The National Trust For Scotland In The Seventies
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Author | : M. Hilton |
Publisher | : Springer |
Total Pages | : 428 |
Release | : 2012-07-20 |
Genre | : History |
ISBN | : 1137029021 |
Aiming to furnish the reader with the historical data to engage with the debates surrounding the Cameron government's 'Big Society' and civil society, this book gives the reader a greater and more informed historical consciousness of how the NGO sector has grown and influenced.
Author | : |
Publisher | : |
Total Pages | : 450 |
Release | : 1965 |
Genre | : Regional planning |
ISBN | : |
Author | : Jan Oosthoek |
Publisher | : ANU E Press |
Total Pages | : 208 |
Release | : 2013-02-01 |
Genre | : Nature |
ISBN | : 1922144797 |
Deforestation of Scotland began millennia ago and by the early 20th century woodland cover was down to about 6 per cent of the total land area. A century later woodland cover had tripled. Most of the newly established forestry plantations were created on elevated land with wet peaty soils and high wind exposure, not exactly the condition in which forests naturally thrive. Jan Oosthoek tells in this book the story of how 20th century foresters devised ways to successfully reforest the poor Scottish uplands, land that was regarded as unplantable, to fulfil the mandate they had received from the Government and wider society to create a timber reserve. He raises the question whether the adopted forestry practice was the only viable means to create forests in the Scottish Highlands by examining debates within the forestry community about the appearance of the forests and their longterm ecological prospects. Finally, the book argues that the long held ecological convictions among foresters and pressure from environmentalists came together in the late 20th century to create more environmentally sensitive forestry.
Author | : |
Publisher | : |
Total Pages | : 560 |
Release | : 1970 |
Genre | : |
ISBN | : |
Author | : James E. PersonJr. |
Publisher | : University Press of Kentucky |
Total Pages | : 433 |
Release | : 2018-05-25 |
Genre | : Literary Collections |
ISBN | : 0813175488 |
Russell Kirk (1918–1994) is renowned worldwide as one of the founders of postwar American conservatism. His 1953 masterpiece, The Conservative Mind, became the intellectual touchstone for a reinvigorated movement and began a sea change in the nation's attitudes toward traditionalism. A prolific author and wise cultural critic, Kirk kept up a steady stream of correspondence with friends and colleagues around the globe, yet none of his substantial body of personal letters has ever been published—letters as colorful and intelligent as the man himself. In Imaginative Conservatism, James E. Person Jr. presents one hundred and ninety of Kirk's most provocative and insightful missives. Covering a period from 1940 to 1994, these letters trace Kirk's development from a shy, precocious young man to a public intellectual firm in his beliefs and generous with his time and resources when called upon to provide for refugees, the homeless, and other outcasts. This carefully annotated and edited collection includes correspondence between Kirk and figures such as T.S. Eliot, William F. Buckley Jr., Ray Bradbury, Arthur Schlesinger Jr., Charlton Heston, Nikolai Tolstoy, Wendell Berry, Richard Nixon, and Herbert Hoover, among many others. Kirk's conservatism was not primarily political but moral and imaginative, focusing always on the relationship of the human soul in community with others and with the transcendent. Beyond the wealth of autobiographical information that this collection affords, it offers thought-provoking wisdom from one of the twentieth century's most influential interpreters of American politics and culture.
Author | : Janet Brennan-Inglis |
Publisher | : The History Press |
Total Pages | : 349 |
Release | : 2014-07-07 |
Genre | : History |
ISBN | : 0750958103 |
Scotland's Castles is a beautifully illustrated celebration and account of the renaissance of Scottish castles that has taken place since 1950. Over 100 ruined and derelict buildings – from tiny towers to rambling baronial mansions – have been restored as homes, hotels and holiday lets. These restorations have mainly been carried out by new owners without any connections to the land or the family history of the buildings, which they bought as ruins. Their struggles and triumphs, including interviews and first-person accounts, form the core of the book, set in the context of the enormous social, political and economic changes of the late twentieth century.
Author | : Harvard University. Graduate School of Design. Library |
Publisher | : |
Total Pages | : 748 |
Release | : 1974 |
Genre | : Architecture |
ISBN | : |
Author | : Hugh Montgomery-Massingberd |
Publisher | : Laurence King Publishing |
Total Pages | : 288 |
Release | : 1997 |
Genre | : Architecture, Domestic |
ISBN | : 1856691063 |
26 houses photographed in colour and accompanied by informative text about their history.
Author | : David Evans |
Publisher | : Psychology Press |
Total Pages | : 336 |
Release | : 1997 |
Genre | : Business & Economics |
ISBN | : 9780415144919 |
A History of Nature Conservation in Britain traces the rise of the conservation movement from its beginnings in Victorian coffee-houses to today's societies with their membership numbering in the millions.
Author | : Christopher Wright |
Publisher | : Yale University Press |
Total Pages | : 950 |
Release | : 2006-01-01 |
Genre | : Art |
ISBN | : 9780300117301 |
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.