The Orpheus Myth And The Middle Ages
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Author | : John Block Friedman |
Publisher | : Syracuse University Press |
Total Pages | : 292 |
Release | : 2000-06-01 |
Genre | : Literary Criticism |
ISBN | : 9780815628255 |
Orpheus, the Thracian signer who charmed nature with the music of his lyre and traveled to the underworld to win back his wife, Ewydice, is a familiar figure in Western culture. Yet, as each age modified his deeds and altered the narrative to make the Orpheus myth conform to the values of the day, his legend acquired many new and surprising meanings. Friedman examines the various reshaping's of the myth from the Hellenistic age through the late Middle Ages. He presents primarily a literary study, but draws as well upon art and iconography, indicating how literary characterizations of Orpheus gave rise to new iconographical details for his portrayals in art, which in turn led to different portrayals in literature. He first outlines the figure of Orpheus in antiquity. He continues with an examination of the significant conceptual changes in the Orpheus myth. In the religious and philosophical writings of Hellenistic Jews and, later, Christians, Orpheus appears as a monotheist. He emerges as a Good Shepherd figure in late antique art and eventually is identified with Christ as a guide of men's souls to the afterlife. In the Middle Ages, Orpheus' relationship with Ewydice gains importance. The pair first serve a didactic and moralizing purpose, coming together as in Boethius' Consolation of Philosophy, more as the abstractions of reason and passion than as tragic lovers. In the later Middle Ages, however, they appear as a secular couple who illustrate the power of the god Amor over the human heart. Orpheus becomes a courtly knight and the writer of elegant love lyrics. The blending of these two medieval traditions is seen in Robert Henryson's Orpheus and Eurydice. Friedman pays special attention to this work as well as to the romance Sir Orfeo. Thus, the propagation of religious belief—one of the primary concerns of the early Middle Ages— was reflected in the early conceptions of Orpheus. Later, with the growth of the courtly love tradition Orpheus and Eurydice became significant as lovers. This book illustrates the vitality and flexibility that a myth must possess as it adapts to different eras and embodies the interests and concerns of each.
Author | : John Warden |
Publisher | : |
Total Pages | : 258 |
Release | : 1982 |
Genre | : Social Science |
ISBN | : |
Author | : Oscar Zielke |
Publisher | : Wentworth Press |
Total Pages | : 144 |
Release | : 2019-02-22 |
Genre | : Foreign Language Study |
ISBN | : 9780469405370 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Katherine Butler |
Publisher | : Boydell & Brewer |
Total Pages | : 344 |
Release | : 2019 |
Genre | : Music |
ISBN | : 1783273712 |
The complex relationship between myths and music is here investigated.
Author | : James G. Clark |
Publisher | : Cambridge University Press |
Total Pages | : 385 |
Release | : 2011-07-28 |
Genre | : History |
ISBN | : 1107002052 |
This book explores the extraordinary influence of Ovid upon the culture - learned, literary, artistic and popular - of medieval Europe.
Author | : Marilynn Desmond |
Publisher | : University of Michigan Press |
Total Pages | : 372 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780472031832 |
A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge
Author | : Bruce W. Holsinger |
Publisher | : Stanford University Press |
Total Pages | : 500 |
Release | : 2001 |
Genre | : Music |
ISBN | : 9780804740586 |
Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.
Author | : Tracy Barrett |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2016-07-07 |
Genre | : Mythology, Greek |
ISBN | : 9781535144506 |
THE SONG OF ORPHEUS: THE GREATEST GREEK MYTHS YOU NEVER HEARD is a funny, adventure-filled collection of wonderfully weird "new" Greek myths. This unforgettable collection spins tales of love and loss, hilariously vain superheroes, ancient robots, untrappable giant foxes, men reborn after being torn apart by dragons, and even the world's first monkeys. A few of these tales may seem familiar at first, but be prepared for the unexpected. Others are wonderfully strange and puzzling. All of them are entertaining. All of them deserve to be better known. Retold by author and scholar Tracy Barrett (THE SHERLOCK FILES, ANNA OF BYZANTIUM, THE STEPSISTER'S TALE) with accuracy, suspense, and humor, using authoritative translations into English of ancient source material, the myths in THE SONG OF ORPHEUS will make readers, and especially fans of THE HEROES OF OLYMPUS series, laugh, gasp, and geek out.
Author | : Vanda Zajko |
Publisher | : John Wiley & Sons |
Total Pages | : 496 |
Release | : 2017-04-10 |
Genre | : Literary Criticism |
ISBN | : 1444339605 |
A Handbook to the Reception of Classical Mythology presents a collection of essays that explore a wide variety of aspects of Greek and Roman myths and their critical reception from antiquity to the present day. Reveals the importance of mythography to the survival, dissemination, and popularization of classical myth from the ancient world to the present day Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Features chronologically organized essays that address different sets of myths that were important in each historical era, along with their thematic relevance Offers a series of carefully selected in-depth readings, including both popular and less well-known examples
Author | : Luiz Fernando Ferreira Sá |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 173 |
Release | : 2018-06-11 |
Genre | : Literary Criticism |
ISBN | : 1527512983 |
In this study of John Milton’s “L’Allegro”, “Il Penseroso”, and “Lycidas”, the perspective of an interpreting sign serves as the basis for analysis of the poems’ allusions to the Orpheus myth. The idea of an interpretant proposed by Charles Sanders Peirce and the semiotic relations theorized by Jorgen Dines Johansen work as a lens that enables the reader to see the extent to which Milton recreated the Orpheus myth and used its recreating powers in his poems. Since the three poems have different and opposing voices, the Orpheus myth is the trigger behind the change of voices, as well as the modeling frame that underlies the transitions from an innocent to an enlightened viewpoint. Furthermore, readers in general and critics of all persuasions will have the chance to appreciate the presence of the Orpheus myth in Milton’s work as the fragmented configuration of consciousness in the process of defining two orders of existence: the human and the divine.