amy Tan |
Publisher | : Harper Collins |
Total Pages | : 422 |
Release | : 2013-11-05 |
Genre | : Fiction |
ISBN | : 006210733X |
Amy Tan’s The Valley of Amazement is a sweeping, evocative epic of two women’s intertwined fates and their search for identity, that moves from the lavish parlors of Shanghai courtesans to the fog-shrouded mountains of a remote Chinese village. Spanning more than forty years and two continents, The Valley of Amazement resurrects pivotal episodes in history: from the collapse of China’s last imperial dynasty, to the rise of the Republic, the explosive growth of lucrative foreign trade and anti-foreign sentiment, to the inner workings of courtesan houses and the lives of the foreign “Shanghailanders” living in the International Settlement, both erased by World War II. A deeply evocative narrative about the profound connections between mothers and daughters, The Valley of Amazement returns readers to the compelling territory of Amy Tan’s The Joy Luck Club. With her characteristic insight and humor, she conjures a story of inherited trauma, desire and deception, and the power and stubbornness of love.
Author | : Andrew Schonebaum |
Publisher | : University of Washington Press |
Total Pages | : 292 |
Release | : 2016-04-01 |
Genre | : History |
ISBN | : 029580632X |
By examining the dynamic interplay between discourses of fiction and medicine, Novel Medicine demonstrates how fiction incorporated, created, and disseminated medical knowledge in China, beginning in the sixteenth century. Critical readings of fictional and medical texts provide a counterpoint to prevailing narratives that focus only on the “literati” aspects of the novel, showing that these texts were not merely read, but were used by a wide variety of readers for a range of purposes. The intersection of knowledge—fictional and real, elite and vernacular—illuminates the history of reading and daily life and challenges us to rethink the nature of Chinese literature.
Author | : William Jennings |
Publisher | : |
Total Pages | : 394 |
Release | : 1891 |
Genre | : Chinese poetry |
ISBN | : |
Author | : Yingyu Zhang |
Publisher | : |
Total Pages | : 226 |
Release | : 2017 |
Genre | : HISTORY |
ISBN | : 9780231178631 |
The Book of Swindles, a seventeenth-century story collection, offers a panoramic guide to the art of deception. Ostensibly a manual for self-protection, it presents a tableau of criminal ingenuity in late Ming China. Each story comes with commentary by the author, who expounds a moral lesson while also speaking as a connoisseur of the swindle.
Author | : Bunkyo Kin |
Publisher | : BRILL |
Total Pages | : 290 |
Release | : 2021-04-06 |
Genre | : Language Arts & Disciplines |
ISBN | : 9004437304 |
In Literary Sinitic and East Asia: A Cultural Sphere of Vernacular Reading, Professor Kin Bunkyō surveys the ‘vernacular reading’ technologies used to read Literary Sinitic through a wide variety of vernacular languages across diverse premodern literary cultures in East Asia.
Author | : Jonathan Hay |
Publisher | : Reaktion Books |
Total Pages | : 442 |
Release | : 2010-06-25 |
Genre | : Art |
ISBN | : 1861898460 |
With Sensuous Surfaces, Jonathan Hay offers one of the most richly illustrated and in-depth introductions to the decorative arts of Ming and Qing dynasty China to date. Examining an immense number of works, he explores the materials and techniques, as well as the effects of patronage and taste, that together have formed a loose system of informal rules that define the decorative arts in early modern China. Hay demonstrates how this system—by engaging the actual and metaphorical potential of surface—guided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras.