The Perfume Of Soul From Freud To Lacan
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| Author | : Berjanet Jazani |
| Publisher | : Taylor & Francis |
| Total Pages | : 101 |
| Release | : 2024-07-05 |
| Genre | : Psychology |
| ISBN | : 1040085822 |
The Perfume of Soul from Freud to Lacan seeks to understand the human sense of smell and its marks on our subjectivity from a psychoanalytic perspective. Accessibly written, the book considers whether our understanding of the sense of smell and odours in culture has changed over time, and where we locate olfaction in theories of psychoanalysis. Beginning with the theorisation of the sense of smell in philosophy and medicine, Berjanet Jazani explores what treatment of this sense we can find in historical and contemporary linguistic and cultural context. Jazani then takes examples from the psychoanalytic clinic as well as cultural references, from cinema to ancient literature, to elaborate the marks of the olfactory experiences on our subjectivity and sexuality. Lacanian theories, clinical anecdotes and autobiographical references are woven together to raise some critical questions about the law of odours as well as the invisible marks of breathing on subjective position, body, and symptom. The Perfume of Soul from Freud to Lacan will be of great interest to psychoanalysts, academics, and all readers who are interested in psychoanalysis, philosophy, and culture.
| Author | : Berjanet Jazani |
| Publisher | : Taylor & Francis |
| Total Pages | : 167 |
| Release | : 2024-12-10 |
| Genre | : Psychology |
| ISBN | : 1040254616 |
How Does Analysis Work? uses short, compelling vignettes from people in Lacanian analysis to explore how analytic interpretation works. Insights, revelations, connections, meanings and non-meanings all feature in these anonymous accounts of crucial moments in analysis, providing a sense of what it is all about. Drawn from a wide range of analysands, some seasoned analysts and others just starting out, these vignettes show how change takes place. The short pieces are drawn from Lacanian analysis, but many go against cliched views of what Lacanians do in their work, spanning both the classical and the radically innovative and showing the use of humour and theatre in psychoanalytic practice. How Does Analysis Work? will be of great interest to psychoanalysts and Lacanian analysts in practice and in training, as well as anyone who is curious about the analytic process.
| Author | : Richard Halpern |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 134 |
| Release | : 2016-01-29 |
| Genre | : Literary Criticism |
| ISBN | : 0812202155 |
Starting with St. Paul's argument that the Greeks were afflicted with homosexuality to punish their excessive love of statues, Richard Halpern uncovers a tradition in which aesthetic experience gives birth to the sexual—and thus reverses the Freudian thesis that erotic desire is sublimated into art. Rather, Halpern argues, sodomy was implicated with aesthetic categories from the very start, as he traces a connection between sodomy and the unrepresentable that runs from Shakespeare's Sonnets to Oscar Wilde's novella The Portrait of Mr. W.H., Freud's famous essay on Leonardo da Vinci, and Jacques Lacan's seminar on the ethics of psychoanalysis. Drawing on theology, alchemy, psychoanalysis, philosophy, and literary criticism, Shakespeare's Perfume explores how the history of aesthetics and the history of sexuality are fundamentally connected.
| Author | : Garrett A. Sullivan (Jr.) |
| Publisher | : Cambridge University Press |
| Total Pages | : 217 |
| Release | : 2012-08-09 |
| Genre | : Literary Criticism |
| ISBN | : 1107024412 |
Sullivan explores the impact of Aristotelian and Cartesian conceptions of humanness on works by Shakespeare, Spenser, Milton and Sidney.
| Author | : Joseph Bristow |
| Publisher | : Yale University Press |
| Total Pages | : 485 |
| Release | : 2015-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 0300213263 |
This book explores Oscar Wilde’s fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde’s substantial “Chatterton” notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume reveals that Wilde’s research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in his later works. Grounded in painstaking archival research that draws on previously undiscovered sources, Oscar Wilde’s Chatterton explains why, in Wilde’s personal canon of great writers, Chatterton stood as an equal in this most distinguished company.
| Author | : Simon Hajdini |
| Publisher | : MIT Press |
| Total Pages | : 216 |
| Release | : 2024-03-05 |
| Genre | : Philosophy |
| ISBN | : 0262377799 |
How our sense of smell engages with philosophy, psychoanalysis, and political economy—and how it can help enrich our understanding of the nature of truth, language, economy, and sexuality. Why is it that, in Indo-European languages at least, we have no language to describe smells, leaving us (and famously Juliet) no choice but to call the scent of a rose simply “sweet”? In What's That Smell?, a groundbreaking exploration of the intersection between philosophy, psychoanalysis, and the oft-neglected sense of smell, Simon Hajdini sets out to answer this complex question. Through new readings of traditional and modern philosophical texts, Hajdini places smell at the very center of a philosophical critique of the traditional notion of truth, challenging the idea that smell is the antiphilosophical sense par excellence. Through fresh engagements with fundamental philosophical issues, original analyses of modern literature and film, and the novel use of scientific research into smell within a humanities context, Hajdini situates problems of olfaction at the very point of inception of cultural life. He proposes that ontology, civilization, and capitalist economy alike can be said to amount to "shit management." And only by following the philosophically most deplorable of the senses, the book argues, can we better understand the central philosophical, psychoanalytical, and political issues of truth, sex, and exploitation.
| Author | : Alison Bancroft |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 259 |
| Release | : 2012-02-28 |
| Genre | : Social Science |
| ISBN | : 0857731122 |
There is an increasing trend within both the study of visual culture and fashion itself to restore fashion to an aesthetic role - one that moves beyond its commercial success as a global industry and places fashion within a nexus of art, the body, and femininity. This emphasis aims to separate fashion from mere clothing, and illustrate its cultural power as an integral aspect of modern life. In this innovative new book, Alison Bancroft re-examines significant moments in twentieth-century fashion history through the focal lens of psychoanalytic theory. Her discussion centres on studies of fashion photography, haute couture, queer dressing, and fashion/art in an attempt to shed new light on these key issues. According to Bancroft, problems of subjectivity are played out through fashion, in the public arena, and not just in the dark, unknowable unconscious mind. The question of what can be said, and what can only be experienced, and how these two issues may be reconciled, become questions that fashion addresses on an almost daily basis. Psychoanalysis has been profoundly influential in the arts, thanks to its capacity to add layers of meaning to things that, without it, would remain obtuse and intractable. It has proved crucial to the development of film studies, art theory and literary criticism. What it has not yet been brought into dialogue with in great depth is fashion. By interpreting fashion within a psychoanalytic frame, Bancroft illustrates how fashion articulates some of the essential, and sometimes frightening, truths about the body, femininity and the self.
| Author | : Sarah Hibberd |
| Publisher | : Cambridge University Press |
| Total Pages | : 323 |
| Release | : 2020-05-28 |
| Genre | : Music |
| ISBN | : 1108788343 |
The sublime - that elusive encounter with overwhelming height, power or limits - has been associated with music from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and beyond. This volume offers a historically situated study of the relationship between music, sound and the sublime. Together, the authors distinguish between the different aesthetics of production, representation and effect, while understanding these as often mutually reinforcing approaches. They demonstrate music's strength in playing out the sublime as transfer, transport and transmission of power, allied to the persistent theme of destruction, deaths and endings. The volume opens up two avenues for further research suggested by the adjective 'sonorous': a wider spectrum of sounds heard as sublime, and (especially for those outside musicology) a more multifaceted idea of music as a cultural practice that shares boundaries with other sounding phenomena.
| Author | : Katherine Eggert |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 364 |
| Release | : 2015-10-02 |
| Genre | : Literary Criticism |
| ISBN | : 0812291883 |
"Disknowledge": knowing something isn't true, but believing it anyway. In Disknowledge: Literature, Alchemy, and the End of Humanism in Renaissance England, Katherine Eggert explores the crumbling state of learning in the sixteenth and seventeenth centuries. Even as the shortcomings of Renaissance humanism became plain to see, many intellectuals of the age had little choice but to treat their familiar knowledge systems as though they still held. Humanism thus came to share the status of alchemy: a way of thinking simultaneously productive and suspect, reasonable and wrongheaded. Eggert argues that English writers used alchemy to signal how to avoid or camouflage pressing but discomfiting topics in an age of rapid intellectual change. Disknowledge describes how John Donne, George Herbert, Henry Vaughan, John Dee, Christopher Marlowe, William Harvey, Helkiah Crooke, Edmund Spenser, and William Shakespeare used alchemical imagery, rhetoric, and habits of thought to shunt aside three difficult questions: how theories of matter shared their physics with Roman Catholic transubstantiation; how Christian Hermeticism depended on Jewish Kabbalah; and how new anatomical learning acknowledged women's role in human reproduction. Disknowledge further shows how Shakespeare, Ben Jonson, and Margaret Cavendish used the language of alchemy to castigate humanism for its blind spots and to invent a new, posthumanist mode of knowledge: writing fiction. Covering a wide range of authors and topics, Disknowledge is the first book to analyze how English Renaissance literature employed alchemy to probe the nature and limits of learning. The concept of disknowledge—willfully adhering to something we know is wrong—resonates across literary and cultural studies as an urgent issue of our own era.
| Author | : Sam Ladkin |
| Publisher | : Oxford University Press |
| Total Pages | : 377 |
| Release | : 2024-02-29 |
| Genre | : Literary Criticism |
| ISBN | : 0192866729 |
Frank O'Hara's New York School & Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.
