The Parthenon Marbles
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Author | : Ian Dennis Jenkins |
Publisher | : Harvard University Press |
Total Pages | : 152 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9780674026926 |
The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.
Author | : Christopher Hitchens |
Publisher | : Verso |
Total Pages | : 164 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9781859842201 |
The Elgin Marbles, designed and executed by Phidias to adorn the Parthenon, are some of the most beautiful sculptures of ancient Greece. In 1801 Lord Elgin, then British ambassador to the Turkish government in Athens, had pieces of the frieze sawn off and removed to Britain, where they remain, igniting a storm of controversy which has continued to the present day. In the first full-length work on this fiercely debated issue, Christopher Hitchens recounts the history of these precious sculptures and forcefully makes the case for their return to Greece. Drawing out the artistic, moral, legal and political perspectives of the argument, Hitchens's eloquent prose makes The Elgin Marbles an invaluable contribution to one of the most important cultural controversies of our times.
Author | : Christopher Hitchens |
Publisher | : Verso Books |
Total Pages | : 201 |
Release | : 2016-06-14 |
Genre | : Social Science |
ISBN | : 1786631822 |
A fascinating history of an art world scandal—the seizure and sale of Ancient Greek sculptures to the British Museum—and a passionate cry for their return to the Parthenon in Athens. The Parthenon Marbles (formerly known as the Elgin Marbles), designed and executed by Pheidias to adorn the Parthenon, are perhaps the greatest of all classical sculptures. In 1801, Lord Elgin, then ambassador to the Turkish government, had chunks of the frieze sawn off and shipped to England, where they were subsequently seized by Parliament and sold to the British Museum to help pay off his debts. This scandal, exacerbated by the inept handling of the sculptures by their self-appointed guardians, remains unresolved to this day. In his fierce, eloquent account of a shameful piece of British imperial history, Christopher Hitchens makes the moral, artistic, legal, and political case for re-unifying the Parthenon frieze in Athens. The opening of the New Acropolis Museum emphatically trumps the British Museum’s long-standing (if always questionable) objection that there is nowhere in Athens to house the Parthenon Marbles. With contributions by Nadine Gordimer and Professor Charalambos Bouras, The Parthenon Marbles will surely end all arguments about where these great treasures belong, and help bring a two-centuries-old disgrace to a just conclusion.
Author | : Christopher Hitchens |
Publisher | : Hill & Wang |
Total Pages | : 137 |
Release | : 1988 |
Genre | : Art |
ISBN | : 9780809041893 |
Traces the history of the Parthenon, explains how and why its sculptures and friezes were taken to Britain, and discusses the arguments for returning them
Author | : Dorothy King |
Publisher | : Hutchinson Publishing Group |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Classical antiquities |
ISBN | : 9780091800130 |
Oxbow says: This book's author does not shy away from expressing her opinions on the destruction of ancient sites in Greece and her belief that the Elgin Marbles are best left in the care of the British Museum, or at least for the time being.
Author | : Geoffrey Robertson |
Publisher | : Biteback Publishing |
Total Pages | : 321 |
Release | : 2019-11-05 |
Genre | : Art |
ISBN | : 1785905422 |
The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA. The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close. Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries. Who Owns History? delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.
Author | : Patricia Vigderman |
Publisher | : Mad Creek Books |
Total Pages | : 195 |
Release | : 2018 |
Genre | : Architecture |
ISBN | : 9780814254585 |
Ruminates on ancient remains and antiquities, illuminating an important element of contemporary cultural life: the dynamic between loss and delight.
Author | : Rick Steves |
Publisher | : Rick Steves |
Total Pages | : 0 |
Release | : 2019-11-19 |
Genre | : Travel |
ISBN | : 9781641712231 |
Explore Europe's top 100 works of art with America's most trusted travel authority, Rick Steves. Travel through time and discover Europe's most iconic paintings, sculptures, and historic buildings. From Venus to Versailles, Apollo to David, and Mona Lisa to The Thinker, Rick and co-author Gene Openshaw will have you marveling, learning, and laughing, one masterpiece at a time. Whether you're traveling to Europe or just dreaming about it, this book both stokes your wanderlust and kindles a greater appreciation of art, with historical context and information on where to see it for yourself. With Rick's trusted insight and gorgeous, full-color photos throughout, Europe's Top 100 Masterpieces celebrates nearly 20,000 years of unforgettable art.
Author | : William St. Clair |
Publisher | : London ; New York [etc.] : Oxford U.P |
Total Pages | : 344 |
Release | : 1967 |
Genre | : Elgin marbles |
ISBN | : |
Om Lord Elgin (1766-1841) og hans erhvervelse af de klassiske skulpturer og friser fra Parthenon-templet i Athen
Author | : B. F. Cook |
Publisher | : |
Total Pages | : 84 |
Release | : 1984 |
Genre | : Art |
ISBN | : |
The Parthenon sculptures collected by Lord Elgin nearly 200 years ago rank amongst the highest achievements of mankind. Since they went on display in the British Museum in 1817, artists, scholars, poets and millions of visitors have stood before them in wonder. This book tells their story, beginning in the fifth century BC when the Parthenon was built in Athens. The author explains what the sculptures represent, who made them and how they fitted into the grand design of the temple. He describes their gradual destruction by religious zealots, beseiging Venetians and other vandals before Lord Elgin brought them to the safety of London.