The One Other And Only Dickens
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| Author | : Garrett Stewart |
| Publisher | : Cornell University Press |
| Total Pages | : 288 |
| Release | : 2018-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 1501730126 |
In The One, Other, and Only Dickens, Garrett Stewart casts new light on those delirious wrinkles of wording that are one of the chief pleasures of Dickens’s novels but that go regularly unnoticed in Dickensian criticism: the linguistic infrastructure of his textured prose. Stewart, in effect, looks over the reader’s shoulder in shared fascination with the local surprises of Dickensian phrasing and the restless undertext of his storytelling. For Stewart, this phrasal undercurrent attests both to Dickens’s early immersion in Shakespearean sonority and, at the same time, to the effect of Victorian stenography, with the repressed phonetics of its elided vowels, on the young author’s verbal habits long after his stint as a shorthand Parliamentary reporter. To demonstrate the interplay and tension between narrative and literary style, Stewart draws out two personas within Dickens: the Inimitable Boz, master of plot, social panorama, and set-piece rhetorical cadences, and a verbal alter ego identified as the Other, whose volatile and intensively linguistic, even sub-lexical presence is felt throughout Dickens’s fiction. Across examples by turns comic, lyric, satiric, and melodramatic from the whole span of Dickens’s fiction, the famously recognizable style is heard ghosted in a kind of running counterpoint ranging from obstreperous puns to the most elusive of internal echoes: effects not strictly channeled into the service of overall narrative drive, but instead generating verbal microplots all their own. One result is a new, ear-opening sense of what it means to take seriously Graham Greene’s famous passing mention of Dickens’s "secret prose."
| Author | : Lillian Nayder |
| Publisher | : Cornell University Press |
| Total Pages | : 377 |
| Release | : 2012-04-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0801465141 |
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered-unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.
| Author | : Charles Dickens |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 2021-04-21 |
| Genre | : |
| ISBN | : |
The Chimes A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In, a short novel by Charles Dickens, was written and published in 1844, one year after A Christmas Carol. It is the second in his series of Christmas books five short books with strong social and moral messages that he published during the 1840's.
| Author | : Charles Dickens |
| Publisher | : |
| Total Pages | : 488 |
| Release | : 2021-04-11 |
| Genre | : |
| ISBN | : |
A Tale of Two Cities (1859) is the second historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. It depicts the plight of the French proletariat under the brutal oppression of t+E3he French aristocracy in the years leading up to the revolution, and the corresponding savage brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution. It follows the lives of several protagonists through these events, most notably Charles Darnay, a French once-aristocrat who falls victim to the indiscriminate wrath of the revolution despite his virtuous nature, and Sydney Carton, a dissipated English barrister who endeavours to redeem his ill-spent life out of love for Darnay's wife, Lucie Manette.
| Author | : Charles Dickens |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 1854 |
| Genre | : |
| ISBN | : |
| Author | : Lucinda Hawksley |
| Publisher | : Pen and Sword |
| Total Pages | : 266 |
| Release | : 2017-10-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1526712288 |
A direct descendant of Charles Dickens delves into the many merry ways in which the author of A Christmas Carol celebrated & influenced the holiday. Dickens and Christmas is an exploration of the 19th-century phenomenon that became the Christmas we know and love today—and of the writer who changed, forever, the ways in which it is celebrated. Charles Dickens was born in an age of great social change. He survived childhood poverty to become the most adored and influential man of his time. Throughout his life, he campaigned tirelessly for better social conditions, including by his most famous work, A Christmas Carol. He wrote this novella specifically “to strike a sledgehammer blow on behalf of the poor man’s child,” and it began the Victorian’s obsession with Christmas. This new book, written by one of his direct descendants, explores not only Dickens’s most famous work, but also his all-too-often overlooked other Christmas novellas. It takes the readers through the seasonal short stories he wrote, for both adults and children, includes much-loved festive excerpts from his novels, uses contemporary newspaper clippings, and looks at Christmas writings by Dickens’s contemporaries. To give an even more personal insight, readers can discover how the Dickens family itself celebrated Christmas, through the eyes of Dickens’s unfinished autobiography, family letters, and his children’s memoirs. Dickens and Christmas also explores the ways in which his works have gone on to influence how the festive season is celebrated around the globe. “Brilliant . . . a very readable book, a slice of social history involving a man who, more than anyone, encapsulates Christmas in literature.”—Books Monthly
| Author | : Ilsa J. Bick |
| Publisher | : Carolrhoda Lab ™ |
| Total Pages | : 580 |
| Release | : 2015-03-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 1512401773 |
Critically acclaimed author of The Ashes Trilogy, Ilsa J. Bick takes her new Dark Passages series to an alternative Victorian London where Emma Lindsay continues to wade through blurred realities now that she has lost everything: her way, her reality, her friends. In this London, Emma will find alternative versions of her friends from the White Space and even Arthur Conan Doyle. Emma Lindsay has nowhere to go. Her friends are dead. Eric and Casey are lost to the Dark Passages. Emma commands the cynosure, a device that allows for safe passage between the Many Worlds, to put her where she might find her friends again. But Emma wakes up in the body of Little Lizzie, all grown up. And in this alternative Victorian London, Elizabeth McDermott is mad. Elizabeth's physician, Dr. Kramer, has drugged her to allow Emma—who's blinked to this London before—to emerge as the dominant personality. Elizabeth is dying, and if Emma can't find a way out, everyone as they exist in this London will die with her.
| Author | : Lloyd Jones |
| Publisher | : ReadHowYouWant.com |
| Total Pages | : 278 |
| Release | : 2011-04-04 |
| Genre | : Fiction |
| ISBN | : 1459616359 |
Lloyd Jones' new novel is set mainly in a small village on Bougainville, a country torn apart by civil war. Matilda attends the school set up by Mr Watts, the only white man on the island. By his own admission he's not much of a teacher and proceeds to educate the children by reading them Great Expectations. Matilda falls in love with the novel, strongly identifying with Pip. The promise of the next chapter is what keeps her going; Pip's story protects her from the horror of what is happening around her - helicopters menacing the skies above the village and rebel raids on the ground. When the rebels visit the village searching for any remaining men to join their cause, they discover the name Pip written in the sand and instigate a search for him. When Pip can't be found the soldiers destroy the book. Mr Watts then encourages the children to retell the story from their memories. Then when the rebels invade the village, the teacher tells them a story which lasts seven nights, about a boy named Pip, and a convict . . .
| Author | : Daniel Tyler |
| Publisher | : Cambridge University Press |
| Total Pages | : 305 |
| Release | : 2013-07-04 |
| Genre | : Literary Criticism |
| ISBN | : 1107244935 |
Charles Dickens, generally regarded as the greatest novelist of the Victorian age, was known as 'The Inimitable', not least for his distinctive style of writing. This collection of twelve essays addresses the essential but often overlooked subject of Dickens's style, with each essay discussing a particular feature of his writing. All the essays consider Dickens's style conceptually, and they read it closely, demonstrating the ways it works on particular occasions. They show that style is not simply an aesthetic quality isolated from the deepest meanings of Dickens's fiction, but that it is inextricably involved with all kinds of historical, political and ideological concerns. Written in a lively and accessible manner by leading Dickens scholars, the collection ranges across all Dickens's writing, including the novels, journalism and letters.
| Author | : Garrett Stewart |
| Publisher | : University of Chicago Press |
| Total Pages | : 278 |
| Release | : 2009-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 0226774600 |
Victorian novels, Garrett Stewart argues, hurtle forward in prose as violent as the brutal human existence they chronicle. In Novel Violence, he explains how such language assaults the norms of written expression and how, in doing so, it counteracts the narratives it simultaneously propels. Immersing himself in the troubling plots of Charles Dickens, Anne Brontë, George Eliot, and Thomas Hardy, Stewart uses his brilliant new method of narratography to trace the microplots of language as they unfold syllable by syllable. By pinpointing where these linguistic narratives collide with the stories that give them context, he makes a powerful case for the centrality of verbal conflict to the experience of reading Victorian novels. He also maps his finely wrought argument on the spectrum of influential theories of the novel—including those of Georg Lukács and Ian Watt—and tests it against Edgar Allan Poe’s antinovelistic techniques. In the process, Stewart shifts critical focus toward the grain of narrative and away from more abstract analyses of structure or cultural context, revealing how novels achieve their semantic and psychic effects and unearthing, in prose, something akin to poetry.
