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| Author | : Dick Price |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
This book contains works by over 30 British artists who have not exhibited widely except in alternative artist run warehouse shows or student degree shows. Artists include Ron Mueck, Andreas Schlaegel, Paul Smith and Victoria Chalmers.
| Author | : Julian Stallabrass |
| Publisher | : Verso |
| Total Pages | : 364 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9781859847213 |
High Art Lite takes a critical look at British art of the 1990s. It provides an analysis of the British art scene, exploring the reasons for its popularity and examines in detail the work of the leading figures.
| Author | : Charles Saatchi |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2012-04-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1861543492 |
One of the most influential art collectors of our time and founder of the global advertising agency, Charles Saatchi reveals his opinions on collecting, artists, dealers, advertising and investing in art with unflinching honesty. Famously reclusive, he has answered questions asked to him by journalists, critics and the general public about the art world and his personal life.
| Author | : Duane Rousselle |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 219 |
| Release | : 2018-01-25 |
| Genre | : Philosophy |
| ISBN | : 1350003573 |
Alain Badiou has claimed that Quentin Meillassoux's book After Finitude (Bloomsbury, 2008) “opened up a new path in the history of philosophy.” And so, whether you agree or disagree with the speculative realism movement, it has to be addressed. Lacanian Realism does just that. This book reconstructs Lacanian dogma from the ground up: first, by unearthing a new reading of the Lacanian category of the real; second, by demonstrating the political and cultural ingenuity of Lacan's concept of the real, and by positioning this against the more reductive analyses of the concept by Slavoj Žižek, Alain Badiou, Saul Newman, Todd May, Joan Copjec, Jacques Rancière, and others, and; third, by arguing that the subject exists intimately within the real. Lacanian Realism is an imaginative and timely exploration of the relationship between Lacanian psychoanalysis and contemporary continental philosophy.
| Author | : Scott Lash |
| Publisher | : SAGE |
| Total Pages | : 247 |
| Release | : 2002-01-21 |
| Genre | : Social Science |
| ISBN | : 1847876528 |
This penetrating book raises questions about how power operates in contemporary society. It explains how the speed of information flows has eroded the separate space needed for critical reflection. It argues that there is no longer an ′outside′ to the global flows of communication and that the critique of information must take place within the information itself. The operative unit of the information society is the idea. With the demise of depth reflection, reflexivity through the idea now operates external to the subject in its circulation through networks of humans and intelligent machines. It is these ideas that make the critique of information possible. This book is a major testament to the prospects of culture, politics and theory in the global information society.
| Author | : Grant Pooke |
| Publisher | : Routledge |
| Total Pages | : 299 |
| Release | : 2012-11-12 |
| Genre | : Art |
| ISBN | : 1135654832 |
The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape – both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ‘post-conceptual’ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of their professional practice. Contemporary British Art is an ideal introduction to the field. To guide the reader, the book is organised around genres or related practices – painting; sculpture and installation; and film, video and performance. The first chapter explores aspects of the contemporary art market and some of the contexts within which art is made, supported and exhibited. The chapters that discuss various genres of art practice also mention books that may be useful to support further reading. Extensively illustrated with a wide range of work (both known, and less well-known) from artists such as Chris Ofili, Rachel Whiteread, Damien Hirst, Banksy, Anthony Gormley, Jack Vettriano, Sam Taylor-Wood, Steve McQueen and Tracey Emin, and many more.
| Author | : Jerry Saltz |
| Publisher | : Geoffrey Young |
| Total Pages | : 420 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9781930589179 |
Literary Nonfiction. Art. In SEEING OUT LOUD, Saltz critically engages with notable works of art by over 100 notable artists ranging from Picasso, Matisse, and Warhol to Matthew Barney, Gerhard Richter, and Chris Ofili. These reviews appeared in the Village Voice between November 1998 and winter 2003. "Jerry Saltz is the best informed and hair-trigger liveliest of contemporary art critics, tracking pleasure and jump-starting intelligence on the fly. Jerry's fast takes usually stand up better in retrospect than other people's long views"---Peter Schjedahl. "Jerry Saltz looks at art from the perspective of the viewer, the ignorant, the lover, and the enemy. His writing is overwhelmingly passionate, yet without sentimentality. His words pierce the content and beauty of each work of art to test its endurance in time and memory"---Francesco Bonami, Curator, 2003 Venice Biennale.
| Author | : Paul Virilio |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 70 |
| Release | : 2010-07-15 |
| Genre | : Philosophy |
| ISBN | : 1441180192 |
Paul Virilio is one of contemporary Continental thought's most original and provocative critical voices. His vision of the impact of modern technology on the contemporary global condition is powerful and disturbing, ranging over art, science, politics and warfare. In Art and Fear, Paul Virilio traces the twin development of art and science over the twentieth century. In his provocative and challenging vision, art and science vie with each other for the destruction of the human form as we know it. He traces the connections between the way early twentieth century avant-garde artists twisted and tortured the human form before making it vanish in abstraction, and the blasting to bits of men who were no more than cannon fodder i nthe trenches of the Great War; and between the German Expressionists' hate-filled portraits of the damned, and the 'medical' experiments of the Nazi eugenicists; and between the mangled messages of global advertising, and the organisation of global terrorism. Now, at the start of the twenty-first century, science has finally left art behind, as genetic engineers prepare to turn themselves into the worst of expressionists, with the human being the raw material for new and monstrous forms of life. Art and Fear is essential reading for anyone wondering where art has gone and where science is taking us.
| Author | : Christopher Whitehead |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2011-12-02 |
| Genre | : Art |
| ISBN | : 1136506136 |
In this pioneering book, Christopher Whitehead provides an overview and critique of art interpretation practices in museums and galleries. Covering the philosophy and sociology of art, traditions in art history and art display, the psychology of the aesthetic experience and ideas about learning and communication, Whitehead advances major theoretical frameworks for understanding interpretation from curators’ and visitors’ perspectives. Although not a manual, the book is deeply practical. It presents extensively researched European and North American case studies involving interviews with professionals engaged in significant cutting-edge interpretation projects. Finally, it sets out the ethical and political responsibilities of institutions and professionals engaged in art interpretation. Exploring the theoretical and practical dimensions of art interpretation in accessible language, this book covers: The construction of art by museums and galleries, in the form of collections, displays, exhibition and discourse; The historical and political dimensions of art interpretation; The functioning of narrative, categories and chronologies in art displays; Practices, discourses and problems surrounding the interpretation of historical and contemporary art; Visitor experiences and questions of authorship and accessibility; The role of exhibition texts, new interpretive technologies and live interpretation in art museum and gallery contexts. Thoroughly researched with immediately practical applications, Interpreting Art in Museums and Galleries will inform the practices of art curators and those studying the subject.
