New Screen Media
Author | : Martin Rieser |
Publisher | : British Film Institute |
Total Pages | : 376 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Martin Rieser |
Publisher | : British Film Institute |
Total Pages | : 376 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : |
No Marketing Blurb
Author | : Martin Rieser |
Publisher | : Bloomsbury Publishing |
Total Pages | : 728 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838717277 |
This text presents the work of cultural theorists and philosophers of new media, together with the perspectives of artists experimenting with different interactive models critically examining their own practice. The book proposes the use of new critical tools for discussing new media forms.
Author | : Martin Rieser |
Publisher | : Bloomsbury Publishing |
Total Pages | : 370 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838717285 |
This text presents the work of cultural theorists and philosophers of new media, together with the perspectives of artists experimenting with different interactive models critically examining their own practice. The book proposes the use of new critical tools for discussing new media forms.
Author | : A. Cameron |
Publisher | : Springer |
Total Pages | : 221 |
Release | : 2008-07-11 |
Genre | : Performing Arts |
ISBN | : 0230594190 |
Since the early 1990s there has been a trend towards narrative complexity within popular cinema. This book examines a number of contemporary films that play overtly with narrative structure, raising questions of chance and destiny, memory and history, simultaneity and the representation of time.
Author | : Neil C. M. Brown |
Publisher | : Springer |
Total Pages | : 303 |
Release | : 2016-09-13 |
Genre | : Education |
ISBN | : 331942906X |
This book fills a gap in the literature of 21st century international visual arts education by providing a structured approach to understanding the benefits of Philosophical Realism in art education, an approach that has received little international attention until now. The framework as presented provides a powerful interface between research and practical reconceptualisations of critical issues and practice in the domains of art, design, and education that involve implications for curriculum in visual arts, teaching and learning, cognitive development, and creativity. The book extends understanding of Philosophical Realism in its practical application to teaching practice in visual arts in the way it relates to the fields of art, design, and education. Researchers, teacher educators and specialist art teachers are informed about how Philosophical Realism provides insights into art, design, and education. These insights vary from clearer knowledge about art to the examination of beliefs and assumptions about the art object. Readers learn how cognitive reflection, and social and practical reasoning in the classroom help cultivate students’ artistic performances, and understand how constraints function in students’ reasoning at different ages/stages of education.
Author | : Linda Hutcheon |
Publisher | : Routledge |
Total Pages | : 297 |
Release | : 2012-08-21 |
Genre | : Literary Criticism |
ISBN | : 1136210911 |
A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent critical developments in the study of adaptation. It also features an illuminating new epilogue from Siobhan O’Flynn, focusing on adaptation in the context of digital media. She considers the impact of transmedia practices and properties on the form and practice of adaptation, as well as studying the extension of game narrative across media platforms, fan-based adaptation (from Twitter and Facebook to home movies), and the adaptation of books to digital formats. A Theory of Adaptation is the ideal guide to this ever evolving field of study and is essential reading for anyone interested in adaptation in the context of literary and media studies.
Author | : Francisco J. Ricardo |
Publisher | : Rodopi |
Total Pages | : 312 |
Release | : 2009 |
Genre | : Computers |
ISBN | : 9042025182 |
Formalisms of digital text / Francisco J. Ricardo -- Knowledge building and motivations in Wikipedia: participation as "Ba" / Sheizaf Rafaeli, Tsahi Hayat, Yaron Ariel -- On the way to the cyber-Arab-culture: international communication, telecommunications policies, and democracy / Mahmoud Eid -- The challenge of intercultural electronic learning: English as lingua franca / Rita Zaltsman -- The implicit body / Nicole Ridgway and Nathaniel Stern -- Cyborg goddesses: the mainframe revisited / Leman Giresunlu -- De-colonizing cyberspace: post-colonial strategies in cyberfiction / Maria Bäcke -- The différance engine: videogames as deconstructive spacetime / Tony Richards -- Technology on screen: projections, paranoia and discursive practice / Alev Adil and Steve Kennedy -- Desistant media / Seppo Kuivakari.
Author | : Holly Willis |
Publisher | : Columbia University Press |
Total Pages | : 201 |
Release | : 2016-08-16 |
Genre | : Performing Arts |
ISBN | : 0231850972 |
Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts.
Author | : Margot Lovejoy |
Publisher | : Routledge |
Total Pages | : 365 |
Release | : 2004-08-02 |
Genre | : Art |
ISBN | : 1134397291 |
Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Margot Lovejoy recounts the early histories of electronic media for art making - video, computer, the internet - in this richly illustrated book. She provides a context for the works of major artists in each media, describes their projects, and discusses the issues and theoretical implications of each to create a foundation for understanding this developing field. Digital Currents fills a major gap in our understanding of the relationship between art and technology, and the exciting new cultural conditions we are experiencing. It will be ideal reading for students taking courses in digital art, and also for anyone seeking to understand these new creative forms.
Author | : Lutz Peter Koepnick |
Publisher | : Camden House |
Total Pages | : 230 |
Release | : 2009 |
Genre | : Performing Arts |
ISBN | : 1571133992 |
New essays providing innovative ways of understanding the altered position of media in Germany and beyond.