The Novel Of The Tupinamba Indian
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Author | : E.F. Granell |
Publisher | : City Lights Books |
Total Pages | : 290 |
Release | : 2018-01-02 |
Genre | : Fiction |
ISBN | : 0872867757 |
Written by Galician surrealist artist and revolutionary E.F. Granell, The Novel of the Tupinamba Indian is a picaresque, Cervantes-influenced allegory of the Spanish Civil War. Set against a cruel landscape peopled by generals, priests, conquistadors, poets, witches, and nuns, Tupinamba Indian embodies Granell's wartime experiences while transforming them through his lush and incendiary surrealist imagination. Praise for The Novel of the Tupinamba Indian: "In an ever-shifting world populated by nameless, iconic stock figures, the Tupinamba Indian (whose head, slashed off by a conquistador, remains detachable/attachable in a brilliant metaphor for colonialism) wanders, stumbles, and thrives in a war landscape where time and space morph. … A war novel, a political allegory not only of the late '30s but also our current political moment …"—Gillian Conoley "Granell's Tupinamba Indian magnificently registers the author's experience with the didactic inferno of war and his ability to imaginatively ascend above it."—Will Alexander "An exceptional sense of humor filters through [Granell's] war experience, fleecing expectations and convictions, and freeing him to levitate this personal and collective history into a madcap romp through a violated landscape. Where tragedy emerges with the Fascist victory, prologue to World War Two, laughter curdles its edges then burns it up. … No group is sacrosanct, no one beyond reproach, priests, intellectuals, and leader (aka Franco, our 'tiny Grand Turk'), included."—Allan Graubard, co-editor of Invisible Heads: Surrealists in North America - An Untold Story Artist, writer, musician, socialist, professor, and veteran of the Spanish Civil War, Eugenio F. Granell (1912-2001) was one of the leading figures of the post-World War II international surrealist movement. Translator David Coulter is an artist who currently divides his time between Berkeley, CA and Coimbra, Portugal, where he particpates with the Cabo Mondego Section of Portuguese Surrealism.
Author | : Mark Whalan |
Publisher | : Cambridge University Press |
Total Pages | : 948 |
Release | : 2023-06-30 |
Genre | : Literary Criticism |
ISBN | : 1108808026 |
The Cambridge History of American Modernism examines one of the most innovative periods of American literary history. It offers a comprehensive account of the forms, genres, and media that characterized US modernism: coverage ranges from the traditional, such as short stories, novels, and poetry, to the new media that shaped the period's literary culture, such as jazz, cinema, the skyscraper, and radio. This volume charts how recent methodologies such as ecocriticism, geomodernism, and print culture studies have refashioned understandings of the field, and attends to the contestations and inequities of race, sovereignty, gender, sexuality, and ethnicity that shaped the period and its cultural production. It also explores the geographies and communities wherein US modernism flourished-from its distinctive regions to its metropolitan cities, from its hemispheric connections to the salons and political groupings that hosted new cultural collaborations.
Author | : Will Atkin |
Publisher | : Rowman & Littlefield |
Total Pages | : 447 |
Release | : 2021-12-10 |
Genre | : Art |
ISBN | : 1538133431 |
The Surrealist Movement is an international intellectual movement that has led a sustained questioning of the basis of human experience under twentieth- and twenty-first century modernity since its founding in the early 1920s. Influenced by the psychoanalytical teachings of Sigmund Freud, Surrealism emerged among the generation that had witnessed the insanity and horror of the First World War, and was conceived of as a framework for investigating the little-understood phenomena of dreams and the unconscious. In these territories the surrealists recognized an alternative axis of human experience that did not align with the rational, workaday rhythms of modern life, and which instead revealed the extent to which individual subjectivity had been constrained by post-Enlightenment rationalism and by the economic forces governing the post-industrial world. Against these trends, the Surrealist Movement has sought to re-evaluate the foundations of modern society and reassert the primacy of the imagination for almost a century to-date. This book offers focused introductions to numerous writers, poets, artists, filmmakers, precursors, groups, movements, events, concepts, cultures, nations and publications connected to Surrealism, providing orientation for students and casual readers alike. Historical Dictionary of Surrealism, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the Surrealist Movement’s engagement with the realms of politics, philosophy, science, poetry, art and cinema, and charts the international surrealist community’s diverse explorations of specific thematic territories such as magic, occultism, mythology, eroticism and gothicism. This book is an excellent resource for students, researchers, and anyone wanting to know more about surrealism.
Author | : Estelle Irizarry |
Publisher | : Macmillan Reference USA |
Total Pages | : 216 |
Release | : 1984 |
Genre | : Art |
ISBN | : |
Author | : R. Hernandez-Rodriguez |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 233 |
Release | : 2009-11-19 |
Genre | : Social Science |
ISBN | : 0313349789 |
This insightful account analyzes and provides context for the films and careers of directors who have made Latin American film an important force in Hollywood and in world cinema. In this insightful account, R. Hernandez-Rodriguez analyzes some of the most important, fascinating, and popular films to come out of Latin America in the last three decades, connecting them to a long tradition of filmmaking that goes back to the beginning of the 20th century. Directors Alejandro Inarritu, Guillermo del Toro, Alfonso Cuaron, and Lucretia Martel and director/screenwriter Guillermo Arriaga have given cause for critics and public alike to praise a new golden age of Latin American cinema. Splendors of Latin Cinema probes deeply into their films, but also looks back at the two most important previous moments of this cinema: the experimental films of the 1960s and 1970s, as well as the stage-setting movies from the 1940s and 1950s. It discusses films, directors, and stars from Spain (as a continuing influence), Mexico, Cuba, Brazil, Argentina, Peru, and Chile that have contributed to one of the most interesting aspects of world cinema.
Author | : David T. Gies |
Publisher | : Cambridge University Press |
Total Pages | : 906 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780521806183 |
Author | : Lúcia Nagib |
Publisher | : Bloomsbury Publishing |
Total Pages | : 325 |
Release | : 2006-11-22 |
Genre | : Performing Arts |
ISBN | : 0857715070 |
Lucia Nagib presents a comprehensive critical survey of Brazilian film production since the mid 1990s, which has become known as the "renaissance of Brazilian cinema". Besides explaining the recent boom, this book elaborates on the new aesthetic tendencies of recent productions, as well as their relationships to earlier traditions of Brazilian cinema. Internationally acclaimed films, such as "Central Station", "Seven Days in September" and "Orpheus", are analysed alongside daringly experimental works, such as "Chronically Unfeasible", "Starry Sky" and "Perfumed Ball". Contributors include Carlos Diegues, Robert Stam, Laura Mulvey and Jose Carlos Avellar.
Author | : Carmen Nava |
Publisher | : Rowman & Littlefield Publishers |
Total Pages | : 249 |
Release | : 2006-03-09 |
Genre | : History |
ISBN | : 0742572013 |
This innovative volume traces Brazil's singular character, exploring both the remarkable richness and cohesion of the national culture and the contradictions and tensions that have developed over time. What shared experiences give its citizens their sense of being Brazilian? What memories bind them together? What metaphors and stereotypes of identity have emerged? Which groups are privileged over others in idealized representations of the nation? The contributors—a multidisciplinary group of U.S. and Brazilian scholars—offer a fresh look at questions that have been asked since the early nineteenth century and that continue to drive nationalist discourse today. Their chapters explore Brazilian identity through an innovative framework that brings in seldom-considered aspects of art, music, and visual images, offering a compelling analysis of how nationalism functions as a social, political, and cultural construction in Latin America. Contributions by: Cristina Antunes, Dain Borges, Valéria Costa e Silva, James Green, Efrain Kristal, Ludwig Lauerhass Jr., Cristina Magaldi, Elizabeth A. Marchant, José Mindlin, Carmen Nava, José Luis Passos, Robert Stam, and Valéria Torres
Author | : Christian F. Feest |
Publisher | : U of Nebraska Press |
Total Pages | : 658 |
Release | : 1999-01-01 |
Genre | : History |
ISBN | : 9780803268975 |
North American Indians have fired the imaginations of Europeans for the past five hundred years. The Native populations of North America have served a variety of European cultural and emotional needs, ranging from noble savage role models for Old World civilization to a more sympathetic portrayal as subjugated victims of American imperialism. ø This comprehensive, interdisciplinary collection of essays offers the first in-depth, extended look at the complicated, changing relationship between European and Native peoples. The contributors explore three aspects of this relationship: Why and how did the cultures and histories of Europeans enable Native peoples to become absorbed into the reality of the Old World? What happened in actual encounters between American Indian visitors and their European hosts? How did continued and increased interaction between Indians and Europeans affect established imagery and preconceptions on both sides?
Author | : G. C. St. Anne de Figaniere (Viscount.) |
Publisher | : |
Total Pages | : 374 |
Release | : 1873 |
Genre | : |
ISBN | : |