Robert Burns in Global Culture

Robert Burns in Global Culture
Author: Murray Pittock
Publisher: Bucknell University Press
Total Pages: 272
Release: 2011-05-19
Genre: Literary Criticism
ISBN: 1611480310

Robert Burns in Global Culture is a collection which breaks new ground in treating Burns' poetry and influence in an international context. Widely recognized as poet of global significance in the nineteenth century, Burns' reputation has suffered from the critical turns in Romanticism since 1945 and is only now beginning to be seen in its proper context. Following on from the celebrations across the world to mark Burns' 250th anniversary in 2009, this collection asks questions concerning the nature of Burns' global influence in the United States, Europe and the Commonwealth, examines the extraordinary ways in which his writing combines a distinctively progressive agenda with deceptively traditional styles, and emplaces his reputation at the heart of questions of American exceptionalism, European democracy, British imperial identities, Italian politics, French literary history, questions of desire and sexuality, the Burns Supper and the extraordinary cult of Burns statues. 'Robert Burns in Global Culture' combines literary criticism, history, cultural theory and comparative literature to create a set of powerful, new and unique directions in the study of this major Romantic poet.

Nineteenth-Century British Music Studies

Nineteenth-Century British Music Studies
Author: Peter Horton
Publisher: Routledge
Total Pages: 355
Release: 2019-05-23
Genre: Music
ISBN: 0429627173

Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.

The Reception of Robert Burns in Europe

The Reception of Robert Burns in Europe
Author: Murray Pittock
Publisher: Bloomsbury Publishing
Total Pages: 417
Release: 2014-06-19
Genre: Literary Criticism
ISBN: 0567629198

Robert Burns (1759 –1796), Scotland's national poet and pioneer of the Romantic Movement, has been hugely influential across Europe and indeed throughout the world. Burns has been translated seven times as often as Byron, with 21 Norwegian translations alone recorded since 1990; he was translated into German before the end of his short life, and was of key importance in the vernacular politics of central and Eastern Europe in the nineteenth century. This collection of essays by leading international scholars and translators traces the cultural impact of Burns' work across Europe and includes bibliographies of major translations of his work in each country covered, as well as a publication history and timeline of his reception on the continent.

Songs for a Revolution

Songs for a Revolution
Author: Eckhard John
Publisher: Boydell & Brewer
Total Pages: 385
Release: 2020
Genre: Germany
ISBN: 1640140484

Makes available twenty-two protest songs of the period up to and including the 1848 Revolution in Germany along with a reception history of the songs through their revival after 1945.

Shelley's German Afterlives

Shelley's German Afterlives
Author: S. Schmid
Publisher: Springer
Total Pages: 252
Release: 2007-04-16
Genre: Literary Criticism
ISBN: 0230604234

Schmid shows how reception processes work across linguistic, national, and cultural boundaries, taking the English Romantic poet Shelley's German reception as a case study. It also highlights Anglo-German literary and cultural relations of the nineteenth and twentieth centuries and supplies a theoretical framework for further analysis.