The Natural World In Latin American Literatures
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Author | : Adrian Taylor Kane |
Publisher | : McFarland |
Total Pages | : 253 |
Release | : 2014-01-10 |
Genre | : Literary Criticism |
ISBN | : 0786457600 |
From the Popol Vuh to postmodernism, imagery of the natural world has played an important role in Latin American literature. In contrast to the rise of ecocritical scholarship in Anglophone literary studies, Latin American literary ecocriticism has been slower to take root. This volume of eleven essays seeks to advance the ecocritical conversation among Latin Americanists, furthering insight into the relationship between humans and their environments. The essays address regions as diverse as Patagonia and the Chihuahua Desert.
Author | : Jennifer French |
Publisher | : Northwestern University Press |
Total Pages | : 602 |
Release | : 2020-11-15 |
Genre | : Literary Collections |
ISBN | : 0810142651 |
The Latin American Ecocultural Reader is a comprehensive anthology of literary and cultural texts about the natural world. The selections, drawn from throughout the Spanish-speaking countries and Brazil, span from the early colonial period to the present. Editors Jennifer French and Gisela Heffes present work by canonical figures, including José Martí, Bartolomé de las Casas, Rubén Darío, and Alfonsina Storni, in the context of our current state of environmental crisis, prompting new interpretations of their celebrated writings. They also present contemporary work that illuminates the marginalized environmental cultures of women, indigenous, and Afro-Latin American populations. Each selection is introduced with a short essay on the author and the salience of their work; the selections are arranged into eight parts, each of which begins with an introductory essay that speaks to the political, economic, and environmental history of the time and provides interpretative cues for the selections that follow. The editors also include a general introduction with a concise overview of the field of ecocriticism as it has developed since the 1990s. They argue that various strands of environmental thought—recognizable today as extractivism, eco-feminism, Amerindian ontologies, and so forth—can be traced back through the centuries to the earliest colonial period, when Europeans first described the Americas as an edenic “New World” and appropriated the bodies of enslaved Indians and Africans to exploit its natural bounty.
Author | : Laura Barbas-Rhoden |
Publisher | : |
Total Pages | : 195 |
Release | : 2011 |
Genre | : Ecology in literature |
ISBN | : 9780813045481 |
Author | : Joanna Page |
Publisher | : UCL Press |
Total Pages | : 286 |
Release | : 2021-04-15 |
Genre | : Art |
ISBN | : 178735976X |
Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.
Author | : Daniela Bleichmar |
Publisher | : Yale University Press |
Total Pages | : 241 |
Release | : 2017-01-01 |
Genre | : Art |
ISBN | : 0300224028 |
An unprecedented visual exploration of the intertwined histories of art and science, of the old world and the new From the voyages of Christopher Columbus to those of Alexander von Humboldt and Charles Darwin, the depiction of the natural world played a central role in shaping how people on both sides of the Atlantic understood and imaged the region we now know as Latin America. Nature provided incentives for exploration, commodities for trade, specimens for scientific investigation, and manifestations of divine forces. It also yielded a rich trove of representations, created both by natives to the region and visitors, which are the subject of this lushly illustrated book. Author Daniela Bleichmar shows that these images were not only works of art but also instruments for the production of knowledge, with scientific, social, and political repercussions. Early depictions of Latin American nature introduced European audiences to native medicines and religious practices. By the 17th century, revelatory accounts of tobacco, chocolate, and cochineal reshaped science, trade, and empire around the globe. In the 18th and 19th centuries, collections and scientific expeditions produced both patriotic and imperial visions of Latin America. Through an interdisciplinary examination of more than 150 maps, illustrated manuscripts, still lifes, and landscape paintings spanning four hundred years, Visual Voyages establishes Latin America as a critical site for scientific and artistic exploration, affirming that region's transformation and the transformation of Europe as vitally connected histories.
Author | : Lesley Wylie |
Publisher | : University of Pittsburgh Press |
Total Pages | : 266 |
Release | : 2020-12-08 |
Genre | : Literary Criticism |
ISBN | : 082298766X |
The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda’s Canto general, Lesley Wylie’s close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as “nacido de árboles.” The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how environmental thinking by way of plants has a long history in Latin American literature.
Author | : Mauricio Tenorio-Trillo |
Publisher | : University of Chicago Press |
Total Pages | : 250 |
Release | : 2017-04-13 |
Genre | : History |
ISBN | : 022644306X |
“Latin America” is a concept firmly entrenched in its philosophical, moral, and historical meanings. And yet, Mauricio Tenorio-Trillo argues in this landmark book, it is an obsolescent racial-cultural idea that ought to have vanished long ago with the banishment of racial theory. Latin America: The Allure and Power of an Idea makes this case persuasively. Tenorio-Trillo builds the book on three interlocking steps: first, an intellectual history of the concept of Latin America in its natural historical habitat—mid-nineteenth-century redefinitions of empire and the cultural, political, and economic intellectualism; second, a serious and uncompromising critique of the current “Latin Americanism”—which circulates in United States–based humanities and social sciences; and, third, accepting that we might actually be stuck with “Latin America,” Tenorio-Trillo charts a path forward for the writing and teaching of Latin American history. Accessible and forceful, rich in historical research and specificity, the book offers a distinctive, conceptual history of Latin America and its many connections and intersections of political and intellectual significance. Tenorio-Trillo’s book is a masterpiece of interdisciplinary scholarship.
Author | : Shawn William Miller |
Publisher | : Cambridge University Press |
Total Pages | : 385 |
Release | : 2007-08-27 |
Genre | : History |
ISBN | : 1316224325 |
A narration of the mutually mortal historical contest between humans and nature in Latin America. Covering a period that begins with Amerindian civilizations and concludes in the region's present urban agglomerations, the work offers an original synthesis of the current scholarship on Latin America's environmental history and argues that tropical nature played a central role in shaping the region's historical development. Human attitudes, populations, and appetites, from Aztec cannibalism to more contemporary forms of conspicuous consumption, figure prominently in the story. However, characters such as hookworms, whales, hurricanes, bananas, dirt, butterflies, guano, and fungi make more than cameo appearances. Recent scholarship has overturned many of our egocentric assumptions about humanity's role in history. Seeing Latin America's environmental past from the perspective of many centuries illustrates that human civilizations, ancient and modern, have been simultaneously more powerful and more vulnerable than previously thought.
Author | : Mayra Montero |
Publisher | : |
Total Pages | : 200 |
Release | : 1997 |
Genre | : Fiction |
ISBN | : |
"In the Palm of Darkness" tells the story of American herpetologist Victor Griggs and Haitian guide Thierry Adrien, who are searching for an amphibian known as the blood frog in the mountains of violence-torn Haiti. The rich and tragic tale of Thierry's family, his life and loves, and his curious destiny, forms a backdrop for the obsessive search of the two men from different cultures and opens a window onto another way of understanding the world.
Author | : Luz Elena Ramirez |
Publisher | : |
Total Pages | : 212 |
Release | : 2007 |
Genre | : History |
ISBN | : 9780813030814 |
"Clear and well documented, this is a very important contribution to the rich, varied work on British imperial activities and to postcolonial studies."--Helen M. Cooper, Stony Brook University Ramirez examines British literary representations of Latin America from the 16th through the 20th centuries, with particular attention to travel writing and fiction published during and after Latin American independence. Locating these representations within the political and economic histories of the countries in which they are set, she places works by Sir Walter Ralegh, Joseph Conrad, Arthur Conan Doyle, Malcolm Lowry, and Graham Greene within a critical context that can best be called "Americanist" and surveys the prominent themes of these works. She also examines their imperialist impulses and their changing master cultural narratives, from Charles Gould's "idea" of empire and his faith in commercial development for Latin America in Conrad's Nostromo to Lowry's Under the Volcano, a story of a failed and alcoholic English Consul in 1930s Mexico. Americanist literature, as Ramirez sees it, manifests mostly informal aspects of imperialism, reflecting the British desire to invest, develop, map, and catalog in countries as varied as Mexico, Panama, Peru, and Brazil. Ramirez argues that British representations of Latin Americareveal an authorial freedom to advance imperial and commercial projects on one hand, while questioning the English self and sense of strangeness in the New World on the other. Especially in the 19th- and 20-century works under consideration, she reveals an acute sense of vulnerability, as British power worldwide had begun to crumble. Expanding on the critical conversation surrounding "Orientalism" and "New World Studies," Ramirez's examination of informal British imperialism and the struggle of motives represented in each of the selected narratives opens a fascinating new terrain of texts reflecting the historical relationship between Britain and Latin America.