The Nigger Of The Narcissus Typhoon Amy Foster Falk To Morrow
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The Nigger of the "Narcissus"
Author | : Joseph Conrad (Schriftsteller) |
Publisher | : |
Total Pages | : 296 |
Release | : 1974 |
Genre | : |
ISBN | : |
Genre and Extravagance in the Novel
Author | : Jed Rasula |
Publisher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2021 |
Genre | : Literary Criticism |
ISBN | : 0192897764 |
This book addresses an anomaly in the novel as genre: the generic promise to readers--that "reading a novel" is a familiar and repeatable experience--is challenged by the extravagant exceptions to this rule. Furthermore, these exceptions (such as Moby-Dick, Ulysses, or To the Lighthouse) are sui generis, hybrid concoctions that cannot be said to be typical novels. The novel, then, as literary form, succeeds by extravagantly disregarding or even disavowing the protocols of its own genre. Examining a number of famous examples from Don Quixote to Nostromo, this book offers an anatomy of exceptions that illustrate the structural role of their exceptionality for the prestige of the novel as literary form.
Conrad's Eastern Vision
Author | : A. Yeow |
Publisher | : Springer |
Total Pages | : 246 |
Release | : 2008-11-20 |
Genre | : Language Arts & Disciplines |
ISBN | : 0230583288 |
This book traces the dialogic relation between Conrad's Eastern fiction and other histories, arguing that it is in the intersections of art and history that we locate Conrad's irony. In a direct response to the visual culture of his times, Conrad sets up his fictional world as a hallucinated mirage stressing the veracity of his own Eastern vision.
Literature as Dialogue
Author | : Roger D. Sell |
Publisher | : John Benjamins Publishing Company |
Total Pages | : 291 |
Release | : 2014-08-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027269890 |
How is it that some texts achieve the status of literature? Partly, at least, because the relationship they allow between their writers and the people who respond to them is fundamentally egalitarian. This is the insight explored by members of the Åbo literary communication network, who in this new book develop fresh approaches to literary works of widely varied provenance. The authors examined have written in Ancient Greek, Táng Dynasty Chinese, Middle, Modern and Contemporary English, German, Romanian, Polish, Russian and Hebrew. But each and every one of them is shown as having offered their human fellows something which, despite some striking appearances to the contrary, amounts to a welcoming invitation. This their audiences have then been able to negotiate in a spirit of dialogical interchange. Part I of the book poses the question: How, in offering their invitation, have writers respected their audiences’ human autonomy? This is the province of what Åbo scholars call "communicational criticism". Part II asks how an audience negotiating a literary invitation can be encouraged to respect the human autonomy of the writer who has offered it. In Åbo parlance, such encouragement is the task of "mediating criticism". These two modes of criticism naturally complement each other, and in their shared concern for communicational ethics ultimately seek to further a post-postmodern world that would be global without being hegemonic.