The New Oxford History Of Music 2 Early Medieval Music Up To 1300
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Music as Concept and Practice in the Late Middle Ages
| Author | : Reinhard Strohm |
| Publisher | : |
| Total Pages | : 522 |
| Release | : 2001 |
| Genre | : Music |
| ISBN | : 9780198162056 |
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Representing History, 900-1300
| Author | : Robert Allan Maxwell |
| Publisher | : Penn State Press |
| Total Pages | : 290 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 0271036362 |
"Brings together the disciplines of art, music, and history to explore the importance of the past to conceptions of the present in the central Middle Ages"--Provided by publisher.
The Cambridge History of the Bible: Volume 2, The West from the Fathers to the Reformation
| Author | : G. W. H. Lampe |
| Publisher | : Cambridge University Press |
| Total Pages | : 632 |
| Release | : 1975-10-31 |
| Genre | : History |
| ISBN | : 9780521290173 |
The study of the Bible in the West, from Jerome and the Fathers to the time of Erasmus.
The Cambridge History of Medieval Music
| Author | : Mark Everist |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2018-08-09 |
| Genre | : Music |
| ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Music in the Middle Ages and the Renaissance
| Author | : Harold Gleason |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 226 |
| Release | : 1981 |
| Genre | : Music |
| ISBN | : 9780882843797 |
This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
Reader's Guide to Music
| Author | : Murray Steib |
| Publisher | : Routledge |
| Total Pages | : 2624 |
| Release | : 2013-12-02 |
| Genre | : Music |
| ISBN | : 1135942692 |
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Words and Music in the Middle Ages
| Author | : John Stevens |
| Publisher | : Cambridge University Press |
| Total Pages | : 582 |
| Release | : 1986-10-16 |
| Genre | : Music |
| ISBN | : 9780521245074 |
This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.
