The Censorship Effect

The Censorship Effect
Author: William Olmsted
Publisher: Oxford University Press
Total Pages: 241
Release: 2016
Genre: History
ISBN: 0190238631

The Censorship Effect argues that the stylistic features that prompted the criminal indictment of Madame Bovary and Les Fleurs du Mal were the products of an intense struggle and negotiation with a culture of censorship.

Censorship and the Limits of the Literary

Censorship and the Limits of the Literary
Author: Nicole Moore
Publisher: Bloomsbury Publishing USA
Total Pages: 271
Release: 2017-02-23
Genre: Literary Criticism
ISBN: 150133039X

"Explores the defining relationship of literature to censorship across the globe"--

The Censor's Hand

The Censor's Hand
Author: Carl E. Schneider
Publisher: MIT Press
Total Pages: 293
Release: 2015-04-10
Genre: Law
ISBN: 0262028913

An argument that the system of boards that license human-subject research is so fundamentally misconceived that it inevitably does more harm than good. Medical and social progress depend on research with human subjects. When that research is done in institutions getting federal money, it is regulated (often minutely) by federally required and supervised bureaucracies called “institutional review boards” (IRBs). Do—can—these IRBs do more harm than good? In The Censor's Hand, Schneider addresses this crucial but long-unasked question. Schneider answers the question by consulting a critical but ignored experience—the law's learning about regulation—and by amassing empirical evidence that is scattered around many literatures. He concludes that IRBs were fundamentally misconceived. Their usefulness to human subjects is doubtful, but they clearly delay, distort, and deter research that can save people's lives, soothe their suffering, and enhance their welfare. IRBs demonstrably make decisions poorly. They cannot be expected to make decisions well, for they lack the expertise, ethical principles, legal rules, effective procedures, and accountability essential to good regulation. And IRBs are censors in the place censorship is most damaging—universities. In sum, Schneider argues that IRBs are bad regulation that inescapably do more harm than good. They were an irreparable mistake that should be abandoned so that research can be conducted properly and regulated sensibly.

The Censor's Notebook

The Censor's Notebook
Author: Liliana Corobca
Publisher: Seven Stories Press
Total Pages: 355
Release: 2022-11-08
Genre: Fiction
ISBN: 1644211513

A fascinating narrative of life in communist Romania, and a thought-provoking meditation on the nature of literature and censorship. Winner of the 2023 Oxford Weidenfeld Translation Prize A Censor’s Notebook is a window into the intimate workings of censorship under communism, steeped in mystery and secrets and lies, confirming the power of literature to capture personal and political truths. The novel begins with a seemingly non-fiction frame story—an exchange of letters between the author and Emilia Codrescu, the female chief of the Secret Documents Office in Romania’s feared State Directorate of Media and Printing, the government branch responsible for censorship. Codrescu had been responsible for the burning and shredding of the censors’ notebooks and the state secrets in them, but prior to fleeing the country in 1974 she had stolen one of these notebooks. Now, forty years later, she makes the notebook available to Liliana, the character of the author, for the newly instituted Museum of Communism. The work of a censor—a job about which it is forbidden to talk—is revealed in this notebook, which discloses the structures of this mysterious institution and describes how these professional readers and ideological error hunters are burdened with hundreds of manuscripts, strict deadlines, and threatening penalties. The censors lose their identity, and are often frazzled by neuroses and other illnesses.

Banned in Berlin

Banned in Berlin
Author: Gary D. Stark
Publisher: Berghahn Books
Total Pages: 345
Release: 2012
Genre: History
ISBN: 0857453114

Imperial Germany's governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871-1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.

Censorship

Censorship
Author: Derek Jones
Publisher: Routledge
Total Pages: 2950
Release: 2001-12-01
Genre: Reference
ISBN: 1136798641

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Censorship in Canadian Literature

Censorship in Canadian Literature
Author: Mark Cohen
Publisher: McGill-Queen's Press - MQUP
Total Pages: 228
Release: 2001
Genre: Education
ISBN: 9780773522145

Since judgment is enmeshed in the fabric of human endeavour, censorship is inevitable; since censorship is inevitable, Cohen concludes, debate over whether censorship itself is desirable should give way to a search for censorship practices that are more just."--BOOK JACKET.

Writing and Censorship in Britain

Writing and Censorship in Britain
Author: Paul Hyland
Publisher: Taylor & Francis
Total Pages: 186
Release: 2023-02-03
Genre: Literary Criticism
ISBN: 100086796X

First published in 1992, Writing and Censorship in Britain explores the issue of censorship, from a range of cultural and literary perspectives, from the Tudor period to the 1990s. Written by some of the leading experts in the field, this collection charts the struggles for artistic expression, reveals how censorship is appropriated as a legitimate tactic in the defence of oppressed and marginalised groups, and analyses the struggles writers have employed in the face of its complex dynamics. Here variously defined, defended and deplored, censorship emerges as both an unstable and a potent concept. Through it we define ourselves: as readers, as writers and as citizens. This book will be of interest to students of literature, history and law.