The Cambridge Companion to American Women Playwrights

The Cambridge Companion to American Women Playwrights
Author: Brenda Murphy
Publisher: Cambridge University Press
Total Pages: 328
Release: 1999-06-28
Genre: Biography & Autobiography
ISBN: 9780521576802

This volume addresses the work of women playwrights throughout the history of the American theatre, from the early pioneers to contemporary feminists. Each chapter introduces the reader to the work of one or more playwrights and to a way of thinking about plays. Together they cover significant writers such as Rachel Crothers, Susan Glaspell, Lillian Hellman, Sophie Treadwell, Lorraine Hansberry, Alice Childress, Megan Terry, Ntozake Shange, Adrienne Kennedy, Wendy Wasserstein, Marsha Norman, Beth Henley and Maria Irene Fornes. Playwrights are discussed in the context of topics such as early comedy and melodrama, feminism and realism, the Harlem Renaissance, the feminist resurgence of the 1970s and feminist dramatic theory. A detailed chronology and illustrations enhance the volume, which also includes bibliographical essays on recent criticism and on African-American women playwrights before 1930.

The Facts on File Companion to American Drama

The Facts on File Companion to American Drama
Author: Jackson R. Bryer
Publisher: Infobase Publishing
Total Pages: 657
Release: 2010
Genre: Biography & Autobiography
ISBN: 1438129661

Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.

Book Review Index Cumulation, 1989

Book Review Index Cumulation, 1989
Author: Neil E. Walker
Publisher: Gale Cengage
Total Pages: 1416
Release: 1990-04
Genre: Literary Collections
ISBN: 9780810305816

The Index provides a broad coverage and access to book reviews in the general social sciences, humanities, sciences, and fine arts, as well as general interest magazines and includes journals from Great Britain, Canada, Switzerland, Israel and Australia. In addition, it indexes several journals that, while published in the US, concentrate on reviewing foreign published or foreign language books. These include Hispania, French Review, German Quarterly and World Literature Today.

Playwriting Women

Playwriting Women
Author: Cynthia Zimmerman
Publisher: Dundurn
Total Pages: 244
Release: 1994-09
Genre: Drama
ISBN: 9780889242586

The Canadian Dramatist, Volume 3 The six playwrights discussed in this volume are Carol Bolt, Erica Ritter, Sharon Pollack, Margaret Hollingsworth, Anne Chislett, and Judith Thompson.

International Who's Who in Poetry 2004

International Who's Who in Poetry 2004
Author: Europa Publications
Publisher: Taylor & Francis
Total Pages: 536
Release: 2003
Genre: Biography & Autobiography
ISBN: 9781857431780

Provides up-to-date profiles on the careers of leading and emerging poets.

Contemporary European Playwrights

Contemporary European Playwrights
Author: Maria M. Delgado
Publisher: Routledge
Total Pages: 389
Release: 2020-07-22
Genre: Performing Arts
ISBN: 1351620533

Contemporary European Playwrights presents and discusses a range of key writers that have radically reshaped European theatre by finding new ways to express the changing nature of the continent’s society and culture, and whose work is still in dialogue with Europe today. Traversing borders and languages, this volume offers a fresh approach to analyzing plays in production by some of the most widely-performed European playwrights, assessing how their work has revealed new meanings and theatrical possibilities as they move across the continent, building an unprecedented picture of the contemporary European repertoire. With chapters by leading scholars and contributions by the writers themselves, the chapters bring playwrights together to examine their work as part of a network and genealogy of writing, examining how these plays embody and interrogate the nature of contemporary Europe. Written for students and scholars of European theatre and playwriting, this book will leave the reader with an understanding of the shifting relationships between the subsidized and commercial, the alternative and the mainstream stage, and political stakes of playmaking in European theatre since 1989.