The Plays Of William Shakespeare In Eight Volumes With The Corrections And Illustrations Of Various Commentators To Wich Are Added Notes By Sam Johnson
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The Plays of William Shakespeare in Eight Volumes
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 678 |
Release | : 1765 |
Genre | : English drama |
ISBN | : |
William Shakespeare
Author | : Brian Vickers |
Publisher | : Taylor & Francis |
Total Pages | : 585 |
Release | : 2024-11-01 |
Genre | : Reference |
ISBN | : 1040282830 |
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Shakespeare's Staged Spaces and Playgoers' Perceptions
Author | : D. Farabee |
Publisher | : Springer |
Total Pages | : 155 |
Release | : 2014-12-04 |
Genre | : Literary Criticism |
ISBN | : 1137427159 |
This engaging study offers fresh readings of canonical Shakespeare plays, illuminating ways stagecraft and language of movement create meaning for playgoers. The discussions engage materials from the period, present revelatory readings of Shakespeare's language, and demonstrate how these continually popular texts engage all of us in making meaning.
Bluestocking Feminism, Volume 1
Author | : Gary Kelly |
Publisher | : Taylor & Francis |
Total Pages | : 289 |
Release | : 2024-08-01 |
Genre | : Literary Criticism |
ISBN | : 1040246443 |
Feminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
The Merchant of Venice
Author | : William Baker |
Publisher | : Bloomsbury Publishing |
Total Pages | : 480 |
Release | : 2005-03-01 |
Genre | : Drama |
ISBN | : 1847141870 |
The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.
Antony and Cleopatra
Author | : Marga Munkelt |
Publisher | : Bloomsbury Publishing |
Total Pages | : 425 |
Release | : 2024-04-04 |
Genre | : Drama |
ISBN | : 1350321443 |
This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
A Routledge Literary Sourcebook on William Shakespeare's The Merchant of Venice
Author | : S. P. Cerasano |
Publisher | : Psychology Press |
Total Pages | : 228 |
Release | : 2004 |
Genre | : Drama |
ISBN | : 9780415240529 |
This student friendly book draws together text, context, criticism and performance history to provide an integrated view of one of the most dazzling works of the early modern theatre.
Shakespeare's Early Readers
Author | : Jean-Christophe Mayer |
Publisher | : Cambridge University Press |
Total Pages | : 277 |
Release | : 2018-09-06 |
Genre | : Literary Criticism |
ISBN | : 110865116X |
Who were Shakespeare's first readers and what did they think of his works? Offering the first dedicated account of the ways in which Shakespeare's texts were read in the centuries during which they were originally produced, Jean-Christophe Mayer reconsiders the role of readers in the history of Shakespeare's rise to fame and in the history of canon formation. Addressing an essential formative 'moment' when Shakespeare became a literary dramatist, this book explores six crucial fields: literacy; reading and life-writing; editing Shakespeare's text; marking Shakespeare for the theatre; commonplacing; and passing judgement. Through close examination of rare material, some of which has never been published before, and covering both the marks left by readers in their books and early manuscript extracts of Shakespeare, Mayer demonstrates how the worlds of print and performance overlapped at a time when Shakespeare offered a communal text, the ownership of which was essentially undecided.