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| Author | : Simon Zagorski-Thomas |
| Publisher | : Cambridge University Press |
| Total Pages | : 279 |
| Release | : 2014-08-14 |
| Genre | : Music |
| ISBN | : 1107075645 |
Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology.
| Author | : Simon Zagorski-Thomas |
| Publisher | : Routledge |
| Total Pages | : 324 |
| Release | : 2016-04-01 |
| Genre | : Music |
| ISBN | : 1317044444 |
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
| Author | : Simon Zagorski-Thomas |
| Publisher | : Routledge |
| Total Pages | : 359 |
| Release | : 2019-07-01 |
| Genre | : Music |
| ISBN | : 1315467631 |
The playback of recordings is the primary means of experiencing music in contemporary society, and in recent years 'classical' musicologists and popular music theorists have begun to examine the ways in which the production of recordings affects not just the sound of the final product but also musical aesthetics more generally. Record production can, indeed, be treated as part of the creative process of composition. At the same time, training in the use of these forms of technology has moved from an apprentice-based system into university education. Musical education and music research are thus intersecting to produce a new academic field: the history and analysis of the production of recorded music. This book is designed as a general introductory reader, a text book for undergraduate degree courses studying the creative processes involved in the production of recorded music. The aim is to introduce students to the variety of approaches and methodologies that are currently being employed by scholars in this field. The book is divided into three sections covering historical approaches, theoretical approaches and case studies and practice. There are also three interludes of commentary on the academic contributions from leading record producers and other industry professionals. This collection gives students and scholars a broad overview of the way in which academics from the analytical and practice-based areas of the university system can be brought together with industry professionals to explore the ways in which this new academic field should progress.
| Author | : Richard James Burgess |
| Publisher | : Omnibus Press |
| Total Pages | : 250 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : |
What kind of producer do you want to be? - How do you get started? - What's the job description? - Will they still love you tomorrow - Producer managers - How do you deal with the artist, the record company and the artist's manager? - Lawyers - Difficulties and pitfalls - Success and money - What are the timeless ingredients in a hit record? - Frequently asked questions - Is classical, jazz and country production any different from rock, pop and R & B? - Technology rules - The final cut.
| Author | : Russ Hepworth-Sawyer |
| Publisher | : CRC Press |
| Total Pages | : 276 |
| Release | : 2020-04-07 |
| Genre | : Psychology |
| ISBN | : 0429875851 |
The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today.
| Author | : William Moylan |
| Publisher | : CRC Press |
| Total Pages | : 864 |
| Release | : 2020-02-14 |
| Genre | : Technology & Engineering |
| ISBN | : 1317207157 |
Recording Analysis: How the Record Shapes the Song identifies and explains how the sounds imparted by recording processes enhance the artistry and expression of recorded songs. Moylan investigates how the process of recording a song transforms it into a richer experience and articulates how the unique elements of recorded sound provide essential substance and expression to recorded music. This book explores a broad array of records, evaluating the music, lyrics, social context, literary content and meaning, and offers detailed analyses of recording elements as they appear in a wide variety of tracks. Accompanied by a range of online resources, Recording Analysis is an essential read for students and academics, as well as practitioners, in the fields of record production, song-writing and popular music.
| Author | : Russ Hepworth-Sawyer |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 2019-03-28 |
| Genre | : Social Science |
| ISBN | : 1351815091 |
During the last two decades, the field of music production has attracted considerable interest from the academic community, more recently becoming established as an important and flourishing research discipline in its own right. Producing Music presents cutting-edge research across topics that both strengthen and broaden the range of the discipline as it currently stands. Bringing together the academic study of music production and practical techniques, this book illustrates the latest research on producing music. Focusing on areas such as genre, technology, concepts, and contexts of production, Hepworth-Sawyer, Hodgson, and Marrington have compiled key research from practitioners and academics to present a comprehensive view of how music production has established itself and changed over the years.
| Author | : Tommy Swindali |
| Publisher | : Thomas William |
| Total Pages | : 112 |
| Release | : |
| Genre | : Music |
| ISBN | : |
Everything You Need To Know About Making Music In One Place! Not so long ago, studio quality recording, mixing and music production was only available to the rich and famous artists. However these days it’s now possible to produce professional sounding music from your own home. In fact, you don’t even need to know how to play an instrument or know anything about the technology or need expensive equipment. All you need is a decent computer + inspiration and this book will show you the rest. If you are a first timer, this book will lead you in the right direction in the least amount of time. Or if you have some experience you will definitely incorporate some new insights into how to produce your best music. Here is just a tiny fraction of what you will discover: Best Music Production Software to Start Learning in 2020 Achieve Release Quality Mixes On a Budget How to Write Chords, Drum Beats, Basslines, Melodies and More Common Beginner Music Production Mistakes + How to Avoid or Fix Them Essential Home Recording Studio Equipment For Under $500 Music Theory Explained - Without Needing To Study a Course Creative Hacks To Get You Inspired Right Away Step by Step Guide To Mix + Master Your Music - Even If Your Not a Technical Person DON'T Do Remixes or Edits Before Reading This! How Collaboration in Music Opens Doors Proven Guidelines on How to Get your Music Signed And much, much more.. Stop wasting your time on forums, YouTube and asking the same old questions because everything you need to know is in this book. Be the music producer you've always wanted to be and make your best music with This Book
| Author | : Simon Zagorski-Thomas |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 249 |
| Release | : 2022-07-14 |
| Genre | : Music |
| ISBN | : 1501357816 |
Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon.
