The New Schools of Spanish American Poetry
Author | : Frederick Sparks Stimson |
Publisher | : |
Total Pages | : 236 |
Release | : 1970 |
Genre | : Spanish American poetry |
ISBN | : |
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Author | : Frederick Sparks Stimson |
Publisher | : |
Total Pages | : 236 |
Release | : 1970 |
Genre | : Spanish American poetry |
ISBN | : |
Author | : Ilan Stavans |
Publisher | : Macmillan |
Total Pages | : 769 |
Release | : 2012-03-27 |
Genre | : Poetry |
ISBN | : 0374533180 |
Presents a diverse sample of twentieth century Latin American poems from eighty-four authors in Spanish, Portuguese, Ladino, Spanglish, and several indigenous languages with English translations on facing pages.
Author | : Cecilia Vicuña |
Publisher | : |
Total Pages | : 603 |
Release | : 2009 |
Genre | : Literary Collections |
ISBN | : 0195124545 |
The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.
Author | : Jorge Carrera Andrade |
Publisher | : SUNY Press |
Total Pages | : 112 |
Release | : 1973-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780873952170 |
In these five essays the Ecuadorian poet Jorge Carrera Andrade traces the evolution of Spanish-American poetry from the sixteenth century to the present. The author shows how Spanish-American literature grew out of the special conditions produced when the New World environment totally transformed Old World culture and society. Initially, the brilliance of the land and its extraordinary peoples inspired European interest in exotic travel and utopianism; later, Old World literary currents came to have distinctive expression in Spanish-American writing. "Poetry and Society in Spanish-America" follows the historic commitment of the New World poets to social issues, particularly such unique ones as the endeavor to bring the Indians into national life, while "Trends in Spanish-American Poetry" dwells on the more purely aesthetic concerns that have stimulated the poets of the twentieth century. Throughout, Carrera Andrade ties his analysis to specific poems and poets. In the last two essays the author presents a clear perspective of his poetic development from 1930 to 1960. "A Decade of My Poetry" and "Poetry of Reality and Utopia" will especially interest readers of Carrera Andrade's poetry, for not only do they elucidate the personal history and philosophy informing his poems, they also reveal how truly his inspiration springs from that unique Spanish-American world he has so clearly delineated.
Author | : David William Foster |
Publisher | : Routledge |
Total Pages | : 821 |
Release | : 2015-06-11 |
Genre | : Literary Criticism |
ISBN | : 131751825X |
First published in 1987 (this second edition in 1992), the Handbook of Latin American Literature offers readers the opportunity to explore this literary history in the English Language and constitutes an ideological approach to Latin American Literature. It provides both concise information concerning particular authors, works, and literary traditions of Latin America as well as comprehensive material about the various national literatures of the area. This book will therefore be of interest to Hispanic scholars, as well as more general readers and non-Hispanists.
Author | : Gordon Brotherston |
Publisher | : Cambridge University Press |
Total Pages | : 244 |
Release | : 1975-11-13 |
Genre | : Literary Criticism |
ISBN | : 9780521207638 |
This study considers the ways Spanish American and Brazilian poets differ from their European counterparts by considering 'Latin American' as more than a perfunctory epithet. It sets the orthodox Latin tradition of the subcontinent against others that have survived or grown up after the conquest then pays attention to those poets who, from Independence, have striven to express a specifically American moral and geographical identity. Dr Brotherson focuses on Modernismo, or the 'coming of age' of poetry in Spanish America and Brazil, and the importance of the movements associated with it. He considers César Vallejo and Pablo Neruda, probably the greatest of the selection, Octavio Paz, and modern poets who have reacted differently to the idea that Latin America might now be thought to have not just a geographical but a nascent political identity of its own. Poems are liberally quoted, and treated as entities in their own right.
Author | : María Antonia Salgado |
Publisher | : Dictionary of Literary Biograp |
Total Pages | : 488 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : |
Contains alphabetically arranged entries that provide career biographies of nearly fifty modern Spanish American poets, each tracing the development of the author's canon and the evolution of his or her reputation, and including a bibliography of works.
Author | : Herbert David Croly |
Publisher | : |
Total Pages | : 428 |
Release | : 1920 |
Genre | : Periodicals |
ISBN | : |
Author | : Eduardo Ledesma |
Publisher | : State University of New York Press |
Total Pages | : 360 |
Release | : 2016-11-01 |
Genre | : Literary Criticism |
ISBN | : 1438462026 |
With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the "literary" means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects "come alive" by assembling text to act and seem human, whether on the page, on walls, or on screens.