The Platonic Renaissance In England Translated By James P Pettegrove
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Author | : Stanford E. Lehmberg |
Publisher | : University of Texas Press |
Total Pages | : 356 |
Release | : 2014-11-06 |
Genre | : History |
ISBN | : 0292769105 |
This is the first biography of Sir Walter Mildmay, who dutifully served Queen Elizabeth I for thirty years as Chancellor of the Exchequer. Sir Walter Mildmay and Tudor Government, by Stanford E. Lehmberg, brings Mildmay into proper historical perspective alongside other prominent Tudor leaders. Virtually none of Mildmay’s writings had been printed, and his activities had not been studied, partly because of the inaccessibility of necessary materials. In the mid-twentieth century, however, the Northamptonshire Record Office was able to acquire family papers, of which Lehmberg happily took advantage. These, together with materials in the British Museum and the Public Record Office, yield a detailed account of Mildmay’s contributions to English financial administration. But Mildmay was not merely an Exchequer official. As a Member of Parliament he gained towering stature; his model orations and indefatigable work in committees provided invaluable leadership from 1576 to 1589. As a Privy Councillor he was twice sent on important embassies to Mary, Queen of Scots; he gave carefully considered advice about Scottish and Dutch affairs; and he was called on to examine numerous minor matters. As a trusted administrator he helped oversee the great recoinage of 1560. As a private citizen deeply concerned for good learning and true religion he founded Emmanuel College, Cambridge, and engaged in other philanthropic enterprises. By the time of his death in 1589 he had led a full and dedicated life serving his country and his Queen. Into Lehmberg’s scholarly, readable volume have been blended aspects of Mildmay’s public life and his associations with historically famous contemporaries, discriminately selected segments of his speeches, elements of his personal philosophy, and the achievements and failures of his political life. Enhancing the value of this study are carefully annotated footnotes and a complementary bibliography. Tudor specialists as well as lay readers will undoubtedly profit from this significant biography.
Author | : Patrick Cheney |
Publisher | : Oxford University Press |
Total Pages | : 752 |
Release | : 2015-10-29 |
Genre | : Literary Criticism |
ISBN | : 0191077798 |
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author | : David Hopkins |
Publisher | : Oxford University Press |
Total Pages | : 803 |
Release | : 2012 |
Genre | : Literary Collections |
ISBN | : 0199547556 |
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume, and third to appear in the series, covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
Author | : Terry Mills, III |
Publisher | : CRC Press |
Total Pages | : 1860 |
Release | : 1992-09-17 |
Genre | : Law |
ISBN | : 9780849395222 |
Compiled with the most sophisticated chromatographic and spectrometric instruments available, this complete and self-contained seven-volume reference provides forensic, toxicology, and clinical laboratories with up-to-date information on 1,600 drugs and drug-related compounds-one of the largest collections of analytical data generated from a single source. Instrumental Data for Drug Analysis contains timely, quality data presented in a large, easily usable format. It is an essential reference in the libraries of all toxicology, analytical chemistry, and forensic specialists and laboratories.
Author | : Sherry Ackerman |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 165 |
Release | : 2009-01-23 |
Genre | : Literary Criticism |
ISBN | : 1443804568 |
Behind the Looking Glass offers a fresh perspective in the ongoing, contemporary deconstruction of the Carroll Myth. Through rigorous examination of numerous myths that have been hitherto unquestioned, Ackerman skillfully positions Lewis Carroll in the theological and philosophical contexts of his time. She uncovers a Carroll whose radical religio-philosophical counter-response to patriarchal materialism moved his intellectual journey, intentionally or otherwise, deep into the waters of mysticism. The image of Carroll as a dreary Victorian conservative gives way to that of a man with wide intellectual parameters, an inquiring mind and bold, far-sighted vision. Behind the Looking Glass demonstrates how nineteenth century currents of spiritualism, theosophy and occult philosophy co-mingled with Carroll’s interest in revived Platonism and Neoplatonism, showcasing the Alice and Sylvie and Bruno books as unique points of conjunction between Carroll’s intellect and spirituality. The scholarship in this work, while rigorous, is softly mixed with the kind of academic frivolity that Carroll himself might have enjoyed. Ackerman exposes a Carroll who, having lost belief in the theological and mythological master plots of earlier eras, turned toward the imaginative fiction of wonderlands rife with philosophical content in response to his instinctive hunger for cosmic coherence and existential order.
Author | : Jean Lassègue |
Publisher | : Springer Nature |
Total Pages | : 198 |
Release | : 2020-03-11 |
Genre | : Science |
ISBN | : 3030429059 |
This book presents the transformation of Cassirer’s transcendental point of view. At an early stage, Cassirer was confronted with a scientific crisis triggered by the emergence of various forms of objective knowledge, such as the plurality of geometric axiom systems and non-Euclidean geometry in relativistic physics. He finally developed a solution to the problematic unity of objective knowledge by replacing the overarching notion of objectivity with that of forms of objectification. This led him to consider the notion of “symbolic forms” as the driving force in the objectification process. This concept would become instrumental in demonstrating that the objective and human sciences are not adversaries; they merely differ in their modes of semiotic construction. These modes cannot be summarized in a fixed list of symbolic forms but operate transversally, at a level where Cassirer distinguishes between three specific operators: Expression, Evocation and Objectification. The last part of the book investigates how the relationships between these three operators stabilize specific symbolic forms. Four of these forms are then studied as examples: Myth and Ritual, Language, Scientific Knowledge, and Technology.
Author | : Richard Marback |
Publisher | : Univ of South Carolina Press |
Total Pages | : 184 |
Release | : 1999 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781570032400 |
In Plato's Dream of Sophistry, Richard Marback shows that Plato's vision was remarkably accurate. Against histories of rhetoric that described Plato's influence mainly in terms of his overarching dominance, Marback argues that Plato's lasting influence results not from the force of the dialogues themselves but from continued investments in arguing about the dialogues.
Author | : Derek Allan |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 195 |
Release | : 2014-09-18 |
Genre | : Art |
ISBN | : 1443867233 |
A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art museums. What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art.
Author | : C. A. Patrides |
Publisher | : University of Michigan Press |
Total Pages | : 370 |
Release | : 1989 |
Genre | : English literature |
ISBN | : 9780472101191 |
Essays on many of the most important literary figures of the 16th and 17th centuries
Author | : Seth Lobis |
Publisher | : Yale University Press |
Total Pages | : 429 |
Release | : 2015-01-01 |
Genre | : Literary Criticism |
ISBN | : 0300192037 |
Beginning with an analysis of Shakespeare’s The Tempest and building to a new reading of Milton’s Paradise Lost, author Seth Lobis charts a profound change in the cultural meaning of sympathy during the seventeenth century. Having long referred to magical affinities in the universe, sympathy was increasingly understood to be a force of connection between people. By examining sympathy in literary and philosophical writing of the period, Lobis illuminates an extraordinary shift in human understanding.