Plato in Renaissance England

Plato in Renaissance England
Author: S. Jayne
Publisher: Springer Science & Business Media
Total Pages: 214
Release: 2013-06-29
Genre: Philosophy
ISBN: 9401585512

This book offers a radical reappraisal of the reputation of Plato in England between 1423 and 1603. Using many materials not hitherto available, including evidence of book publishing and book ownership, together with a comprehensive survey of allusions to Plato, the author shows that the English were far less interested in Plato than most historians have thought. Although the English, like the French, knew the `court' Plato as well as the `school' Plato, the English published only two works by Plato during this period, while the French published well over 100 editions, including several of the complete Works. In England allusions to Plato occur more often in prose writers such as Whetstone, Green, and Lodge, than in poets like Spenser and Chapman. Sidney did take his `Stella' from Plato, but most English allusions to Plato were taken not directly from Plato or from Ficino, but from other authors, especially Mornay, Nani-Mirabelli, Ricchieri, Steuco, and Tixier.

Plotinus' Legacy

Plotinus' Legacy
Author: Stephen Gersh
Publisher: Cambridge University Press
Total Pages: 307
Release: 2019-04-25
Genre: History
ISBN: 1108415288

Using a series of case-studies from across European philosophical traditions, this book traces the influence of Neoplatonism over the centuries.

The Platonic Renaissance in England

The Platonic Renaissance in England
Author: Ernst 1874-1945 Cassirer
Publisher: Hassell Street Press
Total Pages: 224
Release: 2021-09-09
Genre:
ISBN: 9781014077875

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Platonism and the English Imagination

Platonism and the English Imagination
Author: Anna Baldwin
Publisher: Cambridge University Press
Total Pages: 377
Release: 1994-03-24
Genre: Literary Criticism
ISBN: 0521403081

This is the first comprehensive overview of the influence of Platonism on the English literary tradition, showing how English writers, including Chaucer, Shakespeare, Milton, Blake, Wordsworth, Yeats, Pound and Iris Murdoch, used Platonic themes and images within their own imaginative work.

Platonism and the English Imagination

Platonism and the English Imagination
Author: Anna Baldwin
Publisher: Cambridge University Press
Total Pages: 376
Release: 2005-11-03
Genre: Literary Criticism
ISBN: 9780521021685

This is the first compendious study of the influence of Plato on the English literary tradition, showing how English writers used Platonic ideas and images within their own imaginative work. Established experts and new writers have worked together to produce individual essays on more than thirty English authors, including Shakespeare, Milton, Blake, Wordsworth, T. S. Eliot, Auden and Iris Murdoch; and the book is divided chronologically, showing how every age has reconstructed Platonism to suit its own understanding of the world.

Classical and Christian Ideas in English Renaissance Poetry

Classical and Christian Ideas in English Renaissance Poetry
Author: Isabel Rivers
Publisher: Routledge
Total Pages: 243
Release: 2003-09-02
Genre: Literary Criticism
ISBN: 1134844174

Since publication in 1979 Isabel Rivers' sourcebook has established itself as the essential guide to English Renaissance poetry. It: provides an account of the main classical and Christian ideas, outlining their meaning, their origins and their transmission to the Renaissance; illustrates the ways in which Renaissance poetry drew on classical and Christian ideas; contains extracts from key classical and Christian texts and relates these to the extracts of the English poems which draw on them; includes suggestions for further reading, and an invaluable bibliographical appendix.

From Puritanism to Platonism in Seventeenth Century England

From Puritanism to Platonism in Seventeenth Century England
Author: James Deotis Roberts
Publisher: Springer Science & Business Media
Total Pages: 312
Release: 2012-12-06
Genre: Philosophy
ISBN: 9401191107

The research of Professor J. D. Roberts has interested me for several years. It has interested me because he has been working in a really rich area of intellectual history. Even before Professor Whitehead taught us to speak of the seventeenth century as the "century of genius," many of us looked with wonder on the creativity of the men who produced religious and philosophical literature in that period of contro versy and of power. It was, in a most unusual way, a flowering time of the human spirit. The present volume is devoted to one fascinating chapter in the history of ideas. We know now, far better than we knew a generation ago, how incendiary Puritan ideas really were. They had tremendous consequences, many of which continue to this day, in spite of the absurd caricature of Puritanism, which is popularly accepted. The best of Milton's contemporaries were great thinkers as well as great doers.

Cultural Reformations

Cultural Reformations
Author: Brian Cummings
Publisher: Oxford University Press
Total Pages: 702
Release: 2010-06-24
Genre: History
ISBN: 0199212481

The deepest periodic division in English literary history has been between the medieval and the early modern. 'Cultural Reformations' initiates discussion on many fronts in which both periods look different in dialogue with each other.