The Oxford Encyclopaedia Of The Music Of India
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| Author | : Saṅgīt Mahābhāratī |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 9780195650983 |
The most authoritative, comprehensive, and up-to-date reference on the subject, this encyclopaedia covers the story of music in India spread over almost 2000 years and includes more than 5000 in-depth entries by over 100 acclaimed contributors from India and abroad.Covering classical, folk, film, and other forms of music in India, the three volumes provide an overview of the historical and cultural contexts of the musical forms, instruments, and composers. Fully cross-referenced, the encyclopaedia includes detailed entries on all forms of music, dance, raga,tala, gharana, treatises, instruments, and technical terms, and biographical notes on vocalists, musicologists, saint poets, gurus, composers, dancers, and instrumentalists. The over 200 rare photos, paintings, and line drawings of instruments, musicians, and musicologists from family albums andprivate collections enhance the visual appeal of the work. For the first time, this major undertaking will help to explain much of what music in India is all about and open the subject for a new audience, both in India and abroad.
| Author | : Ashish Rajadhyaksha |
| Publisher | : Routledge |
| Total Pages | : 3189 |
| Release | : 2014-07-10 |
| Genre | : Social Science |
| ISBN | : 1135943257 |
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
| Author | : Ananda Lal |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 592 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : |
This Encyclopedic Volume Is The First Of Its Kind In Any Language Covering All Of Indian Theatre. Lavishly Illustrated, With Some Rare Photographs From Archival Collections.
| Author | : Terry E. Miller |
| Publisher | : Routledge |
| Total Pages | : 617 |
| Release | : 2012-01-15 |
| Genre | : |
| ISBN | : 0415808243 |
| Author | : Allen Scott |
| Publisher | : Indiana University Press |
| Total Pages | : 518 |
| Release | : 2015-06-01 |
| Genre | : Music |
| ISBN | : 0253014565 |
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
| Author | : Salim Ayduz |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 1149 |
| Release | : 2014 |
| Genre | : Philosophy |
| ISBN | : 0199812578 |
The main reference source for questions of Islamic philosophy, science, and technology amongst Western engaged readers and academics in general and legal researchers in particular.
| Author | : Tejaswi Niranjana |
| Publisher | : Oxford University Press |
| Total Pages | : 363 |
| Release | : 2020-02-14 |
| Genre | : Music |
| ISBN | : 0190990201 |
With the onset of modernity in twentieth-century India, new social arrangements gave rise to new forms of music-making. The musicians were no longer performing exclusively in the princely courts or in the private homes of the wealthy. Not only did the act of listening to and appreciating music change, it became an important feature of public life, thus influencing how modernity shaped itself. This volume attempts to study the connections between music and the creation of new ideas of publicness during the early twentieth century. How was music labelled as folk or classical? How did music come to play such a catalytic role in forming identities of nationhood, politics, or ethnicity? And how did twentieth-century technologies of sound reproduction and commercial marketing contribute to changing notions of cultural distinction? Exploring these interdisciplinary questions across multiple languages, regions, and musical genres, the essays provide fresh perspectives on the history of musicians and migration in colonial India, the formation of modern spaces of performance, and the articulation of national as well as nationalist traditions.
| Author | : Asoke Kumar Datta |
| Publisher | : Springer |
| Total Pages | : 259 |
| Release | : 2017-03-10 |
| Genre | : Technology & Engineering |
| ISBN | : 9811039593 |
This book presents a comprehensive overview of the basics of Hindustani music and the associated signal analysis and technological developments. It begins with an in-depth introduction to musical signal analysis and its current applications, and then moves on to a detailed discussion of the features involved in understanding the musical meaning of the signal in the context of Hindustani music. The components consist of tones, shruti, scales, pitch duration and stability, raga, gharana and musical instruments. The book covers the various technological developments in this field, supplemented with a number of case studies and their analysis. The book offers new music researchers essential insights into the use the automatic concept for finding and testing the musical features for their applications. Intended primarily for postgraduate and PhD students working in the area of scientific research on Hindustani music, as well as other genres where the concepts are applicable, it is also a valuable resource for professionals and researchers in musical signal processing.
| Author | : Jim Sykes |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2018-08-31 |
| Genre | : Music |
| ISBN | : 0190912030 |
The Musical Gift tells Sri Lanka's music history as a story of giving between humans and nonhumans, and between populations defined by difference. Author Jim Sykes argues that in the recent past, the genres we recognize today as Sri Lanka's esteemed traditional musics were not originally about ethnic or religious identity, but were gifts to gods and people intended to foster protection and/or healing. Noting that the currently assumed link between music and identity helped produce the narratives of ethnic difference that drove Sri Lanka's civil war (1983-2009), Sykes argues that the promotion of connected music histories has a role to play in post-war reconciliation. The Musical Gift includes a study of how NGOs used music to promote reconciliation in Sri Lanka, and it contains a theorization of the relations between musical gifts and commodities. Eschewing a binary between the gift and identity, Sykes claims the world's music history is largely a story of entanglement between both paradigms. Drawing on fieldwork conducted widely across Sri Lanka over a span of eleven years--including the first study of Sinhala Buddhist drumming in English and the first ethnography of music-making in the former warzones of the north and east--this book brings anthropology's canonic literature on "the gift" into music studies, while drawing on anthropology's recent "ontological turn" and "the new materialism" in religious studies.
| Author | : Soubhik Chakraborty |
| Publisher | : Sanctum Books |
| Total Pages | : 141 |
| Release | : 2021-12-01 |
| Genre | : Music |
| ISBN | : 8194783003 |
This work aims to address the historical development of the great Indian raga tradition, enhanced by computational approaches, and to use computational strategies to analyze aspects of contemporary Hindustani classical music (HCM). It is divided into two parts with Part 1 focusing on the history and aesthetics of HCM and Part 2 covering its computational aspects. The historical development of HCM in the ancient, medieval and modern periods; its terms and genre; and its Khayal gharanas are covered in Part 1. The subtopics include essential concepts such as raga, tala, shruti, thaat, gharana, khayal, dhrupad, thumri, tappa, etc. Part 2 covers the state-of-the-art in computational musicology, raga analysis and song analysis using statistics. The subtopics include statistical modeling, inter onset interval, note duration analysis, pitch movement between the notes, rate of change of pitch (pitch velocity) and probabilistic analysis of musical notes. The author concludes the work with reflecting on the lives of a few renowned musicians and musicologists with an account of hilarious moments taken from their lives to excite the reader to know more about HCM. This book would be useful for musicians, musicologists, researchers in music history, aesthetics, computational musicology, and advanced undergraduate and postgraduate students of music and musicology.
