The Plaint of Nature
Author | : Alanus (de Insulis) |
Publisher | : PIMS |
Total Pages | : 268 |
Release | : 1980 |
Genre | : Philosophy |
ISBN | : 9780888442758 |
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Author | : Alanus (de Insulis) |
Publisher | : PIMS |
Total Pages | : 268 |
Release | : 1980 |
Genre | : Philosophy |
ISBN | : 9780888442758 |
Author | : Alanus (de Insulis) |
Publisher | : |
Total Pages | : 104 |
Release | : 1908 |
Genre | : Verse satire, Latin (Medieval and modern) |
ISBN | : |
The complaint of nature, Yale studies in English, v. 36 (1908), Translation of De planctu natura. by Douglas M. Moffat. Pagination preserved in etext form.
Author | : Glenn Burger |
Publisher | : U of Minnesota Press |
Total Pages | : 350 |
Release | : 2001 |
Genre | : Social Science |
ISBN | : 9780816634040 |
The essays in this volume present new work that, in one way or another, "queers" stabilized conceptions of the Middle Ages, allowing us to see the period and its systems of sexuality in radically different, off-center, and revealing ways. While not denying the force of gender and sexual norms, the authors consider how historical work has written out or over what might have been non-normative in medieval sex and culture, and they work to restore a sense of such instabilities. At the same time, they ask how this pursuit might allow us not only to re-envision medieval studies but also to rethink how we study culture from our current set of vantage points within postmodernity. The authors focus on particular medieval moments: Christine de Pizan's representation of female sexuality; chastity in the Grail romances; the illustration of "the sodomite" in manuscript commentaries on Dante's Commedia; the complex ways that sexuality inflected English national politics at the time of Edward II's deposition; the construction of the sodomitic Moor by Reconquista Spain. Throughout, their work seeks to disturb a logic that sees the past as significant only insofar as it may make sense for and of a stabilized present.
Author | : John Scriven (serjeant at law.) |
Publisher | : |
Total Pages | : 852 |
Release | : 1834 |
Genre | : Copyhold |
ISBN | : |
Author | : Titus Lucretius Carus |
Publisher | : Courier Corporation |
Total Pages | : 262 |
Release | : 2004-01-01 |
Genre | : Philosophy |
ISBN | : 9780486434469 |
The Roman philosopher's didactic poem in 6 parts, De Rerum Natura — On the Nature of Things — theorizes that natural causes are the forces behind earthly phenomena and dismisses divine intervention. Derived from the philosophical materialism of the Greeks, Lucretius' work remains the primary source for contemporary knowledge of Epicurean thought.
Author | : Thomas C. Moser |
Publisher | : University of Michigan Press |
Total Pages | : 506 |
Release | : 2004 |
Genre | : History |
ISBN | : 9780472113798 |
A groundbreaking illumination of the creation and reception of extant erotic poetry written in Latin during the Middle Ages
Author | : Hugh White |
Publisher | : OUP Oxford |
Total Pages | : 304 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780198187301 |
'Nature' is a highly important term in the ethical discourse of the Middle Ages and, as such, a leading concept in medieval literature. This book examines the moral status of the natural in writings by Alan of Lille, Jean de Meun, John Gower, Geoffrey Chaucer, and others, showinghow-particularly in the erotic sphere-the influences of nature are not always conceived as wholly benign. Though medieval thinkers often affirm an association of nature with reason, and therefore with the good, there is also an acknowledgement that the animal, the pre-rational, the instinctivewithin human beings may be validly considered natural. In fact, human beings may be thought to be urged almost ineluctably by the force of nature within them towards behaviour hostile to reason and the right.
Author | : Susan Schibanoff |
Publisher | : University of Toronto Press |
Total Pages | : 376 |
Release | : 2006-01-01 |
Genre | : Poetry |
ISBN | : 0802090354 |
Geoffrey Chaucer was arguably fourteenth-century England's greatest poet. In the nineteenth century, readers of Chaucer's early dream poems - the Book of the Duchess, House of Fame, and Parliament of Fowles - began to detect a tripartite model of his artistic development from a French to an Italian, and finally to an English phase. They fleshed out this model with the liberation narrative, the inspiring story of how Chaucer escaped the emasculating French house of bondage to become the generative father of English poetry. Although this division has now largely been dismissed, both the tripartite model and the accompanying liberation narrative persist in Chaucer criticism. In Chaucer's Queer Poetics, Susan Schibanoff interrogates why the tripartite model remains so tenacious even when literary history does not support it. Revealing deeply rooted Francophobic, homophobic, and nationalistic biases, Schibanoff examines the development paradigm and demonstrates that 'liberated Chaucer' depends on antiquated readings of key source texts for the dream trilogy. This study challenges the long held view the Chaucer fled the prison of effete French court verse to become the 'natural' English father poet and charts a new model of Chaucerian poetic development that discovers the emergence of a queer aesthetic in his work.
Author | : Bruno Latour |
Publisher | : Harvard University Press |
Total Pages | : 320 |
Release | : 2009-07-01 |
Genre | : Philosophy |
ISBN | : 0674039963 |
A major work by one of the more innovative thinkers of our time, Politics of Nature does nothing less than establish the conceptual context for political ecology—transplanting the terms of ecology into more fertile philosophical soil than its proponents have thus far envisioned. Bruno Latour announces his project dramatically: “Political ecology has nothing whatsoever to do with nature, this jumble of Greek philosophy, French Cartesianism and American parks.” Nature, he asserts, far from being an obvious domain of reality, is a way of assembling political order without due process. Thus, his book proposes an end to the old dichotomy between nature and society—and the constitution, in its place, of a collective, a community incorporating humans and nonhumans and building on the experiences of the sciences as they are actually practiced. In a critique of the distinction between fact and value, Latour suggests a redescription of the type of political philosophy implicated in such a “commonsense” division—which here reveals itself as distinctly uncommonsensical and in fact fatal to democracy and to a healthy development of the sciences. Moving beyond the modernist institutions of “mononaturalism” and “multiculturalism,” Latour develops the idea of “multinaturalism,” a complex collectivity determined not by outside experts claiming absolute reason but by “diplomats” who are flexible and open to experimentation.
Author | : Jeffrey Bardzell |
Publisher | : Routledge |
Total Pages | : 255 |
Release | : 2010-07-01 |
Genre | : Literary Criticism |
ISBN | : 1135865914 |
In his Plaint of Nature (De planctu Naturae), Alan of Lille bases much of his argument against sin in general and homosexuality in particular on the claim that both amount to bad grammar. The book explores the philosophical uses of grammar that were so formative of Alan’s thinking in major writers of the preceding generations, including Garland the Computist, St. Anselm, and Peter Abelard. Many of the linguistic theories on which these thinkers rely come from Priscian, an influential sixth-century grammarian, who relied more on the ancient tradition of Stoic linguistic theory than the Aristotelian one in elaborating his grammatical theory. Against this backdrop, the book provides a reading of Prudentius’ Psychomachia and presents an analysis of allegory in light of Stoic linguistic theory that contrasts other modern theories of allegorical signification and readings of Prudentius. The book establishes that Stoic linguistic theory is compatible with and likely partially formative of both the allegorical medium itself and the ideas expressed within it, in particular as they appeared in the allegories of Prudentius, Boethius, and Alan.