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| Author | : Ted Gioia |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 332 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 0199357579 |
Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.
| Author | : Nino Tsitsishvili |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 209 |
| Release | : 2022-11-18 |
| Genre | : Psychology |
| ISBN | : 1527590704 |
The book offers a radically new perspective on the origins of the love song and human sexuality in an evolutionary context. By comparing different human societies and animal species, past and present, it reveals that love songs, romantic love and exclusive pair-bonds are not the original evolutionary features of Homo sapiens. One of the key findings of the book is that early humans practiced multiple-partner sexual relations, similar to our closest relatives bonobos and chimpanzees, but, with the emergence of culture and sexual taboo, their behaviour had to adjust. It contends that, since the exodus from Africa and the rise of culture, humans started to distance themselves from the rest of the animal kingdom, drastically restraining their innate sexual nature. The book will appeal to both scholars and laypeople with an interest in evolutionary theory, socio-biology, anthropology, and the origins of culture.
| Author | : Andrew Wilson |
| Publisher | : Simon and Schuster |
| Total Pages | : 549 |
| Release | : 2013-01-31 |
| Genre | : Biography & Autobiography |
| ISBN | : 0857205900 |
On 25 February 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter - now one of the most famous in all literary history - was recorded by Plath in her journal, where she described Hughes as a 'big, dark, hunky boy'. Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured Plath's life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth. After Plath's suicide in February 1963, Hughes became Plath's literary executor, the guardian of her writings, and, in effect responsible for how she was perceived. But Hughes did not think much of Plath's prose writing, viewing it as a 'waste product' of her 'false self', and his determination to market her later poetry - poetry written after she had begun her relationship with him - as the crowning glory of her career, has meant that her other earlier work has been marginalised. Before she met Ted, Plath had lived a complex, creative and disturbing life. Her father had died when she was only eight, she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide and had written over 200 poems. Mad Girl's Love Songwill trace through these early years the sources of her mental instabilities and will examine how a range of personal, economic and societal factors - the real disquieting muses - conspired against her. Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century's most popular and enduring female poet. Mad Girl's Love Songreclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice, a voice that, fifty years after her death, still has the power to haunt and disturb.
| Author | : Mari Sandoz |
| Publisher | : U of Nebraska Press |
| Total Pages | : 318 |
| Release | : 2024-05-16 |
| Genre | : History |
| ISBN | : 1496240820 |
Love Song to the Plains is a lyric salute to the earth and sky and people who made the history of the Great Plains by the region's incomparable historian, Mari Sandoz. It is a story of men and women of many hues—courageous, violent, indomitable, foolish—their legends, failures, and achievements: of explorers and fur trappers and missionaries; of soldiers and army posts and Indian fighting; of California-bound emigrants who stopped off to become settlers; of cattlemen and bad men, boomers and land speculators, and their feuds and rivalries. Above all, this is a portrait of the true Plainsman, the man or woman who can stand to have the horizon far off and every day, every year, a gamble.
| Author | : Sean Singer |
| Publisher | : Tupelo Press |
| Total Pages | : 75 |
| Release | : 2022-12-28 |
| Genre | : Poetry |
| ISBN | : 1946482854 |
From the passenger seat of Sean Singer’s taxicab, we witness New York’s streets livid and languid with story and contemplation that give us awareness and aliveness with each trip across the asphalt and pavement. Laced within each fare is an illumination of humanity’s intimate music, of the poet’s inner journey—a signaling at each crossroad of our frailty and effervescence. This is a guidebook toward a soundscape of higher meaning, with the gridded Manhattan streets as a scoring field. Jump in the back and dig the silence between the notes that count the most in each unique moment this poet brings to the page. “Sean Singer’s radiant and challenging body of work involves, much like Whitman’s, nothing less than the ongoing interrogation of what a poem is. In this way his books are startlingly alive... I love in this work the sense that I am the grateful recipient of Singer’s jazzy curation as I move from page to page. Today in the Taxi is threaded through with quotes from Kafka, facts about jazz musicians, musings from various thinkers, from a Cathar fragment to Martin Buber to Arthur Eddington to an anonymous comedian. The taxi is at once a real taxi and the microcosm of a world—at times the speaker seems almost like Charon ferrying his passengers, as the nameless from all walks and stages of life step in and out his taxi. I am reminded of Calvino’s Invisible Cities, of Sebald’s The Rings of Saturn... Today in the Taxi is intricate, plain, suggestive, deeply respectful of the reader, and utterly absorbing. Like Honey and Smoke before it, which was one of the best poetry books of the last decade, this is work of the highest order.” —Laurie Sheck
| Author | : Harry Eiss |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 417 |
| Release | : 2022-03-22 |
| Genre | : Poetry |
| ISBN | : 1527581675 |
Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliotâs The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliotâs love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Danteâs Divine Comedy, and its inclusion of amour as a means to salvation. Danteâs work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.
| Author | : Andrew Ford |
| Publisher | : La Trobe University Press |
| Total Pages | : 315 |
| Release | : 2019-12-02 |
| Genre | : Music |
| ISBN | : 1743821069 |
An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer
| Author | : Minnie Darke |
| Publisher | : Random House |
| Total Pages | : 294 |
| Release | : 2020-03-03 |
| Genre | : Fiction |
| ISBN | : 1473562546 |
A feel-good romance by the author of Star-crossed, perfect for anyone who loves David Nicholls, Marian Keyes and Jojo Moyes. Arie and Diana were destined to be together. Arie falls for Diana in a heartbeat. Their love creates a life for them, a marriage and a home. Pianist Diana wants to capture this in a song for Arie. But that’s not where the story ends... After Diana debuts their song to a room full of strangers, tragedy strikes and Arie never gets to hear it. There’s still a verse to come. Diana’s melody lives beyond her and the lost love song begins to find its way back home. Can it help Arie to find new hope, and a new love? Readers love Minnie Darke 'Witty, mischievous and intelligent... if you enjoy Marian Keyes or Mhairi McFarlane, you'll enjoy this. 'A clever and witty comedy' 'Warm, funny, addictive, I couldn’t put it down.' 'A smart and funny novel' 'Beautifully written with warmth and wit... a truly delightful read.' 'Uplifting, romantic and fabulous... I loved this charming book.'
| Author | : Fionnuala Kearney |
| Publisher | : HarperCollins UK |
| Total Pages | : 300 |
| Release | : 2018-10-18 |
| Genre | : Fiction |
| ISBN | : 000759402X |
A gorgeously romantic novel you will fall in love with and tell all your friends about!
| Author | : Peter Conrad |
| Publisher | : |
| Total Pages | : 410 |
| Release | : 1996-03 |
| Genre | : Music |
| ISBN | : |
A Song of Love and Death examines the art of opera with the same creative insight that Susan Sontag's On Photography brought to its medium. It is an eloquent inquiry into the meaning of our boldest art, its expression of human irrationality and its power to disturb and excite us.
