The Musical-Mathematical Mind

The Musical-Mathematical Mind
Author: Gabriel Pareyon
Publisher: Springer
Total Pages: 352
Release: 2017-10-20
Genre: Computers
ISBN: 3319473379

This book presents a deep spectrum of musical, mathematical, physical, and philosophical perspectives that have emerged in this field at the intersection of music and mathematics. In particular the contributed chapters introduce advanced techniques and concepts from modern mathematics and physics, deriving from successes in domains such as Topos theory and physical string theory. The authors include many of the leading researchers in this domain, and the book will be of value to researchers working in computational music, particularly in the areas of counterpoint, gesture, and Topos theory.

Mathematical Mind-Benders

Mathematical Mind-Benders
Author: Peter Winkler
Publisher: CRC Press
Total Pages: 159
Release: 2007-08-17
Genre: Mathematics
ISBN: 1568815077

Peter Winkler is at it again. Following the enthusiastic reaction to Mathematical Puzzles: A Connoisseur's Collection, Peter has compiled a new collection of elegant mathematical puzzles to challenge and entertain the reader. The original puzzle connoisseur shares these puzzles, old and new, so that you can add them to your own anthology. This book is for lovers of mathematics, lovers of puzzles, lovers of a challenge. Most of all, it is for those who think that the world of mathematics is orderly, logical, and intuitive-and are ready to learn otherwise!

Musical Mathematics

Musical Mathematics
Author: Cris Forster
Publisher: Chronicle Books
Total Pages: 0
Release: 2010-07-14
Genre: Music
ISBN: 9780811874076

Musical Mathematics is the definitive tome for the adventurous musician. Integrating mathematics, music history, and hands-on experience, this volume serves as a comprehensive guide to the tunings and scales of acoustic instruments from around the world. Author, composer, and builder Cris Forster illuminates the mathematical principles of acoustic music, offering practical information and new discoveries about both traditional and innovative instruments.With this knowledge readers can improve, or begin to build, their own instruments inspired by Forster's creationsshown in 16 color plates. For those ready to step outside musical conventions and those whose curiosity about the science of sound is never satisfied, Musical Mathematics is the map to a new musical world.

Mind Tools

Mind Tools
Author: Rudy Rucker
Publisher: Courier Corporation
Total Pages: 337
Release: 2013-11-21
Genre: Computers
ISBN: 0486492281

Originally published: Boston: Houghton Mifflin, 1987.

Emblems of Mind

Emblems of Mind
Author: Edward Rothstein
Publisher:
Total Pages: 0
Release: 1996
Genre: Mathematics
ISBN: 9780812727470

Mind and Nature

Mind and Nature
Author: Hermann Weyl
Publisher: University of Pennsylvania Press
Total Pages: 112
Release: 2015-09-30
Genre: Philosophy
ISBN: 1512819328

A new study of the mathematical-physical mode of cognition.

Math and Music

Math and Music
Author: Trudi Hammel Garland
Publisher: Dale Seymour Publications Secondary
Total Pages: 0
Release: 1995
Genre: Music
ISBN: 9780866518291

From the beat of a tribal drum to a choir of crickets--music is everywhere. Math and Music explores the music of various cultures and the sounds heard in nature while highlighting the mathematical concepts, such as proportion, patterns, Fibonacci numbers, geometric transformations, and trigonometry, found in music. The companion poster explores mysterious connections between seemingly different entities, such as music and animals! A four-page guide explains the connections students may discover.

Conversations on Mind, Matter, and Mathematics

Conversations on Mind, Matter, and Mathematics
Author: Jean-Pierre Changeux
Publisher: Princeton University Press
Total Pages: 272
Release: 1998-12-27
Genre: Philosophy
ISBN: 9780691004051

Do numbers and the other objects of mathematics enjoy a timeless existence independent of human minds, or are they the products of cerebral invention? Do we discover them, as Plato supposed and many others have believed since, or do we construct them? Does mathematics constitute a universal language that in principle would permit human beings to communicate with extraterrestrial civilizations elsewhere in the universe, or is it merely an earthly language that owes its accidental existence to the peculiar evolution of neuronal networks in our brains? Does the physical world actually obey mathematical laws, or does it seem to conform to them simply because physicists have increasingly been able to make mathematical sense of it? Jean-Pierre Changeux, an internationally renowned neurobiologist, and Alain Connes, one of the most eminent living mathematicians, find themselves deeply divided by these questions. The problematic status of mathematical objects leads Changeux and Connes to the organization and function of the brain, the ways in which its embryonic and post-natal development influences the unfolding of mathematical reasoning and other kinds of thinking, and whether human intelligence can be simulated, modeled,--or actually reproduced-- by mechanical means. The two men go on to pose ethical questions, inquiring into the natural foundations of morality and the possibility that it may have a neural basis underlying its social manifestations. This vivid record of profound disagreement and, at the same time, sincere search for mutual understanding, follows in the tradition of Poincaré, Hadamard, and von Neumann in probing the limits of human experience and intellectual possibility. Why order should exist in the world at all, and why it should be comprehensible to human beings, is the question that lies at the heart of these remarkable dialogues.

Musical Sense-Making

Musical Sense-Making
Author: Mark Reybrouck
Publisher: Routledge
Total Pages: 218
Release: 2020-11-29
Genre: Music
ISBN: 1000260852

Musical Sense-Making: Enaction, Experience, and Computation broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach. Revolving around the definition of music as a temporal and sounding art, it argues for an interactional and experiential approach that brings together the richness of sensory experience and principles of cognitive economy. Starting from the major distinction between in-time and outside-of-time processing of the sounds, this volume provides a conceptual and operational framework for dealing with sounds in a real-time listening situation, relying heavily on the theoretical groundings of ecology, cybernetics, and systems theory, and stressing the role of epistemic interactions with the sounds. These interactions are considered from different perspectives, bringing together insights from previous theoretical groundings and more recent empirical research. The author’s findings are framed within the context of the broader field of enactive and embodied cognition, recent action and perception studies, and the emerging field of neurophenomenology and dynamical systems theory. This volume will particularly appeal to scholars and researchers interested in the intersection between music, philosophy, and/or psychology.

Musical Variation

Musical Variation
Author: Carlos de Lemos Almada
Publisher: Springer Nature
Total Pages: 329
Release: 2023-07-14
Genre: Mathematics
ISBN: 3031314514

This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.